Ivy and Fletch have been best friends since babyhood, but they're in for a surprise when they start kindergarten. On the playground the girls play with the girls, and the boys with the boys. Ivy like the princess games, and Fletch has fun as a pirate, but something is missing- Games just aren't as much fun without your best friend. Can they find a common ground? Of course they can! This lively story about friendship, make believe, and getting along proves that, whether pirate or princess, a kid is still a kid (especially when a swing or a cupcake is involved).

Who says girls can't play boys' make-believe games too? "No Girls Allowed," will simply NOT do for this little Princess! "Princesses Can Be Pirates Too!" proves that just because a girl is wearing a gold crown and a pink fluffy dress doesn't mean she can't act like a pirate just as good as any boy. Yes- even a refined and dainty princess can become a rough and tumble pirate! This is the playful and empowering premise of "Princesses Can Be Pirates Too!" "A princess can do what a pirate can too; she can captain a ship and take charge of the crew..". "Should unfriendly pirates try climbing aboard, she can fend off the foes with a swoosh of her sword!" are just a few of the things this feisty princess can do in this humorous interpretation and approach to a pirate's life with a princess' sense of style.

This volume contains more than sixty of Pyle's best works.

A heartwarming book about unconditional love and one remarkable family. Dyson loves pink, sparkly things. Sometimes he wears dresses. Sometimes he wears jeans. He likes to wear his princess tiara, even when climbing trees. He’s a Princess Boy. Inspired by the author’s son, and by her own initial struggles to understand, this heartwarming book is a call for tolerance and an end to bullying and judgments. The world is a brighter place when we accept everyone for who they are.

Princess Bea isn’t like other princesses—she prefers pirate ships above tea parties, the salty sea over silly dolls. But what’s a landlocked princess to do? Ahoy, Captain Jack to the rescue! When the captain offers Bea a place aboard his ship, it’s a dream come true—until she’s put to work swabbing the decks and making dinner for the crew. Can a princess like Bea put her royal gifts to work and make the pirates see that she’s seaworthy after all—or will they make her walk the plank? Pirate Princess is a raucous tale of girl power on the high seas, from author Sudipta Bardhan-Quallen and illustrator Jill McElmurry.

In the first-ever Seven Seas history of the world's female buccaneers, Pirate Women: The Princesses, Prostitutes, and Privateers Who Ruled the Seven Seas tells the story of women, both real and legendary, who through the ages sailed alongside—and sometimes in command of—their male counterparts. These women came from all walks of life but had one thing in common: a desire for freedom. History has largely ignored these female swashbucklers, until now. Here are their stories, from ancient Norse princess Alfhild and warrior Rusla to Sayyida al-Hurra of the Barbary corsairs; from Grace O'Malley, who terrorized shipping operations around the British Isles during the reign of Queen Elizabeth I; to Cheng I Sao, who commanded a fleet of four hundred ships off China in the early nineteenth century. Author Laura Sook Duncombe also looks beyond the stories to the storytellers and mythmakers. What biases and agendas motivated them? What did they leave out? Pirate Women explores why and how these stories are told and passed down, and how history changes depending on who is recording it. It's the most comprehensive overview of women pirates in one volume and chock-full of swashbuckling adventures that pull these unique women from the shadows into the spotlight that they deserve.

A battle for the magical world of Lemuria is raging and an evil sorceress called Obsidian is on the brink of victory. Get ready for swashbuckling adventures with the Princess Pirates as they use their magical powers to help the people and animals of Lemuria, whilst embracing the values of teamwork, friendship, girl power, courage, and loyalty.

Blending the iconoclastic feminism of The Notorious RBG and the confident irreverence of Go the F**ck to Sleep, a brazen and empowering illustrated collection that celebrates inspirational badass women throughout history, based on the popular Tumblr blog. Well-behaved women seldom make history. Good thing these women are far from well behaved . . . Illustrated in a contemporary animation style, Rejected Princesses turns the ubiquitous "pretty pink princess" stereotype portrayed in movies, and on endless toys, books, and tutus on its head, paying homage instead to an awesome collection of strong, fierce, and yes, sometimes weird, women: warrior queens, soldiers, villains, spies, revolutionaries, and more who refused to behave and meekly accept their place. An entertaining mix of biography, imagery, and humor written in a fresh, young, and riotous voice, this thoroughly researched exploration salutes these awesome women drawn from both historical and fantastical realms, including real life, literature, mythology, and folklore. Each profile features an eye-catching image of both heroic and villainous women in command from across history and around the world, from a princess-cum-pirate in fifth century Denmark, to a rebel preacher in 1630s Boston, to a bloodthirsty Hungarian countess, and a former prostitute who commanded a fleet of more than 70,000 men on China’s seas.

For many, the middle ages depicted in Walt Disney movies have come to figure as the middle ages, forming the earliest visions of the medieval past for much of the contemporary Western (and increasingly Eastern) imagination. The essayists of The Disney Middle Ages explore Disney's mediation and re-creation of a fairy-tale and fantasy past, not to lament its exploitation of the middle ages for corporate ends, but to examine how and why these medieval visions prove so readily adaptable to themed entertainments many centuries after their creation. What results is a scrupulous and comprehensive examination of the intersection between the products of the Disney Corporation and popular culture's fascination with the middle ages.