Pioneer Days in the Black Hills is a rough-and-tumble account of the early days of Deadwood, Dakota Territory. In 1874, after leading an expedition into the Black Hills, George Armstrong Custer announced that he had found gold "among the roots of the grass." Almost overnight a number of settlements sprang into existence. Among them was Deadwood. In April 1876, John S. McClintock arrived in search of gold. Entering a series of speculations and employments that won him moderate prosperity, he made Deadwood his home. During his later years, he wrote his memoirs, presented here for the first time in half a century.

The lively romp details some of the Wild West's most engaging stories, specifically in the Black Hills and Deadwood, home to prostitutes and poets, desperados and dancehall girls, fortune tellers and fugitives. Readers will meet a host of rowdies ranging from madams to stagecoach robbers, from tall-tale tellers to killers.

The very name Deadwood conjures up vivid Wild West images: saloons with swinging doors, brazen dance-hall girls, buckskin-clad Calamity Jane roaming the streets with her erstwhile paramour, Wild Bill Hickok. The setting is the lawless Dakota Territory of 1876 at the start of the Black Hills gold rush, a stampede for the golden pay dirt. One would hardly expect to find a Jewish pioneer grocer named Jacob Goldberg in this scene, yet Deadwood's story is incomplete without Goldberg. And Goldberg's story is incomplete without either Calamity Jane or Wild Bill. Not just Goldberg, but Finkelstein (also known as Franklin), Stern (also known as Star), Jacobs, Schwarzwald, Colman, Hattenbach, and many other Jews joined the throngs. The Jews provided much more than overalls, chamberpots, and the chambers in which to put them. They also became the mayors, legislators, and civic leaders who helped bring sense and stability to this unruly expanse.

The first book to tell the complete story of Rushmore. "I had seen the photographs and the drawings of this great work. And yet, until about ten minutes ago I had no conception of its magnitude, its permanent beauty and its importance." —Franklin Delano Roosevelt, upon first viewing Mount Rushmore, August 30, 1936 Now in paperback, The Carving of Mount Rushmore tells the complete story of the largest and certainly the most spectacular sculpture in existence. More than 60 black-and-white photographs offer unique views of this gargantuan effort, and author Rex Alan Smith—a man born and raised within sight of Rushmore—recounts with the sensitivity of a native son the ongoing struggles of sculptor Gutzon Borglum and his workers.

A memoir by Sarah Elizabeth "Sadie" Taylor of life in the Black Hills at the turn of the 19th century.

In the 1870s, Deadwood was a thriving—and largely lawless—boomtown. And as any fan of western history and films knows, stagecoach robberies were a regular feature of life in this fabled region of Dakota Territory. Now, for the first time, Robert K. DeArment tells the story of the "good guys and bad guys" behind these violent crimes: the road agents who wreaked havoc on Deadwood's roadways and the shotgun messengers who battled to protect stagecoach passengers and their valuable cargo. DeArment shows in dramatic detail how for two years gangs of robbers ruled the road, perpetrating holdups and killings, until lawmen and stage-company and railroad agents finally brought an end to the mayhem. The characters populating this violent tale include such legendary figures as Wild Bill Hickok and the famous railroad detective James L. "Whispering" Smith, a formidable opponent of bandits. We also get to know the men who operated the stages, the lawmen and company men who ran and defended the coaches, and the outlaws who fought against them. DeArment tells where these men came from and what became of them after the outlawry ended. He ends his account in the 1880s with Buffalo Bill's Wild West show and its spectacular rendition of a shotgun robbery, featuring an actual Deadwood stagecoach. After nearly a century and a half, the Deadwood stage continues to command our attention.