A collection of poems written between 1950 and 1962 by the Pulitzer Prize-winning poet, including the complete texts of two earlier volumes, as well as a selection of previously uncollected works.

In this brilliant, original and lavishly illustrated book, Edward Snow undertakes an inquiry into a single painting by the Flemish master Peter Bruegel the Elder—the kaleidoscopic Children’s Games—in order to unlock the secrets of the great painter’s art.

The question of how to understand Bruegel’s art has cast the artist in various guises: as a moralizing satirist, comedic humanist, celebrator of vernacular traditions, and proto-ethnographer. Stephanie Porras reorients these apparently contradictory accounts, arguing that the debate about how to read Bruegel has obscured his pictures’ complex relation to time and history. Rather than viewing Bruegel’s art as simply illustrating the social realities of his day, Porras asserts that Bruegel was an artist deeply concerned with the past. In playing with the boundaries of the familiar and the foreign, history and the present, Bruegel’s images engaged with the fraught question of Netherlandish history in the years just prior to the Dutch Revolt, when imperial, religious, and national identities were increasingly drawn into tension. His pictorial style and his manipulation of traditional iconographies reveal the complex relations, unique to this moment, among classical antiquity, local history, and art history. An important reassessment of Renaissance attitudes toward history and of Renaissance humanism in the Low Countries, this volume traces the emergence of archaeological and anthropological practices in historical thinking, their intersections with artistic production, and the developing concept of local art history.

A dozen poems on love by a New Jersey obstetrician (1883-1963) who often wrote them on office prescription pads. In the title poem, first published when he was 72, he wrote: "What power has love but forgiveness? / In other words / by its intervention / what has been done / can be undone."

Examines the small-scale works of the Flemish painter Jan Brueghel the Elder, and the aesthetic and cognitive operation of smallness in art of the late sixteenth and early seventeenth centuries.

William Carlos Williams's place among the great poets of our century is firmly established. This anthology of selections drawn from the whole range of his work--poetry, fiction, autobiography, drama and essays--shows conclusively that his prose was also remarkably original, versatile and powerful. It has been edited by M. L. Rosenthal, literary critic and Professor of English at New York University.

The Autobiography is an unpretentious book; it reads much as Williams talked—spontaneously and often with a special kind of salty humor. But it is a very human story, glowing with warmth and sensitivity. It brings us close to a rare man and lets us share his affectionate concern for the people to whom he ministered, body and soul, through a long rich life as physician and writer. William Carlos Williams’s medical practice and his literary career formed an undivided life. For forty years he was a busy doctor in the town of Rutherford, New Jersey, and yet he was able to write more than thirty books. One of the finest chapters in the Autobiography tells how each of his two roles stimulated and supported the other.

White Mule is the first of a trilogy of novels by William Carlos Williams about the immigrant Stecher family in New York at the turn of the 20th century. The "White Mule" of the title refers to Flossie, the angry, assertive, uncompromising baby, who can kick like White Mule whiskey.

For this volume, originally published in cloth in 1961, William Carlos Williams collected, and revised, four full-length plays and the libretto of an opera on George Washington. As might be expected of the man who did most in our time to create a new and truly "American" idiom for poetry, Dr. Williams' writing for the stage challenges producers and actors to extend the range of modern drama.

WCW, The Embodiment of Knowledge. Early essays.