'Gripping.' New Statesman 'Compulsive.' Observer 'Strange and exhilarating.' Sunday Times 'A joy to read.' Sunday Telegraph 'Constantly surprising.' London Review of Books 'One of the most original comic creations in recent fiction.' Guardian Time passed slowly in the 1950s, especially if you'd been put to bed and told not to move (until further notice). But John Cromer, the central character of this extraordinary novel, is much closer to being an explorer than a victim. He's the weakest hero in fiction - unless he's one of the strongest. The first instalment of the semi-infinite Pilcrow sequence, this novel of capacious wit and style marks the opening chapter of the most memorable and enjoyable experiment in modern fiction. 'Pilcrow is a humdinger, a startling work that stands out against the monotonous field of contemporary British fiction as a genuine, almost miraculous oddity.' Metro

Revealing the secret history of punctuation, this tour of two thousand years of the written word, from ancient Greece to the Internet, explores the parallel histories of language and typography throughout the world and across time.

From the ampersat and amerpsand, via smileys and runes to the ubiquitous presence of mathematical and other symbols in sciences and technology: both old and modern documents abound with many familiar as well as lesser known characters, symbols and other glyphs. Yet, who would be readily able to answer any question like: ‘who chose π to represent the ratio of a circle’s diameter to its circumference?’ or ‘what’s the reasoning behind having a ⌘ key on my computer keyboard?’ This book is precisely for those who have always asked themselves this sort of questions. So, here are the stories behind one hundred glyphs, the book being evenly divided into five parts, with each featuring 20 symbols. Part 1, called Character sketches, looks at some of the glyphs we use in writing. Part 2, called Signs of the times, discusses some glyphs used in politics, religion, and other areas of everyday life. Some of these symbols are common; others are used only rarely. Some are modern inventions; others, which seem contemporary, can be traced back many hundreds of years. Part 3, called Signs and wonders, explores some of the symbols people have developed for use in describing the heavens. These are some of the most visually striking glyphs in the book, and many of them date back to ancient times. Nevertheless their use — at least in professional arenas — is diminishing. Part 4, called It’s Greek to me, examines some symbols used in various branches of science. A number of these symbols are employed routinely by professional scientists and are also familiar to the general public; others are no longer applied in a serious fashion by anyone — but the reader might still meet them, from time to time, in older works. The final part of the book, Meaningless marks on paper, looks at some of the characters used in mathematics, the history of which one can easily appreciate with only a basic knowledge of mathematics. There are obviously countless others symbols. In recent years the computing industry has developed Unicode and it currently contains more than 135 000 entries. This book would like to encourage the curious reader to take a stroll through Unicode, to meet many characters that will delight the eye and, researching their history, to gain some fascinating insights. ​

"I met a buxom grammatician / and said I'd like her out to take; / back she came with proposition: / in let's stay and out let's make..." Who can look at punctuation mark or idiom and not think of romantic frustration? Clearly, what the world needs most is flippant poems that combine points of English grammar with a salacious sensibility. And here it is: Songs of Love and Grammar, some five-dozen-odd poems on romantic and grammatical entanglements. Is it reference? Is it poetry? Well, yes, but above all, it's funny.

Have you heard of the Beasts? No? Well, I'm not surprised. Not many people have. That's because the Beasts are very rare. This is the tale of one Beast, the rarest of the rare, a Beast who decides he is lonely and sets out to find the other Beasts. Will his daring and dangerous journey lead him to some friends?

John Cromer is the weakest hero in literature - unless he's one of the strongest. In 'Cedilla' he launches himself into the wider world of mainstream education, and comes upon deeper joys and subtler setbacks.

Typographies of Performance in Early Modern England is the first book-length study of early modern English playbook typography. It tells a new history of drama from the period by considering the page designs of plays by Shakespeare and others printed between the end of the fifteenth century and the beginning of the eighteenth century. It argues that typography, broadly conceived, was used creatively by printers, publishers, playwrights, and other agents of the book trade to make the effects of theatricality—from the most basic (textually articulating a change in speaker) to the more complex (registering the kinesis of bodies on stage)—intelligible on the page. The coalescence of these experiments into a uniquely dramatic typography that was constantly responsive to performance effects made it possible for 'plays' to be marketed, collected, and read in the sixteenth and seventeenth centuries as a print genre distinct from all other genres of imaginative writing. It has been said, 'If a play is a book, it is not a play.' Typographies of Performance in Early Modern England shows that 'play' and 'book' were, in fact, mutually constitutive: it was the very bookishness of plays printed in early modern England that allowed them to be recognized by their earliest readers as plays in the first place.

It's time for hand letterer Jamie Lang to pay up on her bet from last fall to handsome, wealthy Kit Perry and finally go out to dinner with him. As Kit takes her to the pre-opening of a new high-end Nordic restaurant in downtown Seattle, snow begins falling. Never a good thing in Seattle. The evening begins on a lovely note. The setting is romantic. The food is delicious. Everything is perfect - until a fellow dinner guest apparently chokes to death a few tables away. And it looks like murder. Now Jamie, Kit, and the rest of the diners and staff are snowed in with a dead body. The police are delayed. Everybody has a motive. It's up to Jamie and her hand lettering, sleuthing, and murder-solving skills to stop the killer from striking again…