Picturing the Cosmos elucidates the complex relationship between visual propaganda and censorship in the Soviet Union in the Cold War period, focusing on the 1950s and 1960s. Drawing from a comprehensive corpus of rarely seen photographs and other visual phenomena narrating the Soviet Union's 1957 victory in the 'Race for Space', the author illustrates the media's role in cementing the way for Communism whilst retaining top-secret information. Each photo is examined as a deliberate, functioning part of a specific political, ideological and historical situation that helped to anchor the otherwise abstract political and intellectual concepts of the future and modernization.

Presents an overview of the Hubble Space Telescope, describing its initial launch in 1990 and impact on our understanding of the universe, along with some of its latest images of galaxies, stars, planets, and nebulas.

Visual history of the discovery of the universe, told through illustrations, maps, diagrams, speculative works of representation, and data visualizations.

The vivid, dramatic images of distant stars and galaxies taken by the Hubble Space Telescope have come to define how we visualize the cosmos. In their immediacy and vibrancy, photographs from the Hubble show what future generations of space travelers might see should they venture beyond our solar system. But their brilliant hues and precise details are not simply products of the telescope's unprecedented orbital location and technologically advanced optical system. Rather, they result from a series of deliberate decisions made by the astronomers who convert raw data from the Hubble into spectacular pictures by assigning colors, adjusting contrast, and actively composing the images, balancing the desire for an aesthetically pleasing representation with the need for a scientifically valid one. In Picturing the Cosmos, Elizabeth A. Kessler examines the Hubble's deep space images, highlighting the remarkable resemblance they bear to nineteenth-century paintings and photographs of the American West and their invocation of the visual language of the sublime. Drawing on art history and the history of science, as well as interviews with astronomers who work on the Hubble Heritage Project, Kessler traces the ways that the sublime, with its inherent tension between reason and imagination, not only forms the appearance of the images, but also operates on other levels. The sublime informs the dual expression--numeric and pictorial--of digital data and underpins the relevance of the frontier for a new era of exploration performed by our instruments rather than our bodies. Through their engagement with the sublime the Hubble images are a complex act of translation that encourages an experience of the universe as simultaneously beyond humanity's grasp and within the reach of our knowledge. Strikingly illustrated with full-color images, this book reveals the scientific, aesthetic, and cultural significance of the Hubble pictures, offering a nuanced understanding of how they shape our ideas--and dreams--about the cosmos and our places within it.

In the spirit of National Geographic’s top-selling Orbit, this large-format, full-color volume stands alone in revealing more than 200 of the most spectacular images from the Hubble Space Telescope during its lifetime, to the very eve of the 2008 final shuttle mission to the telescope. Written by two of the world’s foremost authorities on space history, Hubble: Imaging Space and Time illuminates the solar system’s workings, the expansion of the universe, the birth and death of stars, the formation of planetary nebulae, the dynamics of galaxies, and the mysterious force known as "dark energy." The potential impact of this book cannot be overstressed: The 2008 servicing mission to install new high-powered scientific instruments is especially high profile because the cancellation of the previous mission, in 2004, caused widespread controversy. The authors reveal the inside story of Hubble’s beginnings, its controversial early days, the drama of its first servicing missions, and the creation of the dynamic images that reach into the deepest regions of visible space, close to the time when the universe began. A wealth of astonishing images leads us to the very edge of known space, setting the stage for the new James Webb Space Telescope, scheduled to launch in 2013. Find the stunning panoramic of Carina Nebula, detailing star birth as never before; a jet from a black hole in one galaxy striking a neighboring galaxy; a jewel-like collection of galaxies from the early years of the universe; and a giant galaxy cannibalizing a smaller galaxy. Timed for the 2008 shuttle launch and coinciding with the 400th anniversary of Galileo’s first telescope, Hubble: Imaging Space and Time accompanies a high-profile exhibit at the National Air and Space Museum and will be featured on the popular NASM website.

With a fleet of telescopes in space and giant observatories on the ground, professional astronomers produce hundreds of spectacular images of space every year. These colorful pictures have become infused into popular culture; we find them on billboards, in commercials, and on our computers. But they also invite questions: Is this what outer space really looks like? Are the colors real? How are these images made? "Coloring the Universe" uses accessible language to describe how these giant telescopes work, what scientists learn with them, and how they are used to make color images. Both informative and beautiful, this book is filled with brilliant images of deep space as well as an insider s perspective by the people who make them."

This spectacularly illustrated book is a comprehensive exploration of astronomy through the eyes of the world's observatories and spacecraft missions. Featuring the latest and most stunning images, it provides a magnificent picture of the beauty of the cosmos. The accompanying text is an accessible guide to the science behind the wonders and includes clear explanations of all the major themes in astronomy. An essential guide to understanding and appreciating the Universe, Visions of the Cosmos builds on the success of the authors' previous book, Hubble Vision, which became an international best-seller and won world-wide acclaim. Carolyn Collins Petersen is a science journalist and creator of educational materials for astronomy. She is the former Editor of Books & Products at Sky Publishing Corporation, and served as Editor of SkyWatch and Associate Editor of Sky & Telescope magazines. Petersen is the lead author of the book Hubble Vision, first published in 1995 by Cambridge University Press, and co-written with Dr. John C. Brandt. She is also co-editor (with J. Kelly Beatty and Andrew Chaikin) of The New Solar System, fourth edition, co-published by Sky Publishing Corporation and Cambridge University Press. John C. Brandt has held positions as a research scientist, teacher, and administrator, and is currently an adjunct professor of physics and astronomy at the University of New Mexico. He served for 20 years as Chief of a major NASA scientific laboratory and was the Principal Inverstigator for the Goddard High Resolution Spectograph on the Hubble Space Telescope. John received the NASA Medal for Exceptional Scientific Achievement in 1978 and 1992, and has had a minor planet formally named after him (3503 Brandt) for his fundamental contributions to understanding of solar system astrophysics.

Here is Hubble's great visual legacy to humanity in stunning images that are benchmarks of astronomy and photography. Of the more than 100 classic Hubble images that were selected by NASA's experts, the 20 most significant are accompanied by commentaries by notable scientists.

Cosmos is organized thematically so that the reader cannavigate between the stunning images of different phenomena, which are grouped into nebulas, stars, the sun, the planets, satellites, galaxies, and the origins of the universe - containing entries ranging from an asteroid to a white dwarf. Each entry is given a double-page spread or more for maximum visibility and understanding. To help us marvel more at the grandeur of these images significant facts, including the name of the space probe or telescope that captured each image and the distance of the space phenomenon from Earth, are provided in data boxes. In addition, a section at the back of the book is devoted to the spacecraft the pictures were taken by, covering their purpose, who built them, where they have travelled and what they have discovered. With an introduction by Professor Stephen Hawkins and someof the most astonishing pictures of our universe, this is really abook for anyone who has looked up into the night sky withwonder and awe.

Discusses how the findings from the Hubble Space Telescope have affected the way scientists study the universe; includes photographs that were taken by the Hubble Telescope of the planets, distant galaxies, black holes, and the Shoemaker-Levy comet.