The Old West comes alive through photographs made in the Arizona Territory from its beginning to statehood. Jeremy Rowe, a well-known Arizona photo historian, has combined his unique collection of photographs with his rendering of the history of photography in Arizona, opening a window into one of the most colorful chapters in our western heritage. In addition, the book includes the most comprehensive listing of photographers working in Arizona from 1850 to 1920 together with biographies of each and sources utilized in gathering the biographical information.

The more than one hundred images--by well-known photographers such as Dorothea Lange and Laura Gilpin as well as by an array of less familiar ones--places the work of local Arizonans alongside that of federal photographers both to illuminate the impact of the Depression on the state's distinctive racial and natural landscapes and to show the influence of differing cultural agendas on the photographic record. Includes essays by a variety of authors on life in 1930s Arizona and the photographers who documented it.

This extraordinarily comprehensive, well-documented, biographical dictionary of some 1,500 photographers (and workers engaged in photographically related pursuits) active in western North America before 1865 is enriched by some 250 illustrations. Far from being simply a reference tool, the book provides a rich trove of fascinating narratives that cover both the professional and personal lives of a colorful cast of characters.

Arizona’s art history is emblematic of the story of the modern West, and few periods in that history were more significant than the era of the New Deal. From Dorothea Lange and Ansel Adams to painters and muralists including Native American Gerald Nailor, the artists working in Arizona under New Deal programs were a notable group whose art served a distinctly public purpose. Their photography, paintings, and sculptures remain significant exemplars of federal art patronage and offer telling lessons positioned at the intersection of community history and culture. Art is a powerful instrument of historical record and cultural construction, and many of the issues captured by the Farm Security Administration photographers remain significant issues today: migratory labor, the economic volatility of the mining industry, tourism, and water usage. Art tells important stories, too, including the work of Japanese American photographer Toyo Miyatake in Arizona’s internment camps, murals by Native American artist Gerald Nailor for the Navajo Nation Council Chamber in Window Rock, and African American themes at Fort Huachuca. Illustrated with 100 black-andwhite photographs and covering a wide range of both media and themes, this fascinating and accessible volume reclaims a richly textured story of Arizona history with potent lessons for today.

Carlo Gentile was born in Naples, Italy and arrived in 1863 as a young man in Vancouver, B.C., where he photographed the Indians and mining activity. By 1867, Gentile had studios in California, and by 1868 he was photographing throughout Arizona and New Mexico. From 1874 to 1885, he operated a studio in Chicago, where for a time, he was the photographer for Buffalo Bill's first Wild West Show.

The Genealogy Annual is a comprehensive bibliography of the year's genealogies, handbooks, and source materials. It is divided into three main sections.p liFAMILY HISTORIES-/licites American and international single and multifamily genealogies, listed alphabetically by major surnames included in each book.p liGUIDES AND HANDBOOKS-/liincludes reference and how-to books for doing research on specific record groups or areas of the U.S. or the world.p liGENEALOGICAL SOURCES BY STATE-/liconsists of entries for genealogical data, organized alphabetically by state and then by city or county.p The Genealogy Annual, the core reference book of published local histories and genealogies, makes finding the latest information easy. Because the information is compiled annually, it is always up to date. No other book offers as many citations as The Genealogy Annual; all works are included. You can be assured that fees were not required to be listed.

In Riding Shotgun with Norman Wallace, award-winning geographer William Wyckoff celebrates the photographic legacy of Norman Grant Wallace, whose work as an Arizona highway engineer during the first half of the twentieth century afforded him the opportunity to survey every corner of the Grand Canyon State. Possessing a passion for photography, Wallace documented Arizona throughout his travels. From 1906 to 1969 Wallace photographed the state’s natural and rural landscapes; its burgeoning infrastructure including roads, bridges, and dams; and its towns and cities, some of which experienced exponential growth following World War II. Nearly one hundred years later, Wyckoff retraces Wallace’s southwestern travels using the engineer’s photographs and meticulous notebooks as a guide. The author rephotographs many of Wallace’s iconic vantage points, giving us a historical tour of Arizona, a “then-and-now” viewpoint that also tells the personal story of Wyckoff’s own vicarious travels with Wallace through Arizona’s vast countryside and its urban centers and small towns.

"This pictorial history of Prescott, Arizona, is based upon over 140 images from the 1916 glass-plate negatives. Complementary images of business advertisements, trade tokens, and streetscapes supplement the main photographs. Richly detailed captions highlight many aspects of the pictures, and the text further explores and describes the town's historic downtown district, much of which still exists"--Provided by publisher.