One spring morning in 1957, photojournalist David Douglas Duncan paid a visit to his friend and frequent subject Pablo Picasso, at the artist’s home near Cannes. Alongside Duncan in his Mercedes Gullwing 300 SL was the photographer’s pet dachshund, Lump. When they arrived at Picasso’s Villa La Californie, Lump decided that he had found paradise on earth, and that he would move in with Picasso, whether the artist welcomed him or not. This is the background for a book that offers an uncommonly sensitive portrait of Picasso. Lump was immortalized in a Picasso portrait painted on a plate the day they met, but that was just the beginning. In a suite of forty-five paintings reinterpreting Velasquez’s masterpiece 'Las Meninas', Picasso replaced the impassive hound in the foreground with jaunty renderings of Lump. Today all of those historic canvases are now the centerpiece exhibition in the Picasso Museum of Barcelona. Fourteen of the paintings are reproduced here in full colour, juxtaposed with Duncan’s dramatic and intimate black-and-white photographs of Picasso and Lump, bringing full circle the odyssey of a lucky dachshund who found his way to becoming a furry, super-stretched icon of modern art.

Chronicles the heartwarming story of the relationship between renowned artist Pablo Picasso and his pet dachshund, Lump, a mutual love affair that developed when the dog, originally belonging to veteran photojournalist David Douglas Duncan, decided to take up permanent residence with Picasso and was immortalized in a series of remarkable paintings. 20,000 first printing.

Lump the dachshund, who lives with a photographer and a larger dog in Italy, travels to the south of France to meet Pablo Picasso, who promptly names him "Lumpito," in a story based on actual events.

This beautifully designed book is filled with illustrations and photographs of the many animals in Picasso’s life—those he painted and drew, as well as those he loved. One of the few under-examined aspects of Picasso’s life and work was his love of animals. The son of a pigeon breeder and an aficionado of bullfighting, Picasso had an eye trained for capturing an animal’s movement, shape, and personality—often with just a single line. Organized around the different types of animals that played a role in the artist’s life and body of work—from his beloved dachshund, Lump, to dogs, cats, and doves, among others—each chapter offers personal accounts, amusing anecdotes, and wondrous works of art. The perfect gift for lovers of animals or Picasso’s art, this exquisite treasury of expertly rendered creatures is filled with humor, warmth, and the tremendous bonds between man and animal.

Lump, the world-famous artist Pablo Picasso's dog, loves cake. He can never have enough! But when he takes a bite out of a beautiful cake he finds in the garden, he discovers it's not cake at all--it's made of metal--and realizes not everything is what it seems.

A lighthearted introduction to that universally popular pet, the dachshund. Written in a peppy, journalistic style, it includes facts and figures, top tips from experts and owners, case studies, many featuring famous owners (dachshunds has been beloved companions of celebrities from Napoleon to David Hockney, by way of Picasso, J.F. Kennedy, and Christopher Lloyd) or Instagram dog stars. Chapters include: Heritage; How to choose; Training; Life with a dachshund (health, exercise play, kit); List of useful contacts, organizations and groups.

This volume accompanies an exhibition organized and circulated by Art Services International. The Norwegian artist Edward Munch has had the misfortune of being labeled a woman-hater. Tempering that myth is the mission of this catalogue and the accompanying exhibition. The book provides extensive evidence of Munch's varied relationships with women who were members of his family, friends, lovers, patrons and subjects of his work. Some of these alliances were loving, some were social, and at least one passion ended in bitter tragedy. Munch and Women: Image and Myth places the artist's friendships into a unified perspective, belying the myth that Munch was a mysogynist. In all 71 prints and drawings are part of this exhibition.