An exceptional reference work to pilgrim and secular badges of the middle ages.

Brian Spencer, former Keeper of the Museum of London, was a major scholar of medieval popular culture. He almost single-handedly established the study of pilgrim souvenirs and secular badges. He defined what these objects were and ascertained their function, manufacture, style, and iconography with a careful use of primary documents and intricate stylistic analysis. He identified every major souvenir and badge discovered in Great Britain during the last few decades. He also made prominent contributions to the field of seal matrices, gaming pieces, and horse paraphernalia. What bound all of these interests together was his understanding that the study of these artefacts could shed light on the beliefs and practices of a large number of people. This is reflected in the frequency with which his work is cited. This volume is a collection of essays written by those who worked with Brian directly and those with whom he corresponded.

A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. Newly revised edition of a highly successful companion, including 11 new articles Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.

In this study, Jo Stoner investigates the role of domestic material culture in Late Antiquity. Using archaeological, visual and textual evidence from across the Roman Empire, the personal meanings of late antique possessions are revealed through reference to theoretical approaches including object biography. Heirlooms, souvenirs, and gift objects are discussed in terms of sentimental value, before the book culminates in a case study reassessing baskets as an artefact type. This volume succeeds in demonstrating personal scales of value for artefacts, moving away from the focus on economic and social status that dominate studies in this field. It thus represents a new interpretation of domestic material culture from Late Antiquity, revealing how objects transformed houses into homes during this period.

This book seeks to address the journeying context of pilgrimage within the landscapes of Medieval Britain. Using four case studies, an interdisciplinary methodology developed by the author is applied to four different geographical and cultural areas of Britain to investigate the practicalities of travel along the Medieval road network.

Material culture in London in an age of transition is a major new illustrated catalogue of a rare assemblage of items from the Tudor and Stuart periods, mostly from waterlogged riverside sites. Objects of leather, bone, wood and glass as well as metal (with metallurgical analyses) include clothing and accessories; household equipment, fixtures and fittings; and items attesting writing, reading and leisure pursuits, as well as textile working, non-ferrous and ferrous metalworking, leather working, woodworking, bone, antler and glass working, ship building and fishing. There are weights; coins, tokens and jettons; pilgrim souvenirs and secular badges; horse equipment, arms and armour fragments. The discussion considers specific chronological trends as well as more general aspects of production, trade and changing styles.

Seventeen papers demonstrate how zooarchaeologists engage with questions of identity through culinary references, livestock husbandry practices and land use. Contributions combine hitherto unpublished zooarchaeological data from regions straddling a wide geographic expanse between Greece in the West and India in the East and spanning a time range from the latest part of the Palaeolithic to the Middle Ages. The vitality of a hands-on approach to data presentation and interpretation carried out primarily at the level of the individual site – the arena of research providing the bread and butter of zooarchaeological work conducted in southwest Asia – is demonstrated. Among the themes explored are shifting identities of late hunter-gatherers through interactions with settled agrarian societies; the management of camp sites by early complex hunter-gatherers; processes of assimilation of Roman culinary practices among Egyptian elites; and the propagation of medieval pilgrim identity through the use of seashell insignia. A wealth of new data is discussed and a wide variety of applications of analytical approaches are applied to particular case studies within the framework of social and contextual zooarchaeology. The volume constitutes the proceedings of the 11th meeting of the ICAZ Working Group - Archaeozoology of Southwestern Asia and Adjacent Areas (ASWA).

Seven volume set of these classic works of reference, essential for students, scholars, archaeologists, re-enactors and historians of material culture, textiles and tools.