This charming collection of poems and stories is sure to delight readers of all ages. With its vivid imagery, lively language, and timeless themes, Another Garland is a true masterpiece of Indian literature. Don't miss out on this unforgettable reading experience. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Cambridge History of Japanese Literature provides, for the first time, a history of Japanese literature with comprehensive coverage of the premodern and modern eras in a single volume. The book is arranged topically in a series of short, accessible chapters for easy access and reference, giving insight into both canonical texts and many lesser known, popular genres, from centuries-old folk literature to the detective fiction of modern times. The various period introductions provide an overview of recurrent issues that span many decades, if not centuries. The book also places Japanese literature in a wider East Asian tradition of Sinitic writing and provides comprehensive coverage of women's literature as well as new popular literary forms, including manga (comic books). An extensive bibliography of works in English enables readers to continue to explore this rich tradition through translations and secondary reading.

Papers presented at a seminar held at Chandigarh during 1-2 February 2005.

"Siam's great folk epic of love & war"--Back cover.

Since the late nineteenth century, theatre has played a significant role in shaping social and political awareness in India. It has served to raise concerns in post-Independence India as well. Modern Indian Theatre: A Reader brings together writings that speak to the historical contexts from which theatrical practices emerged-colonization, socio-cultural suppression and appropriation, intercultural transformations brought about by the impact of the colonial forces, and acute critical engagement with socio-political issues brought about by the hopes and failures of Independence. The volume addresses pertinent questions like how drama influences social change, the response of drama to the emergence and domination of mass media and the proliferation and influence of western media in India, and how mediations of gender, class, and caste influence drama, its language, forms, and aesthetics. The Introduction by Nandi Bhatia provides a comprehensive understanding of the interface between Indian theatre and 'modernity'.

Sanskrit Has An Unbroken Literary Tradition Of At Least Three Thousand Years. As The Principal Language Of Indias Thought And Culture For Much Of This Time, It Has A Unique Position In National Identity.The Vast Literature Of Sanskrit Is A Major Component Of Indias Cultural Heritage. Its Study Occupies An Important Place, Both In Traditional Learning And In Current Scholarship About Indic Civilization. But The Fruit Of This Knowledge Has, To A Considerable Extent, Stayed Within The Domain Of The Specialist.While The Great Sacred And Philosophical Works Are Well Known, Other Aspects Of Sanskrit Literature Have Had Comparatively Less Public Exposure.The Present Volume Seeks To Fill This Gap For General Readers, Both In India And Abroad. Focused Mainly On Classical Literature, It Is Based On Scholarship Of The First Rank And Attuned To A Broader Interest.Sixteen Distinguished Indian And Foreign Experts Comment Here On Different Aspects Of Sanskrits Literary Treasure House, Ranging From The Famous Epic, Dramatic, Poetic And Prose Works To Anthologies, Epigrams And The Inscriptional Poetry Found In And Outside India. Also Reviewed Are Sanskrit Linguistics, Poetics And Mathematics, Together With Contemporary Writings And Modem Sanskrit Studies Abroad.This Book Gives Revealing Glimpses Of A Magnificent Literature. It Includes Also An Introductory Overall Appraisal From The Vedic Times Onwards. A Special Feature Is A Select Anthology Of Translated Excerpts From Celebrated Sanskrit Classics To Enable The Literature To Speak For Itself.

The traditional understanding of Shiva told through stories and teachings from the Shiva Mahapurana • Explains Shiva’s contradictory forms, such as destroyer or benefactor, and how his form depends on the needs of the devotee • Reveals how Shiva’s teachings allow one to see through the illusions at the root of all grief and alienation in human life • Explores Shiva’s relationships with Durga, Shakti, Sati, and Parvati and with his sons Ganesha and Kartikeya Shiva, the most ancient and complex deity of the Hindu pantheon, has been portrayed in many contrasting lights: destroyer and benefactor, ascetic and householder, wild demon slayer and calm yogi atop Mount Kailash. Drawing from the Hindu sacred text the Shiva Mahapurana--said to be written by Shiva himself--Vanamali selects the essential stories of Shiva, both those from his dark wild side and those from his benevolent peaceful side. Vanamali discusses Shiva’s many avatars such as Shambunatha and Bhola, as well as Dakshinamurti who taught the shastras and tantras to the rishis. She explores Shiva’s relationships with Durga, Shakti, Sati, and Parvati and with his sons Ganesha and Kartikeya. Examining Shiva’s acceptance of outsiders, Vanamali explains why ghosts and ghouls are his attendants and why his greatest devotees are demon kings, like Ravana. She includes famous Shiva stories such as the Descent of the River Ganga and Churning the Milky Ocean as well as those that reveal the origin of the festival of lights, Diwali; his creation of the cosmic couple, or hierogamos; and how Shiva and Parvati taught the world the secrets of Kundalini Shakti. The author also draws upon Shaivite teachings to illustrate the differences between Western science and Vedic science and their explanations for the origins of consciousness. Integrating Shiva’s two sides, the fierce and the peaceful, Vanamali reveals that Shiva’s form depends on the needs of the devotee. Understanding his teachings allows one to see through the illusions at the root of all grief and alienation in human life, for Shiva is the wielder of maya who does not fall under its spell. While Ganesha is known as the remover of obstacles, Shiva is the remover of tears.

In this volume have been collected all of Sri Aurobindo's independent prose writings on the Mahabharata, as well as his translations of passages from the epic. (Writings on and translations of the Bhagavad Gita are not included.) The principal prose work is an essay written in Baroda entitled, Notes on the Mahabharata , in which Sri Aurobindo put forward the idea that the original Mahabharata of Vyasa, consisting of some 24,000 verses, could be disengaged from later enlargements, accretions and additions by means of a detailed textual study. Three examples of this textual criticism have been found in Sri Aurobindo's notebooks. They are published here under the heading Detailed Notes. Two of them are appearing here for the first time. A few paragraphs on the Mahabharata from A Defence of Indian Culture have been included as an appendix. These repesent Sri Aurobindo's later thinking on the epic.