There has long been a need to introduce performing-arts enthusiasts and students to the fascinating field of iconography, both as manifested in art history and in its more pragmatic or applied forms. Yet relatively little systematic effort has been made to collect and interpret centuries of such visual evidence in the light of the best available art-historical information, combined with corroborating textual documentation and insights from the histories of performance disciplines. Aspiring iconographers of the performing arts need to be aware that there are often several levels of interpretation which great works of visual art will sustain. This book explores these levels of interpretation: a surface or literal reading, a deeper reading of the work which seeks to enter the mind of the artist and asks how and why he put a given work together, and the deepest reading of the work relating it to the artistic traditions and culture in which the artist lived. In expounding on these levels of iconographic interpretations four discourses by scholars active in the study of visual records are given in relation to traditions, techniques, and trends: performance in general (Katritzky), music (Heck), theatre (Erenstein), and dance (Smith). Effort is made to keep abreast of modern technology influencing iconographic representations as on the Internet and virtual reality.Thomas F. Heck is Professor of Musicology and Head of the Music and Dance Library at the Ohio State University.

UK WINNER - GOURMAND WORLD COOKBOOK AWARDS 2020 'I can't think of a finer chef to have written a book on nutrition and diet for athletes' – Tom Kerridge A must-have recipe book designed for cyclists of all levels, written by Alan Murchison - a Michelin-starred chef and champion athlete who now cooks for British Cycling's elite athletes. His easy-to-make and nutritionally balanced meals will help cyclists reach their cycling performance goals - this is flavoursome food to make you go faster. The Cycling Chef features more than 65 mouth-watering recipes - including breakfasts, salads, main meals, desserts and snacks, as well as vegetarian and vegan dishes - each designed with busy cyclists in mind. They are all quick and easy to prepare, and are made from ingredients that are readily available in any local supermarket. A good diet won't make a sub-standard cyclist into a world beater, but a poor diet can certainly make a world class or any ambitious cyclist sub-standard. However, an optimised diet, whatever your potential, will help you reach your own personal performance goals.

Theatre is the most ephemeral of art forms. It is a truism that the ephemeral performance text is divorced from the static published play text. This Element is of the eighteenth-century performance history of The Fair Penitent demonstrates the interrelation of print and performance and models how readers can recover elements of performance through close attention to text. Traces of performance adhere to the mediascape in playbills and puffs, reviews and accounts. The printed text also preserves traces of performance in notation and illustration. By analysing traces found in performance trends, casting decisions, publication histories and repertory intertexts, this Element recovers how The Fair Penitent was interpreted at different points in the century and explains how a play that bombed in its first season could become a repertory staple.

In this extraordinary work of scholarship, Victor Mair traces the global development over a thousand years of a genre of popular Buddhist folk literature from China known as pien-wen, pointing out its origins in India as a form of oral storytelling using painting as an aid, and showing how that form has influenced performance and literary traditions in India, Indonesia, Japan, Central Asia, the near East, Italy, France, and Germany. Professor Mair's research has important implications for students and scholars of literature, folklore, painting, religion, history, art, and theater and the performing arts, not to mention Chinese popular culture and Indian civilization.

The papers in this volume were presented at the Fifth Biennial Symposium of the Department of Linguistics, Rice University, March 1993. The participants were asked to concentrate in depth and in a self-reflective way upon some range of data. The intent was multifold. The first purpose was descriptive. It was expected that the participants would carry out their task in a retrospective way, exemplifying and building upon their previous work, but it was also expected that they would begin to demonstrate the configuration of some area in a more comprehensive picture of language. The point was to take (at least) one substantive step in the depiction of what we think language will ultimately be like. The contributions were both specific and generalizing, with focus as much upon methodology as upon hypotheses about language. In examining descriptive practice, we continued to concentrate upon issues which concerned us all, and at the same time we tried to advance the discourse by the results of such description. We hoped that problematic and recalcitrant data would make our own practice clearer to us and that it might also instruct us in the refinement of our conceptions of language.

This book deals with various aspects of performance in India; especially that related to dance and dance-drama. Rather than being a description of the various dance forms of India, it attempts to discuss the social equations and cultural ideas that a performance attempts to portray. In this sense, a performance is a narrative. At the same time, performances also deal with well-known narratives from the religious traditions of India, often redefining and recounting them in the process of performance. A study of these aspects is important to understand the kind of equations that define these discourses on the performance narratives. Chapter I shows the different forms of dances that are described in the iconographic canons and also the famous dance treatise the Natyashastra, correlating them with the sculptures of dance available in the temples. Here, the temples of south India datable to 6th- 13th centuries have been studied for this purpose. Attempt is made to study the gender equations that are expounded through these dance images and texts, as also the correlation between the audience and the performance and how these ideas are intertwined with the religious images. Chapter II deals with four Sanskrit burlesque plays written in the ancient period, which reverse social equations and classical dramatic representations through the genre of satire. Almost every elite-class person, generally idealized in the classical Sanskrit plays, is lampooned here. Issues of audience perception and the reception of this kind of reversed images of the ideal figures of the society are discussed in this chapter. Chapter III deals with the aesthetics of eroticism that form the basis of many Indian classical dances, how they are intertwined with the notion of devotionalism in Hinduism and how they are negotiated in the Indian classical dances in our contemporary period. A case study is done here of Odissi, the classical dance from the eastern state of Orissa, which draws extensively from the temple sculptures of dance. Chapter IV shows that sacred narrative in India is not always a means of glorifying the divine. Rather, sometimes it is also used to satirize the established notions of religiosity and of divinity. This forms the basis of this very interesting semi-classical dance-drama form called Ottan Thullal from the southern state of Kerala. Kathakali, the classical dance-drama and Mohiniattam, the classical dance from Kerala have dominated the scene so much that this form of dance-drama has been overshadowed and it is little known to the world outside Kerala, even in India. There is not much scholarship on Ottan Thullal. This chapter deals with this form and the manner in which it uses the idiom of satire to narrate the religious legends. Chapter V is a study of the Mithila narratives from the eastern region of Mithila in Bihar to understand the ways in which gender equations in the Mithila society influence the making of these narratives. There is a discussion of the nature of “folk narratives” in this chapter. Chapter VI takes some folk forms of performance and visual narratives from different states of India to show how social equations such as power hierarchy, gender and caste dimensions are negotiated. All these use the traditional religious space to work out these equations. Chapter VII on one hand is a comparative study of two Hindi films made in 1960s, based on the lives of two women dancers from ancient India. One of them is a historical figure and the other is a figure. On the other hand, this is an attempt o show how the narratives of these women dancers are remodeled in literary as well as the cinematic medium, every time these narratives are retold. Effort is made to show how the cultural memory of the ancient history of India that the modern narrators of these stories have been received as a process of acculturation, which influences this recasting of narratives in literature as well as in film. It is also shown that this process of narration through cultural memory is not a new phenomenon, since it occurred even in the ancient period when narrative was being remodeled to present in a new form before the audience.

Shrinking pixel sizes along with improvements in image sensors, optics, and electronics have elevated DSCs to levels of performance that match, and have the potential to surpass, that of silver-halide film cameras. Image Sensors and Signal Processing for Digital Still Cameras captures the current state of DSC image acquisition and signal processing technology and takes an all-inclusive look at the field, from the history of DSCs to future possibilities. The first chapter outlines the evolution of DSCs, their basic structure, and their major application classes. The next few chapters discuss high-quality optics that meet the requirements of better image sensors, the basic functions and performance parameters of image sensors, and detailed discussions of both CCD and CMOS image sensors. The book then discusses how color theory affects the uses of DSCs, presents basic image processing and camera control algorithms and examples of advanced image processing algorithms, explores the architecture and required performance of signal processing engines, and explains how to evaluate image quality for each component described. The book closes with a look at future technologies and the challenges that must be overcome to realize them. With contributions from many active DSC experts, Image Sensors and Image Processing for Digital Still Cameras offers unparalleled real-world coverage and opens wide the door for future innovation.

Providing a fresh update of this continuously evolving branch of sports medicine, this comprehensive yet practical guide focuses specifically on the treatment of athletes who train for and participate in endurance sporting events, including not only traditional endurance athletes such as runners, swimmers, bikers and triathletes, but also rowers, adventure racers, military personnel and cross-fit athletes. Detailing strategies for not only treating and preventing injuries and conditions but also for optimizing an athlete’s performance, this book is divided into three thematic sections. The first section covers common medical conditions faced by the endurance athlete, including cardiovascular conditions, asthma, and heat- and altitude-related illnesses, while also discussing gender differences, pregnancy and the pediatric and masters endurance athlete. Section two focuses on the management of common musculoskeletal conditions, such as stress fractures, overuse injuries of the soft tissue, shoulder and hip injuries, and exercise and osteoarthritis; this section now includes discussion of the use of cutting-edge orthobiologics. The last section presents performance optimization and event coverage, including gait and swim-stroke analysis, bike fitting, resistance training, mental preparation, optimizing nutrition, and how to organize medical coverage for events, as well as decision-making for return to play. Completely updated and including brand new chapters, Endurance Sports Medicine, Second Edition remains a valuable guide for sports medicine physicians, orthopedists, athletic trainers, physical therapists, coaches, officials, and athletes in understanding the needs of the determined individuals who participate in endurance sports.

With the proliferation of information on the World Wide Web and in other networked environments, one of the main things that users search for are images of works of art and architecture. End-users generally try to search for images by subject, a process that often proves unsatisfactory and frustrating. Cataloging images of works of art has always been challenging, but now that end-users need only have access to the Internet, the challenge is more daunting than ever. This illustrated book on using metadata standards and controlled vocabularies to catalog and provide accurate end-user access to images of works of art also focuses on decisions that must be made about the arrangement of visual records, descriptive principles and methodologies, and requirements for access. Introduction to Art Image Access addresses the issues that underlie a visual collection to make it accessible in an electronic environment. A glossary, selected bibliography, and list of acronyms and URLS are included.

Italian comedians attracted audiences to performances at every level, from the magnificent Italian, German and French court festival appearances of Orlando di Lasso or Isabella Andreini, to the humble street trestle lazzi of anonymous quacks. The characters they inspired continue to exercise a profound cultural influence, and an understanding of the commedia dell'arte and its visual record is fundamental for scholars of post-1550 European drama, literature, art and music. The 340 plates presented here are considered in the light of the rise and spread of commedia stock types, and especially Harlequin, Zanni and the actresses. Intensively researched in public and private collections in Oxford, Munich, Florence, Venice, Paris and elsewhere, they complement the familiar images of Jacques Callot and the Stockholm Recueil Fossard within a framework of hundreds of significant pictures still virtually unknown in this context. These range from anonymous popular prints to pictures by artists such as Ambrogio Brambilla, Sebastian Vrancx, Jan Bruegel, Louis de Caulery, Marten de Vos, and members of the Valckenborch and Francken clans. This volume, essential for commedia dell'arte specialists, represents an invaluable reference resource for scholars, students, theatre practitioners and artists concerned with commedia-related aspects of visual, dramatic and festival culture, in and beyond Italy.