This volume provides new, ground-breaking perspectives on the globally renowned work of the Tanztheater Wuppertal and its iconic founder and artistic director, Pina Bausch. The company's performances, how it developed its productions, the global transfer of its choreographic material and the reactions of audiences and critics are explained as complex, interdependent and reciprocal processes of translation. This is the first book to focus on the artistic research conducted for the Tanztheater's international coproductions and features extensive interviews with dancers, collaborators and spectators and provides first-hand ethnographic insights into the work process. By introducing the praxeology of translation as a key methodological concept for dance research, Gabriele Klein argues that Pina Bausch's lasting legacy is defined by an entanglement of temporalities that challenges the notion of contemporaneity.

Pina Bausch's work has had tremendous impact across the spectrum of late twentieth-century performance practice. It helped to redefine the possibilities of what both dance and theater can be. This edited collection presents a compendium of source material combined with contextual essays that serve as a base for the study of Pina Bausch's performance work. Edited by a renowned Bausch expert, Royd Climenhaga, it promises to help to open up Bausch's performative world for students, scholars and practitioners alike.

Pina Bausch’s Aggressive Tenderness: Repurposing Theater through Dance maps Bausch’s pieces alongside methodologies of key theater and film practitioners. This book includes discussion of a variety of Bausch pieces, including Sacre du Printemps (Rite of Spring 1975), Kontakthof (Meeting Place 1978), Café Müller (Café Mueller 1978), Nelken (Carnations 1982), Arien (Arias 1985), and Vollmond (Full Moon 2006). Beginning with her approach as one avenue of dance dramaturgy, the author connects the content expressed in these pieces with theoretical conversations, works from other artists inspired by Bausch, and her own experiences, providing an examination that is both academic and personally insightful. Arendell reads all of these theatrical and film approaches into Bausch’s work to highlight how the time frame involves a cross-pollination between Bausch and the other artists that looks both backward and forward in its influences. Ideal for students of dance and theater, Pina Bausch’s Aggressive Tenderness shows how Bausch’s Tanztheater speaks a kinaesthetic language, one that Arendell translates into a somaesthetic exploration to pair a repurposed body ethic with movements that present new forms of embodiment.

This newly-updated second edition explores Pina Bausch’s work and methods by combining interviews, first-hand accounts, and practical exercises from her developmental process for students of both dance and theatre. This comprehensive overview of her work offers new and exciting insight into the theatrical approach of a singular performance practitioner. This is an essential introduction to the life and work of one of the most significant choreographers/directors of the twentieth and twenty-first centuries. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today’s student.

The first-ever biography in English of Pina Bausch: perhaps the most influential performer and choreographer of the 20th century. Meyer has written an accessible, readable account, with a clear journalistic approach that penetrates the mystique and mythology surrounding Pina's life. Bausch was notoriously shy of discussing her work, yet Meyer's research is underpinned by several quotes from Pina herself, as well as members of her ensemble. As well as illuminating her personal life and her work ethic, it also takes stock of Bausch's legacy and the future for the Tanztheater Wuppertal, the Company she created.

This book embarks on an interdisciplinary study of dance theater, one that provides a deeper insight into contemporary performing arts. Ciane Fernandes combines Laban movement analysis and the writings of Jacques Lacan and Michel Foucault to investigate repetition in the works and creative process of Pina Bausch (b.1940), who is considered to be one of the most important choreographers of the twentieth century. This book examines repetition in Bausch's pieces as both method and subject, exploring its power in the metamorphosis of meaning. Repetition is used to subvert its own process of domination over the body at aesthetic, cognitive, and social levels. The body simultaneously becomes natural and linguistic, experiential and automatic, personal and social, constantly repeating and transforming the history of its domination.

This book presents a new reading of Pina Bausch's dance theatre, orienting it within an international legacy of performance practice. The discussion considers not only the influence of German and American modern dance on Bausch's work but, crucially, interrogates parallels with modernist and postdramatic theatre (including Antonin Artaud, Samuel Beckett, Jerzy Grotowski, and Robert Wilson), the influence of which has been largely neglected in existing studies of her oeuvre. Pina Bausch's Dance Theatre provides a wide-ranging study of Bausch's aesthetic and methods of practice, with case studies ranging from the beginning of her career to her final choreographies.

President Emerita of the Brooklyn Academy of Music (BAM) Karen Brooks Hopkins pens BAM…and Then It Hit Me, an inspiring memoir of her 36 years at the iconic cultural institution, America's oldest performing arts center. The book has a sharp focus on concepts such as leadership, innovation, urban revitalization (including the transformation of Brooklyn from Manhattan Outpost to the coolest neighborhood on the planet), as highly successful cultural fundraising played critical roles in the colorful evolution of this world-class cultural juggernaut in the performing arts.

Pina Bausch (1940-2009) became a cult figure in the international dance scene with her "Tanztheater Wuppertal" which she both founded and directed. In her choreographies she combined classical dance with elements of performance art, mime, acrobatics, sports, acting, and song, thereby creating a new art genre that both suited the spirit of the times and, by the artistic radicality of her productions, set the parameters for the future of dance theater. Wim Wenders dedicates his remarkable documentary Pina to her oeuvre. The film won the Deutscher Filmpreis 2011 for best documentary and was nominated for the 2012 Oscar for best documentary. Donata Wenders' still camera accompanied the shooting of Wim Wenders' congenial homage to Pina Bausch and her celebrated ensemble. This book offers a unique view of both the film and the stunning oeuvre of revolutionary choreographer Pina Bausch and her legendary dance company.