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In the late Middle Ages, Europe saw the rise of one of its most virulent myths: that Jews abused the eucharistic bread as a form of anti-Christian blasphemy, causing it to bleed miraculously. The allegation fostered tensions between Christians and Jews that would explode into violence across Germany and Austria. And pilgrimage shrines were built on the sites where supposed desecrations had led to miracles or to anti-Semitic persecutions. Exploring the legends, cult forms, imagery, and architecture of these host-miracle shrines, Pilgrimage and Pogrom reveals how they not only reflected but also actively shaped Christian anti-Judaism in the two centuries before the Reformation. Mitchell B. Merback studies surviving relics and eucharistic cult statues, painted miracle cycles and altarpieces, propaganda broadsheets, and more in an effort to explore how accusation and legend were transformed into propaganda and memory. Merback shows how persecution and violence became interdependent with normative aspects of Christian piety, from pilgrimage to prayers for the dead, infusing them with the ideals of crusade. Valiantly reconstructing the cult environments created for these sacred places, Pilgrimage and Pogrom is an illuminating look at Christian-Jewish relations in premodern Europe.

Moore traces and re-interprets the significance of the architecture of the Christian Holy Land within changing religious and political contexts.

The concept of the medieval city is fixed in the modern imagination, conjuring visions of fortified walls, towering churches, and winding streets. In Riemenschneider in Rothenburg, Katherine M. Boivin investigates how medieval urban planning and artistic programming worked together to form dynamic environments, demonstrating the agency of objects, styles, and spaces in mapping the late medieval city. Using altarpieces by the famed medieval artist Tilman Riemenschneider as touchstones for her argument, Boivin explores how artwork in Germany’s preeminent medieval city, Rothenburg ob der Tauber, deliberately propagated civic ideals. She argues that the numerous artistic pieces commissioned by the city’s elected council over the course of two centuries built upon one another, creating a cohesive structural network that attracted religious pilgrims and furthered the theological ideals of the parish church. By contextualizing some of Rothenburg’s most significant architectural and artistic works, such as St. James’s Church and Riemenschneider’s Altarpiece of the Holy Blood, Boivin shows how the city government employed these works to establish a local aesthetic that awed visitors, raising Rothenburg’s profile and putting it on the pilgrimage map of Europe. Carefully documented and convincingly argued, this book sheds important new light on the history of one of Germany’s major tourist destinations. It will be of considerable interest to medieval art historians and scholars working in the fields of cultural and urban history.

Illuminates the impact of Jews and Turks on the life and work of influential reformer Andreas Osiander

While the masterpieces of the Italian Renaissance are usually associated with Italy’s historical seats of power, some of the era’s most characteristic works are to be found in places other than Florence, Rome, and Venice. They are the product of the diversity of regions and cultures that makes up the country. In Endless Periphery, Stephen J. Campbell examines a range of iconic works in order to unlock a rich series of local references in Renaissance art that include regional rulers, patron saints, and miracles, demonstrating, for example, that the works of Titian spoke to beholders differently in Naples, Brescia, or Milan than in his native Venice. More than a series of regional microhistories, Endless Periphery tracks the geographic mobility of Italian Renaissance art and artists, revealing a series of exchanges between artists and their patrons, as well as the power dynamics that fueled these exchanges. A counter history of one of the greatest epochs of art production, this richly illustrated book will bring new insight to our understanding of classic works of Italian art.

The notions of other peoples, cultures, and natural conditions have always been determined by the epistemology of imagination and fantasy, providing much freedom and creativity, and yet have also created much fear, anxiety, and horror. In this regard, the pre-modern world demonstrates striking parallels with our own insofar as the projections of alterity might be different by degrees, but they are fundamentally the same by content. Dreams, illusions, projections, concepts, hopes, utopias/dystopias, desires, and emotional attachments are as specific and impactful as the physical environment. This volume thus sheds important light on the various lenses used by people in the Middle Ages and the early modern age as to how they came to terms with their perceptions, images, and notions. Previous scholarship focused heavily on the history of mentality and history of emotions, whereas here the history of pre-modern imagination, and fantasy assumes center position. Imaginary things are taken seriously because medieval and early modern writers and artists clearly reveal their great significance in their works and their daily lives. This approach facilitates a new deep-structure analysis of pre-modern culture.

In this first comprehensive history in English of the Jews of Hebron, Jerold S. Auerbach explores one of the oldest and most vilified Jewish communities in the world. Spanning three thousand years, from the biblical narrative of Abraham's purchase of a burial cave for Sarah to the violent present, it offers a controversial analysis of a community located at the crossroads of the Israeli-Palestinian struggle over national boundaries and the internal Israeli struggle over the meaning of Jewish statehood. Hebron Jews sharply challenges conventional Zionist historiography and current media understanding by presenting a community of memory deeply embedded in Zionist history and Jewish tradition. Auerbach shows how the blending of religion and nationalism_Orthodoxy and Zionism_embodied in Hebron Jews is at the core of the struggle within Israel to define the meaning of a Jewish state.

The Historical Dictionary of the Jews presents the history of the Jewish people and their religious culture in a way that makes clear how and why this small, ancient people have survived nearly four millennia and managed to play such an important role in the world-well out of proportion to their population. The Jews trace their origins far back in history to the early tribes of Judah and Moses. Over the centuries, they spread across much of the Western world, as well as into parts of Africa and Asia, until they were crushed by the Holocaust and were forced to find refuge in the United States and the new state of Israel. Because of that horrific event, of the estimated 15 million Jews living today, approximately six million reside in Israel, with almost the same number living in the United States, making these two countries the main center of Jewish life today. This ready reference tells the history of the Jewish people through a detailed chronology, an introductory essay, an extensive bibliography, and over 200 cross-referenced dictionary entries on significant persons, places, events, institutions, and aspects of culture, society, economy, and politics. This book is an excellent access point for students, researchers, and anyone wanting to know more about the Jewish people.

An analysis of medieval ritual, history, and memory in Germany and the United States.