The book assesses how Pittsburgh deindustrialization over the past decades has posed both opportunities and challenges for the city and surrounding tri-state area.

- Whitest large metro area in the counrty -- Deer people.

Few American cities reflect the challenges and promise of a twenty-first-century economy better than Pittsburgh and its surrounding region. Once a titan of the industrial age, Pittsburgh flourished from the benefits of its waterways, central location, and natural resources-bituminous coal to fire steel furnaces; salt and sand for glass making; gas, oil, and just enough ore to spark an early iron industry. Today, like many cities located in the manufacturing triangle that stretches from Boston to Duluth to St. Louis, Pittsburgh has made the transition to a service-based economy.Pittsburgh and the Appalachians presents a collection of eighteen essays that explore the advantages and disadvantages that Pittsburgh and its surrounding region face in the new global economy, from the perspectives of technology, natural resources, workforce, and geography. It offers an extensive examination of the processes and factors that have transformed much of industrial America during the past half-century, and shows how other cities can learn from the steps Pittsburgh has taken through redevelopment, green space acquisition, air and water quality improvement, cultural revival, and public-private partnerships to create a more livable, economically viable region for future populations.

Marcia Bonta is a naturalist-writer who has lived on a 500-acre mountain-top farm in central Pennsylvania for twenty years. Appalachian Spring is her personal account of that glorious spectacle - the coming of the spring to the woods and fields of Appalachia.The book begins with spring preliminaries in January and February when gray squirrels mate and the great horned owls conduct their courtship rites. Then, with the onset of true spring, the intricacies of the season unravel day by day in journal entries that combine Bonta's own meticulous observations with the research reported by botanists, entomologists, and other natural scientists.She recounts her hours spent watching an active red fox den or observing the drumming of a male ruffed grouse - all without the benefit of a blind. She discovers new-born fawns on the trail and hen turkeys with their poults in the field. A black bear peers into her sitting room window; deer play tag in her front yard.Birdwatching is an integral part of her spring ritual; she records both the return of nesting species and the passing through of migrants. She spends a blustery St. Patrick's Day following a flock of American pipits foraging in her field, discovers and watches an ovenbird nest beside her trail, and counts twenty-three species of wood warblers during one spectacular day in mid-May.Every aspect of the natural world catches her eye, from tthe life cycle of a tent caterpillar to the sex life of a jack-in-the-pulpit. But while she considers her book to ber her own love sone about the place and season on earth she loves most, she also mourns the continual exploitation of the natural earth by humanity for its own often superficial uses. She hopes, by recounting the wonders of the natural world, to convert others to what she calls the "third stage" in humanity's relationship with nature, that of empathy with all of nature for its own sake. "To know the earth better, to grasp a little of its workings, to look on it with awe and wonder as well as with respect, is to want to save it from destruction."

Winter is the season that most tests our mettle. There are the obvious challenges of the weather-freezing rain, wind chill, deep snow, dangerous ice-but also the psychological burdens of waiting for spring and the enduring often false starts that accompany its eventual return. On the surface, perhaps, winter might seem an odd season for a nature book, but there is plenty of beauty and life in the woods if only we know where to look. The stark, white landscape sparkles in the sunshine and glows beneath the moon on crisp, clear nights; the opening up of the forest makes it easy to see long distances; birds, some of which can be easily seen only in winter, flock to feeders; and animals-even those that should be hibernating-make surprise visits from time to time. Appalachian Winter offers acclaimed naturalist Marcia Bonta's view of one season, as experienced on and around her 650-acre home on the westernmost ridge of the hill-and-valley landscape that dominates central Pennsylvania. Written in the style of a journal, each day's entry focuses on her walks and rambles through the woods and fields that she has known and loved for over thirty years. Along the way she discovers a long-eared owl in a dense stand of conifers, tracks a bear through an early December snowfall, explains the life and ecological niche of the red-backed vole, and examines the recent arrival of an Asian ladybug. These are but a few of the tidbits sprinkled throughout the book, interwoven with the human stories of Bonta's family, as well as the highway builders and shopping-mall developers that threaten the idyllic peacefulness of her mountain. This is the fourth and final volume of Bonta's seasonal meditations on the natural history of the northern Appalachian Mountains. Her gentle, charming accounts of changing weather and of the struggles faced by plants, animals, and insects breathe new warmth into the coldest months of the year.

Like her popular Appalachian Spring, Bonta’s book offers a day-by-day account of the changing world of nature in the mountains of central Pennsylvania.& This time she chronicles the beauties of the autumn months as she walks the familiar roads and trails of her 500-acre mountain-top farm, noting the minute transformations of the season as well as the more dramatic ones.

"Examines both the roots and the resonance of Neema Avashia's identity as a queer desi Appalachian woman. With lyric and narrative explorations of foodways, religion, sports, standards of beauty, social media, and gun culture"--

Follows the course of the Youghiogheny river from its source in western Maryland to its confluence with the Monongahela near Pittsburgh

Explores the history and development of Pittsburghese as a cultural product of talk, writing, and other forms of social practice.

A richly produced, craft- and activist-centered celebration of radical DIY publishing, for readers of Appalachian Reckoning. In a remarkable act of recovery, So Much to Be Angry About conjures an influential but largely obscured strand in the nation's radical tradition--the "movement" printing presses and publishers of the late 1960s and 1970s, and specifically Appalachian Movement Press in Huntington, West Virginia, the only movement press in Appalachia. More than a history, this craft- and activist-centered book positions the frontline politics of the Appalachian Left within larger movements in the 1970s. As Appalachian Movement Press founder Tom Woodruff wrote: "Appalachians weren't sitting in the back row during this struggle, they were driving the bus." Emerging from the Students for a Democratic Society chapter at Marshall University, and working closely with organizer and poet Don West, Appalachian Movement Press made available an eclectic range of printed material, from books and pamphlets to children's literature and calendars. Many of its publications promoted the Appalachian identity movement and "internal colony" theory, both of which were cornerstones of the nascent discipline of Appalachian studies. One of its many influential publications was MAW, the first feminist magazine written by and for Appalachian women. So Much to Be Angry About combines complete reproductions of five of Appalachian Movement Press's most engaging publications, an essay by Shaun Slifer about his detective work resurrecting the press's history, and a contextual introduction to New Left movement publishing by Josh MacPhee. Amply illustrated in a richly produced package, the volume pays homage to the graphic sensibility of the region's 1970s social movements, while also celebrating the current renaissance of Appalachia's DIY culture--in many respects a legacy, Slifer suggests, of the movement publishing documented in his book.