Pinball's history is America's history, from gambling and war-themed machines to the arcade revolution and, ultimately, the decline of the need to leave your house. The strangest thing about pinball is that it persists, and not just as nostalgia. Pinball didn't just stick around—it grew and continues to evolve with the times. Somehow, in today's iPhone world, a three-hundred-pound monstrosity of wood and cables has survived to enjoy yet another renaissance. Pinball is more to humor writer Adam Ruben than a fascinating book topic—it's a lifelong obsession. Ruben played competitive pinball for years, rising as high as the 80th-ranked player in the world. Then he had children. Now, mired in 9,938th place—darn kids—Ruben tries to stage a comeback, visiting pinball museums, gaming conventions, pinball machine designers, and even pinball factories in his attempt to discover what makes the world's best players, the real wizards, so good. Along the way, Ruben examines the bigger story of pinball's invention, ascent, near defeat, resurgence, near defeat again, and struggle to find its niche in modern society.

Pop-art connoisseurs are treated to a mind-bending journey through the blistering paintings of San Francisco artist Dirty Donny Gillies. Take a visual tour of his vibrant, hand-drawn and screen-printed poster art series "Blacklight Rebellion" and hand-painted solo art show "Fantastic Voyage." This ultimate collection of cool also includes his iconic work for Stern Pinball, metal giant Metallica, Vans Skate, Snap-On tools, and Cruz Pedregon's Top Fuel Funny Car, not to mention work on his own air-brushed 1970s boogie van. The art attack continues with eye-melting imagery from skateboard decks, decal sets, toys, guitars, drums, and his series of model kits for AMT. Pop-art collectors will appreciate full-page photos from the likes of legendary street photographer Ricky Powell, as well as the commentary by Ed Robertson of the Bare Naked Ladies, Mastadon's Brann Dailor, Brendon Small of animated series Metalocalypse, Howie Pyro, (Danzig, D-Generation) and fellow weirdo artist Skinner.

Pinball games have long been regarded as the twentieth century's ultimate coin operated amusement, touching the lives of generations of players in numerous cultures. This visual chronicle, with examples from the game's beginnings to the present day, focuses in particular on the years from 1958 to 1998. It showcases fifty fascinating pinball games, each with its own chapter outlining the special features. Covered in detail are cultural influences, design and artistic trends, historical connections, collectibility, values, and unique game rules. Over 800 full color photographs display whole machine shots, close-ups of backglasses and playfields, and ball's-eye-view images. They put the pinball enthusiast right into the action! This beautiful book is an essential reference for the libraries of pinball collectors and aficionados everywhere.

This is a book for dedicated academics who consider spending years masochistically overworked and underappreciated as a laudable goal. They lead the lives of the impoverished, grade the exams of whiny undergrads, and spend lonely nights in the library or laboratory pursuing a transcendent truth that only six or seven people will ever care about. These suffering, unshaven sad sacks are grad students, and their salvation has arrived in this witty look at the low points of grad school. Inside, you’ll find: • advice on maintaining a veneer of productivity in front of your advisor • tips for sleeping upright during boring seminars • a description of how to find which departmental events have the best unguarded free food • how you can convincingly fudge data and feign progress This hilarious guide to surviving and thriving as the lowliest of life-forms—the grad student—will elaborate on all of these issues and more.

From the telegraph to the touchscreen, how the development of binary switching transformed everyday life and changed the shape of human agency The Switch traces the sudden rise of a technology that has transformed everyday life for billions of people: the binary switch. By chronicling the rapid growth of binary switching since the mid-nineteenth century, Jason Puskar contends that there is no human activity as common today as pushing a button or flipping a switch—the deceptively simple act of turning something on or off. More than a technical history, The Switch offers a cultural and political analysis of how reducing so much human action to binary alternatives has profoundly reshaped modern society. Analyzing this history, Puskar charts the rapid shift from analog to digital across a range of devices—keyboards, cameras, guns, light switches, computers, game controls, even the “nuclear button”—to understand how nineteenth-century techniques continue to influence today’s pervasive digital technologies. In contexts that include musical performance, finger counting, machine writing, voting methods, and immersive play, Puskar shows how the switch to switching led to radically new forms of action and thought. The innovative analysis in The Switch makes clear that binary inputs have altered human agency by making choice instantaneous, effort minimal, and effects more far-reaching than ever. In the process, it concludes, switching also fosters forms of individualism that, though empowering for many, also preserve a legacy of inequality and even domination.

A memorial anthology for fantasy master David Farland A good story can entertain us. A great story can transform us. Two iconic archetypes in fantasy and fairy tales are wizards and wolves, and both are known for their ability to transform. Wizards can work magic to change the rules of the world to fit their wants and needs. Wolves can transform from man to beast under the light of a full moon. Both can represent power and danger as well as inspire loyalty or fear. This collection of eighteen short stories celebrates a wide variety of both wizards and wolves—often in the same story—as well as peels back the layers of what it means to be transformed. You’ll read stories of people turning into wolves—or wolves turning into people—but you’ll also read stories of a wizard passing on his legacy before he dies, and a hockey game played to reclaim part of a stolen soul. You’ll find a twist on the familiar story of a young girl in a red cape, and a tale of a pinball machine that is more than it appears to be. From fantasy to horror, to science fiction to humor, these stories offer something for everyone. David Farland transformed lives, not only with his writing and imagination, but also with his mentoring of new writers. This anthology supports the scholarship fund of the Superstars Writing Seminars, which he co-founded. “By turns heartbreaking and humorous—but always magical—this anthology is a fitting tribute that’s sure to please Farland’s fans.”—Publishers Weekly Don’t miss the other anthologies that support the scholarship fund.

This brilliant early work from one of America's finest writers is a soulful and often profane story of working-class life in the Bronx, and one young man's bruising initiation into adulthood.

From Newbery-winning author Betsy Byars comes a story full of "poignancy, perception, and humor" (The Chicago Tribune), about three foster kids who learn what it takes to make a family. You can't always decide where life will take you—especially when you're a kid. Carlie knows she's got no say in what happens to her. Stuck in a foster home with two other kids, Harvey and Thomas J, she's just a pinball being bounced from bumper to bumper. As soon as you get settled, somebody puts another coin in the machine and off you go again. But against her will and her better judgment, Carlie and the boys become friends. And all three of them start to see that they can take control of their own lives.

Tell Them I'm Not Home is a lightly fictionalized memoir of growing up in the Olney section of North Philadelphia in the decade following World War II, a place not unlike Jean Shepherd's Hammond, Indiana of a decade earlier. The close-quarters life in a blue-collar neighborhood of row-house streets provided the author with a cast of characters, many funny, some scary, as well as a near-endless litany of stories. Tell Them I'm Not Home is a ticket back to the Olney of the late 1940s and early 1950s, a place as singular, colorful and as lost to today as Hapsburg Vienna or tenement New York.