"Anecdotal and evincing a strong point of view, [this] book covers not only the shows and their authors but the personalities as well--W.S. Gilbert trying out his stagings on a toy theatre, Ivor Novello going to jail for abusing wartime gas rationing during World War II, fabled producer C.B. Cochran coming to a most shocking demise for a man whose very name meant 'classy, carefree entertainment.' ... Mordden is the preeminent historian of the form, and his book will be required reading for readers of all walks, from the most casual of musical theater goers to musical theater buffs to students and scholars of the form"--

About the Book Sunflower Chronicles begins a journey into the sun. Benjamin and his friends discover a secret room in the attic above his bedroom. And within, a quantum computer who leads them into the fourth dimension. The boys attempt to survive in school and on the streets as they fight to overcome the problems of adolescence while discovering the secrets of the universe within Benjimin’s own home. Their journey takes them to a silo in Oregon, where they are transported to the dark side of the moon. Throughout each step, a US marshal, believing the boys are terrorists, is hot on their trail. About the Author J H Trembley graduated from West Virginia Wesleyan College. He now lives in Elgin, Illinois, near his family. In his spare time, he enjoys writing reading, and completing crossword puzzles.

It took the author just over two years, a tremendous amount of determination and commitment, and lots and lots of practice to become the person she is today. She knew she was getting there when she was walking in the local neighborhood and passed a gang of young children playing in the street. She walked on and heard the pitter patter of tiny footsteps behind her. A little girl, around six years old, patted me on the backside and said, Excuse me, but you're not a real girl are you? She put her perfectly manicured finger to her lips and said, Sshh, don't tell anyone. She kept walking, but as she turned the corner, a shrill voice shrieked out I've told someone Instead of being offended, she burst out laughing. She's since dressed on coaches, trains, buses, and trams. She's dressed in Manchester, Liverpool, Sheffield, Blackpool, Carlisle, and London. She's even been round the Houses of Parliament dressed. The world awaits-but is it ready?

Beginning C++ is a tutorial for beginners in C++ and discusses a subset of C++ that is suitable for beginners. The language syntax corresponds to the C++14 standard. This book is environment neutral and does not presume any specific operating system or program development system. There is no assumption of prior programming knowledge. All language concepts that are explained in the book are illustrated with working program examples. Most chapters include exercises for you to test your knowledge. Code downloads are provided for examples from the text and solutions to the exercises and there is an additional download for a more substantial project for you to try when you have finished the book. This book introduces the elements of the C++ standard library that provide essential support for the language syntax that is discussed. While the Standard Template Library (STL) is not discussed to a significant extent, a few elements from the STL that are important to the notion of modern C++ are introduced and applied. Beginning C++ is based on and supersedes Ivor Horton’s previous book, Beginning ANSI C++.

The Edinburgh Companion to Charles Dickens and the Arts explores Dickens's rich and complex relationships with a myriad of art forms and the far-reaching resonance of his works across the arts overall. This volume reassesses Dickens's prescient philosophy of art, both through a historical and a present-day lens and in the context of debates about the cultural value of the arts. Across thirty-three original essays, it outlines the ways in which Dickens broke down oppositions between high and low art, money and the aesthetic, the extraordinary and the ordinary, and art for its own sake and the social good. In doing so, it considers how Dickens prefigured the arts of the future, including rap music, television, fanfiction and global cinema.

This major study ranges over British director Reed's entire career, combining observation of general trends and patterns with detailed analysis of twenty films, both acknowledged masterpieces and lesser-known works. Films examined include Bank Holiday, A Girl Must Live, Odd Man Out, The Fallen Idol, The Third Man, Night Train to Munich, The Way Ahead, Outcast of the Islands, Trapeze and Oliver!.

While the 1960s may have been a decade of significant upheaval in America, it was also one of the richest periods in musical theatre history. Shows produced on Broadway during this time include such classics as Bye, Bye Birdie; Cabaret; Camelot; Hello Dolly!; Fiddler on the Roof; How to Succeed in Business without Really Trying; Oliver!; and Man of La Mancha. Performers such as Dick Van Dyke, Anthony Newley, Jerry Orbach, and Barbara Streisand made their marks, and other talents—such as Bob Fosse, John Kander, Fred Ebb, Alan Jay Lerner, Frederick Loewe, Jerome Robbins, and Stephen Sondheim—also contributed to shows. In The Complete Book of 1960s Broadway Musicals, Dan Dietz examines every musical and revue that opened on Broadway during the 1960s. In addition to providing details on every hit and flop, Dietz includes revivals and one-man and one-woman shows that centered on stars like Jack Benny, Maurice Chevalier, Marlene Dietrich, Danny Kaye, Yves Montand, and Lena Horne. Each entry consists of: Opening and closing dates Plot summaries Cast members Number of performances Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions In addition to entries for each production, the book offers numerous appendixes: a discography, film and television versions, published scripts, Gilbert and Sullivan operettas, and lists of productions by the New York City Center Light Opera Company, the New York City Opera Company, and the Music Theatre of Lincoln Center. A treasure trove of information,this significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.

Jag, short for Jaguar, was orphaned when her environmentalist parents died in the jungle saving animals’ lives. Although she was put into a care home, she ran away two years to live on the streets where she was adopted into a street gang who have now become her family. Danny, the trickster and street magician and Tiger, whose animal instincts run close to the surface, and a few others are all animal activists at heart. Although they go one night to an animal sanctuary in the country to tag the walls with graffiti, Jag gets caught in an enclosure. However, it ends up for the best as the keeper takes a shine to her and offers a part time job when she hears Jag’s affinity with the Jaguar spirit. With Jag working at the sanctuary, her gang start spending more time there to see the great Cat Man Do perform his animal magic – until one day when a tiger is let out its cage. And that is only the beginning as a villainous Cat Man begins to stalk the streets with two pet panthers out for blood, seemingly appearing and disappearing at will. With newspapers reporting maulings and deaths and Sergeant Dickins not sure what’s going on, the kids are intrigued by the reports. After witnessing an attack, the kids get sucked into this mysterious Cat Man’s idea of a theatrical villain performance – but even if they have animal instincts and spirits with them and even if the big cats are swaying to their side, should they run before they too turn prey?

Life of Mo is a musical satire based on the life of the Prophet Mohammed. These explanatory notes, which include the full text of Life of Mo, attempt to determine the sources of the play's material, and offer further explanatory notes regarding the themes and ideas raised in the play. Superficially, Life of Mo is a musical fantasy romp, combining stories with re-writes of songs by popular artists like Dolly Parton, Freddy Mercury, Mick Jagger, Billy Joel, Led Zeppelin, Meat Loaf and Jim Steinman and others. But Life of Mo has a deeper grounding, and its sources include original texts (the Qur'an, ahadith, and Bible), and commentaries by writers like William Muir, Robert Spencer, Ali Dashti and Ali Sina. In addition, the writer has also used Internet sources, like Wikipedia, YouTube and Reddit. CF Hibbot's Notes and Commentary to Jock's Life of Mo traces through the humour and the tragedy to render a deeper appreciation and understanding of the play and the subject matter covered.

This book tells the full story of the genesis and legacy of Lionel Bart's most famous musical Oliver!, the beloved English musical from the golden age of Broadway. Author Marc Napolitano tracks Oliver! as an adaptation of Oliver Twist, arguing that Oliver! forever changed the cultural perception of its source and remains one of the most influential Dickensian adaptations of all time.