Pictures with Stories: A Memoir by Tony Mendoza is a book consisting of 84 photographs, each with an attached short story. The stories average around 125 words, sometimes even shorter. They relate to the photograph, and to something that happened to me or to my family or friends, and more often than not, the stories are amusing, or surprising, or revealing. I'm thinking that this format seems appropriate for our times, considering that nearly everyone today is a smartphone photographer, and they are all posting their photos on social media accompanied with some sort of a tale. In effect, they are doing their memoirs online. What I've done with mine is to pay special attention to the moments chosen, to the photographs chosen, and to the crafting of the short story underneath. In a way, this book is an exploration of how short can an effective, short story be. Pictures with Stories had an impressive early life. The Atlantic Monthly Press published an up-to-1987 version with 46 stories. Titled Stories, it received excellent reviews from major publications (the New York Times, Vogue, People) and photo-stories from that version received a Guggenheim Photography Fellowship and were shown in the first installment of the Museum of Modern Art's New Photography Show in 1986. This version includes 28 stories from the 1987 version, and the rest are new pictures and stories. This new version is the portrait of the artist as a young man, a middle-aged man, and an older man.

The unique artistic vision of Galen Rowell, one of the world's greatest photographers, is presented in these spectacular landscapes. "The viewer's first reaction to these photographs is awe--they are sheer magic".--Publishers Weekly. 80 color photos.

"Authored by the Digital Photographic Documentation Task Force of the American Institute for Conservation of Historic and Artistic Works"--P. 11.

City streets are perhaps the most paradoxically anonymous and personal of all public spaces in the city: people blindly collide in their rush to reach their destinations, while the homeless look for humanity amid the thousands passing by. Gary Stochl captures this daily drama in On City Streets, a penetrating examination of the unpredictable people, places, and events that make up the streets of downtown Chicago. It is a stunning collection made even more so by the fact that this is the first work of Stochl's to be seen in his forty years as a photographer. Until 2003, Stochl had never shown his photographs to anyone; his rich body of images remained completely unknown to the public. Self-taught and working in isolation, Stochl carefully studied the work of other renowned urban photographers, including Henri Cartier-Bresson and Robert Frank. Through his studies, he learned how to see his subjects, and he developed a visual language uniquely his own, unfettered by fashion or community. The results of his efforts are these powerful images that provide a starkly honest and penetrating glimpse into the lives of city dwellers and their internal struggle with the loneliness of contemporary urban life. Like all great images, Stochl's photographs leave the viewer with an altered sense of the world. On City Streets offers, with unnerving directness and consistency, that rare artistic combination of visual sophistication and stunning emotional resonance. With this book, Stochl joins the ranks of Chicago's great photographers.

A local Singaporean magazine dedicated to photography and videography.