One of the great anthologies of historic ornament and design includes over 1,500 images, arranged chronologically, from Roman architecture and sculpture to illuminated manuscripts from the Middle Ages and Renaissance glass painting.

One of the great anthologies of historic ornament and design, on a par with Owen Jones' Grammar of Ornament and Racinet's Historic Ornament, Dolmetsch's dazzling collection of over 1,500 illustrations — most in full color — is a veritable treasure chest of royalty-free images. Artists, designers, and hobbyists will also find design inspiration on every page, with images of artistic ornaments from antiquity through the 19th century, when this volume was originally assembled. Arranged chronologically, coverage begins in the ancient world, with designs from Roman architecture and sculpture, mosaic floors of Pompeii, and Byzantine embroidery. From the Middle Ages come illuminated manuscripts and stained glass decorations. Items dating from the Renaissance and later include Italian glass painting, pottery, and lace; French tapestry and block printing; and German metal work and weaving.

Ranging from the elegant garments worn by citizens of ancient Egypt, Greece, and Rome to the dramatic clothing of nineteenth-century French, English, and German societies, this stunning pictorial encyclopedia chronicles the full sweep of historic dress through the centuries. Carefully gathered from a rare portfolio originally published in 1906, over one thousand detailed engravings are presented here in a continuous chronological format. An unparalleled history of costume design, this collection includes the garb of kings and laborers ... ladies and warriors ... peasants and priests. Scores of accessories are also illustrated, including shoes, jewelry, wigs, and hair ornaments, along with furniture, musical instruments, and weaponry from a fascinating array of time periods. Exquisitely rendered and magnificent in scope, the Pictorial Encyclopedia of Historic Costume is a visual delight for designers, artists, historians, and everyone captivated by fashion's timeless allure.

Classic sourcebook of spectacular design collages, all royalty-free, featuring over 1,500 decorative elements and motifs from major cultures in world history through the 19th century.

Over 1,450 costumed figures in clearly detailed engravings — from the dawn of civilization to the end of the 19th century. Features many folk costumes. Captions.

Masterfully executed designs in reproductions of two rare catalogs: ornamental borders, corners and frames with intricate floral and foliated patterns, architectural ornaments and design elements, religious symbols and figures, much more.

Celebrate Cinco de Mayo in Mexico, march along the Champs-Élysées on Bastille Day, and visit Israel during Hanukkah as you circle the globe to observe 30 festivities.

Since precious few architectural drawings and no theoretical treatises on architecture remain from the premodern Islamic world, the Timurid pattern scroll in the collection of the Topkapi Palace Museum Library is an exceedingly rich and valuable source of information. In the course of her in-depth analysis of this scroll dating from the late fifteenth or early sixteenth century, Gülru Necipoğlu throws new light on the conceptualization, recording, and transmission of architectural design in the Islamic world between the tenth and sixteenth centuries. Her text has particularly far-reaching implications for recent discussions on vision, subjectivity, and the semiotics of abstract representation. She also compares the Islamic understanding of geometry with that found in medieval Western art, making this book particularly valuable for all historians and critics of architecture. The scroll, with its 114 individual geometric patterns for wall surfaces and vaulting, is reproduced entirely in color in this elegant, large-format volume. An extensive catalogue includes illustrations showing the underlying geometries (in the form of incised “dead” drawings) from which the individual patterns are generated. An essay by Mohammad al-Asad discusses the geometry of the muqarnas and demonstrates by means of CAD drawings how one of the scroll’s patterns could be used co design a three-dimensional vault.