A parent on the run. A juridical error. A man who has lost his memory, but who doesn't give up. His journey to find the truth. A truth that would have been better not to uncover. Sentenced to life in prison for a double homicide, he never confessed. He can't, he doesn't remember anything. Not only about that night, but about his past. After ten years, they let him go once the real killers are found. He finds out he is alone. Once back in his city, seeing again the places where he grew up, memories begin to resurface. Of his first thirteen years of life, when he was happy, he had a beautiful family and a father who adored him. After that, darkness. He doesn't understand why, but he tries to start over. From scratch. The encounter with an old friend of his father, makes him find out part of the truth. The father on the run. Him hiding in the car to follow him. A terrible accident that leaves him in an irreversible coma, according to doctors. But the thing he can't accept is that his father left him in the hospital, to his fate. He doesn't believe it, not for how much he remembers he loved him. He wants to find him, he has to! He needs to find out why he abandoned him. He thinks, hopes, that in those eighteen years of total darkness there is the answer. The search leads him to Germany, China, Africa. In the end... he realizes that not knowing the truth would have been better!

To mark the tercentenary of the birth of the eighteenth-century Venetian painter and draughtsman, Giovanni Battista Piazzetta, the National Gallery of Art in Washington has mounted an exhibition of his most outstanding drawings. Well over a hundred drawings and engravings have been brought together from collections around the world. Piazzetta has enjoyed a resurgence of interest among art historians in this century, but most studies have dwelt on his paintings. Professor Knox has provided a model for methods of dealing with Piazzetta problems: his stylistic development, his mannerisms, his working methods, commercial practices of the day and the dating of the drawings. Features that make the catalogue a truly valuable research tool include: the notes on Venetian money, the checklist of paintings and exhibitions discussed, and the essay on Piazzetta's drawings in the Hermitage for Albrizzi's Gerusalemme Liberata.

Giambattista Piazzetta, together with Giambattista Tiepolo, dominates history painting in eighteenth-century Venice. The greatest religious painter of his time, he was also widely known for his delightful small secular illustrations for printed books, when Venice was an important and influential center of book production. His drawings, especially the characteristic studies of heads of ordinary men and women, were popular with collectors and widely engraved, and became a familiar element on the walls of many a Venetian house. This is the first study in English of a very talented and much-loved painter, who was a key figure in the last great flowering of Venetian painting.

The subject is the human imagination—and the mysterious interplay between the imagination and the spaces it has made for itself to live in: gardens, rooms, buildings, streets, museums and maps, fictional topographies, and architectures. The book is a lesson in seeing and sensing the manifold forms created by the mind for its own pleasure. Like all of Robert Harbison's works, Eccentric Spaces is a hybrid, informed by the author's interests in art, architecture, fiction, poetry, landscape, geography, history, and philosophy. The subject is the human imagination—and the mysterious interplay between the imagination and the spaces it has made for itself to live in: gardens, rooms, buildings, streets, museums and maps, fictional topographies, and architectures. The book is a lesson in seeing and sensing the manifold forms created by the mind for its own pleasure. Palaces and haunted houses, Victorian parlors, Renaissance sculpture gardens, factories, hill-towns, ruins, cities, even novels and paintings constructed around such environments—these are the spaces over which the author broods. Brilliantly learned, deliberately remote in form from conventional scholarship, Eccentric Spaces is a magical book, an intellectual adventure, a celebration. Since its original publication in 1977, Eccentric Spaces has had a devoted readership. Now it is available to be discovered by a new generation of readers.

From Canaletto to Tiepolo, eighteenth century Venetian painters created brilliant works of art that are now considered to be the last flowering of the long Venetian tradition of painting. This beautiful book provides an introduction to eighteenth century Venetian painting, discussing the various types of painting--portraiture, genre, landscape, history paintings and religious works--as well as the society, patronage and intellectual climate of Venice at this time.

"A comprehensive and richly illustrated survey of Venetian Renaissance architecture, sculpture, and painting created between 1400 and 1600 addressed to students, travellers, and the general public. The works of art are analysed within Venice's cultural circumstances--political, economic, intellectual, and religious--and in terms of function, style, iconography, patronage, classical sources, gender, art theories, and artist's innovations, rivalries, and social status. The text has been divided into two parts--the fifteenth century and the sixteenth century--each part preceded by an introduction that recounts the history of Venice to 1500 and to 1600 respectively, including the city's founding, ideology, territorial expansion, social classes, governmental structure, economy, and religion. The twenty-six chapters have been organized to lead readers systematically through the major artistic developments within the three principal categories of art--governmental, ecclesiastic, and domestic--and have been arranged sequentially as follows: civic architecture and urbanism, churches, church decoration (ducal tombs and altarpieces), refectories and refectory decoration (section two only), confraternities (architecture and decoration), palaces, palace decoration (devotional works, portraits, secular painting, and halls of state), villas, and villa decoration. The conclusion offers an overview of the major types of Venetian art and architectural patronage and their funding sources"--Provided by publisher.

Lonely Planet: The world's leading travel guide publisher Lonely Planet's Sicily is your passport to the most relevant, up-to-date advice on what to see and skip, and what hidden discoveries await you. Soak up history in charming Syracuse, hike Stromboli's lava-strewn crater, and visit crumbling castles in gorgeous hill towns - all with your trusted travel companion. Get to the heart of Sicily and begin your journey now! Inside Lonely Planet's Sicily: NEW pull-out, passport-size 'Just Landed' card with wi-fi, ATM and transport info - all you need for a smooth journey from airport to hotel Improved planning tools for family travellers - where to go, how to save money, plus fun stuff just for kids NEW Accommodation feature gathers all the information you need to plan your accommodation Colour maps and images throughout Highlights and itineraries help you tailor your trip to your personal needs and interests Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Essential info at your fingertips - hours of operation, phone numbers, websites, transit tips, prices Honest reviews for all budgets - eating, sleeping, sightseeing, going out, shopping, hidden gems that most guidebooks miss Cultural insights give you a richer, more rewarding travel experience - history, people, music, landscapes, wildlife, cuisine, politics Covers Palermo, Aeolian Islands, Western Sicily, Tyrrhenian Coast, Ionian Coast, Syracuse, Central Sicily, Mediterranean Coast, and more The Perfect Choice: Lonely Planet's Sicily is our most comprehensive guide to Sicily, and is perfect for discovering both popular and off-the-beaten-path experiences. About Lonely Planet: Lonely Planet is a leading travel media company and the world's number one travel guidebook brand, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and grown a dedicated, passionate global community of travellers. You'll also find our content online, and in mobile apps, video, 14 languages, nine international magazines, armchair and lifestyle books, ebooks, and more. 'Lonely Planet guides are, quite simply, like no other.' - New York Times 'Lonely Planet. It's on everyone's bookshelves, it's in every traveler's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' - Fairfax Media (Australia) eBook Features: (Best viewed on tablet devices and smartphones) Downloadable PDF and offline maps prevent roaming and data charges Effortlessly navigate and jump between maps and reviews Add notes to personalise your guidebook experience Seamlessly flip between pages Bookmarks and speedy search capabilities get you to key pages in a flash Embedded links to recommendations' websites Zoom-in maps and images Inbuilt dictionary for quick referencing Important Notice: The digital edition of this book may not contain all of the images found in the physical edition.