Filled with fascinating images from the 1950s to today, this comprehensive anthology is the first to showcase the complete vision of Pierre Cardin from fashion to interior design, at a time when his creations are experiencing a resurgence. More than simply an album of compelling images, this impressive volume encapsulates Cardin’s entire oeuvre and portrays his daily life as a still-constant quest for new creative expression. -- Publisher's website.

In this book aimed at designers and home fashion lovers, the furniture designs of Pierre Cardin are described and shown in color and b&w photographs. The story of Cardin's entrance into this specialty is told, as well as descriptions of his studio and collaborators. Full-page photos of many pieces follow the essays; most of the designs shown are fr

Biografi om den franske modeskaber Pierre Cardin

This is the first authorized monograph on Pierre Cardin (b. 1922). Visionary fashion designer and licensing pioneer, Cardin began his career apprenticed to Elsa Schiaparelli and Christian Dior. He quickly launched his own haute couture line, in 1954, followed rapidly by the first women's and men's prjt--porter (ready-to-wear) collections from a couture designer. Since the 1960s, Cardin's cutting-edge, futuristic designs have continually broken new ground and established exciting new trends. And he invented the business of fashion as we know it today, with international brand licensing across a variety of products and media. Pierre Cardin himself made his ambition clear: "I wanted my name to become a brand and not just a label." Cardin brought high fashion to the street; he invented the bubble dress and launched the use of cartridge pleating, bright clear colors, as well as vinyl, plastics, metal rings, and oversize buttons. Pierre Cardin has also designed accessories, furniture, and cosmetics. There are now more than 900 licenses in over 140 countries, employing more than 200,000 people under the Pierre Cardin trademark.

A visual examination of Cardin fashion, from the 1950s through to the 1990s complemented by an article tracing his development. Publication coincides with the Pierre Cardin retrospective exhibition at the Victoria and Albert Museum.

This groundbreaking fashion branding and management text brings an analytical business dimension to the marketing and corporate techniques of the luxury fashion goods industry. It will make engaging reading for anyone who wishes to learn about the captivating business of turning functional products into objects of desire.

Alain Elkann has mastered the art of the interview. With a background in novels and journalism, and having published over twenty books translated across ten languages, he infuses his interviews with innovation, allowing them to flow freely and organically. Alain Elkann Interviews will provide an unprecedented window into the minds of some of the most well-known and -respected figures of the last twenty-five years.

On November 28, 1973, the world's social elite gathered at the Palace of Versailles for an international fashion show. By the time the curtain came down on the evening's spectacle, history had been made and the industry had been forever transformed. This is that story. Conceived as a fund-raiser for the restoration of King Louis XIV's palace, in the late fall of 1973, five top American designers faced off against five top French designers in an over-the-top runway extravaganza. An audience filled with celebrities and international jet-setters, including Princess Grace of Monaco, the Duchess of Windsor, Paloma Picasso, and Andy Warhol, were treated to an opulent performance featuring Liza Minnelli, Josephine Baker, and Rudolph Nureyev. What they saw would forever alter the history of fashion. The Americans at the Battle of Versailles– Oscar de la Renta, Bill Blass, Anne Klein, Halston, and Stephen Burrows – showed their work against the five French designers considered the best in the world – Yves Saint Laurent, Hubert de Givenchy, Pierre Cardin, Emanuel Ungaro, and Marc Bohan of Christian Dior. Plagued by in-fighting, outsized egos, shoestring budgets, and innumerable technical difficulties, the American contingent had little chance of meeting the European's exquisite and refined standards. But against all odds, the American energy and the domination by the fearless models (ten of whom, in a groundbreaking move, were African American) sent the audience reeling. By the end of the evening, the Americans had officially taken their place on the world's stage, prompting a major shift in the way race, gender, sexuality, and economics would be treated in fashion for decades to come. As the curtain came down on The Battle of Versailles, American fashion was born; no longer would the world look to Europe to determine the stylistic trends of the day, from here forward, American sensibility and taste would command the world's attention. Pulitzer-Prize winning fashion journalist Robin Givhan offers a lively and meticulously well-researched account of this unique event. The Battle of Versailles is a sharp, engaging cultural history; this intimate examination of a single moment shows us how the world of fashion as we know it came to be.

On the centenary of Pierre Cardin’s birth, this volume looks back at the designer’s early career to discover the inspirations behind his later iconic work. Pierre Cardin’s designs were worn by an international elite of beautiful women, from Jackie Kennedy to Lauren Bacall and Jeanne Moreau. A close friend of André Courrèges and Paco Rabanne, Cardin revolutionized modern fashion in the mid-1960s, creating iconic designs that continue to resonate today. His many talents and mastery of materials—from fabrics to plastics—extended from haute couture to ready-to-wear, menswear, jewelry, furniture design, perfumes, and accessories, while his business acumen led him to create a business empire that stretched from China to the United States. In this volume, longtime Cardin collaborator Jean-Pascal Hesse shares his intimate knowledge of the designer’s early career in Paris and analyzes the creative influences and partnerships that inspired Cardin to design some of the most emblematic haute couture creations of the 1950s and 1960s, as well as the space age–inflected Cosmocorps work, which presciently explored gender fluidity. Drawing from a broad range of sources that Hesse has been gathering for more than two decades, this work features personal recollections from Cardin himself, in addition to numerous previously unpublished photographs and documents recounting his early years in Christian Dior’s studio, his success in the United States in the 1950s and 1960s, and his profound interest in Japanese art and design.