Richard Weston is professor at the Welsh School of Architecture, Cardiff University. He has published extensively on twentieth-century architecture, including his book Materials, Form, and Architecture, published by Yale University Press.

A book on artists and architects from Britain, USA and Europe and how the best remains today where laid by a small group of people who thought and taught as well as designed.

A book on artists and architects from Britain, USA and Europe and how the best remains today where laid by a small group of people who thought and taught as well as designed.

Since it was first published in 1969, it has served as the standard guide to the impact of twentieth century avant-garde movements on graphic design and typography.

New design experiment - Bauhaus - Art Deco - Studio Boggeri - Hendrik Werkman - Pop subversion and alternatives - Late modern and postmodernism - Design in the digital era.

"Illustrated with over 500 photographs, A Century of Design is unique in providing a designer-by designer review within a historical context, revealing the connections between designers and major design movements from around the world from Art Nouveau to Postmodernism and beyond. Each chapter explains the background and orgins of the century's most important style movements, period by period. The most influential internationally known designers of the 20th century are discussed, their major works are featured and their sources of inspiration outlined. A Century of Design covers everything from telephones to textiles, cutlery to computers."--BOOK JACKET.

Beyond the Victorian/ Modernist Divide contributes to a new phase in the Victorian-modern debate of traditional periodization through the perspective lens of literature and the visual arts. Breaking away from conventionally fixed discourses and dichotomies, this book utilizes an interdisciplinary approach to examine the existence of overlaps and unexplored continuities between the Victorians, the post-Victorians and the modernists, including the fields of music, architecture, design, science, and social life. Furthermore, the book remaps the cultural history of two critical meta-narratives and their interdependence – the myth of "high modernism" and the myth of "Victorianism" – by building on recent scholarly work and addressing the question of the "turn of the century break theory" with a new set of arguments and contributions. The essays presented within acknowledge the existence of a break-theory in modernism, but question this theory by re-contextualising it while uncovering long-masked continuities between artists, genres and forms across the divide. The collection offers a new approach to modernism, Edwardianism, and Victorianism; utilizing the cross-fertilisation of interdisciplinary approaches, and by combining contributions that look forward from the Victorians with other contributions that look backward from the modernists. While literary modernism and its vexed relationships with the nineteenth century is a central subject of the book, further analysis includes artistic discourses and theories stemming from history, the visual arts, science, music and design. Each chapter offers a fresh interpretation of individual artists, navigating away from characteristic classifications of works, authors and cultural phenomena. Ultimately, the volume argues that though periodization and genre categories play substantial roles in this divide, it is also essential to be critically aware of the way cultural history has been, and continues to be, constructed.

"Price, a disciple of Frank Furness who practiced in Philadelphia from 1883 to 1916, established the character of two of the nation's greatest resorts, Atlantic City and Miami, thus shaping the architecture of the Roaring Twenties.