Penulis : Priotomo Yani Hal : 148 ISBN : 978-602-6364-92-0 Sinopsis : Pohon bambu tak hanya menarik ketika ditata untuk menghias taman, pagar halaman, ataupun kerajinan. Pohon berbatang ramping dan berharga murah itu juga mengandung filosofi hidup yang berguna untuk kita. Pohon bambu juga mengajari kita soal fleksibilitas. Meskipun rebah karena serangan angin puting beliung, bambu tetap tegar berdiri. Selain karena akar yang kuat, batangnya juga mampu bergoyang bersama angin; mengeluarkan desis suara mengikuti irama angin. Sementara pohon yang memiliki batang lebih besar, justru tidak kuat menghadapi ganasnya angin. Inilah yang disebut fleksibilitas. Bambu menyimpan banyak inspirasi bagi kita. Bambu sebagai tumbuhan lemah dan diremehkan tidak menghalanginya berekspresi. Bambu mampu mengekspesikan diri menjadi sosok yang kukuh namun lentur dan kaya manfaat. Dengan kemampuan ekspresi yang kuat dan unik maka kita akan berhasil menjadi yang terbaik, minimal di komunitas kita. Fleksibilitas atau kelenturan bambu mengajari manusia bagaimana mampu beradaptasi pada lingkungan yang ekstrim sekaligus. Saat arus masalah datang, kita perlu bersikap lentur, tidak menentang atau hanyut atau bahkan lari darinya. Seseorang yang berkarakter bambu akan tetap eksis, menampilkan lambaian indah dan terus memberi manfaat. Hanya orang yang tetap eksis jati dirinya dan kukuh pendiriannya yang bisa memberi banyak manfaat bagi lingkungan. Bila kita ingin mampu memberi manfaat sebanyak mungkin bagi lingkungan kita, maka kita perlu mempelajari karjater yang berani berekspresi secara maksimal, fleksibel menghadapi tantangan dan tak peduli dengan masa lalu. Ketika ditiup angin kencang, bambu akan merunduk. Setelah angin berlalu, dia akan tegak kembali.

Scholarship on early Chinese thought has long tended to treat texts as mere repositories of ideas rather than as meaningful objects in their own right. Not only does this approach present an idealised account of China’s intellectual past, but it also imposes artificial boundaries between textual and philosophical traditions. As the first study to treat text as a cultural phenomenon during the Warring States period, this book demonstrates the interplay among the material conditions of text and manuscript culture, writing, and thought. Through close readings of philosophical texts excavated at Guōdiàn, it analyses crucial strategies of meaning construction and casts light on the ways in which different communities used texts to philosophical ends. Meyer thus establishes new understandings of the correlation between ideas, their material carrier, and the production of meaning in early China.

The many problems we face in today's world -- among them war, environmental destruction, religious and racial intolerance, and inappropriate technologies -- demand that we carefully re-evaluate such issues as our relation to the environment, the nature of progress, ultimate purposes, and human values. These are all issues, Robert Carter explains, that are intimately linked to our perception of life's meaning. While many books discuss life's meaning either analytically or prescriptively, Carter addresses values and ways of meaningful living from a broader perspective, using Japanese philosophy to augment his investigation. He examines Martin Heidegger's distinction between "dwelling" and existing in the world, Lawrence Kohlberg's "stage seven" of human moral development, and the works of Viktor Frankl, Carol Gilligan, and Nel Noddings. He applies hermeneutic and deconstructionist theory to the question of meaning, and explores the feminist contribution to ethics and its relation to the interconnectedness of things celebrated in Zen and Shinto thought. Bridging various dichotomies such as East/West, reason/emotion, male/female, and caring/justice, Carter shows that ethics, environmental concern, caring, and joy in living are dependent on the growth and transformation of the self. Only by becoming aware of the interrelatedness of things, Carter reveals, can we become as supple and as strong as the bamboo tree, long the symbol of longevity and constancy.

Paleography, which often overlaps with archaeology, deciphers ancient inscriptions and modes of writing to reveal the knowledge and workings of earlier societies. In this now-classic paleographic study of China, Tsuen-Hsuin Tsien traces the development of Chinese writing from the earliest inscriptions to the advent of printing, with specific attention to the tools and media used. This edition includes material that treats the many major documents and ancient Chinese artifacts uncovered over the forty years since the book's first publication, as well as an afterword by Edward L. Shaughnessy. Written on Bamboo and Silk has long been considered a landmark in its field. Critical in this regard is the excavation of numerous sites throughout China, where hundreds of thousands of documents written on bamboo and silk--as well as other media--were found, including some of the earliest copies of historical, medical, astronomical, military, and religious texts that are now essential to the study of early Chinese literature, history, and philosophy. Discoveries such as these have made the amount of material evidence on the origins and evolution of communication throughout Chinese history exceedingly broad and rich, and yet Tsien succeeds in tackling it all and building on the earlier classic work that changed the course of study and understanding of Chinese paleography.

Whatever your climate, there is a suitable species of bamboo for your garden. More than 300 bamboos are described, from tropical and subtropical species to hardy species with information on size, native range, and landscape use.

This volume covers the philosophical, historical, religious, and interpretative aspects of the ancient Guodian bamboo manuscripts (éƒåo—楚簡) which were disentombed in the Guodian Village in Hubei Province, China, in 1993. Considered to be the Chinese equivalent of the Dead Sea Scrolls, these manuscripts are archaeological finds whose importance cannot be underestimated. Many of the texts are without counterparts in the transmitted tradition, and they provide unique insights into the developments of Chinese philosophy in the period between the death of Confucius (551-479 BCE) and the writings of Mencius (c.372-289 BCE), and beyond. Divided into two parts, the book first provides inter-textual contexts and backgrounds of the Guodian manuscripts. The second part covers the main concepts and arguments in the Guodian texts, including cosmology and metaphysics, political philosophy, moral psychology, and theory of human nature. The thematic essays serve as an introduction to the philosophical significance and the key philosophical concepts/thought of each text contained in the Guodian corpus. Each chapter has a section on the implications of the texts for the received tradition, or for the purpose of comparing some of the text(s) with the received tradition in terms of the key philosophical concepts as well as the reading and interpretation of the texts. The volume covers most of the texts inscribed on the 800-odd slips of the Guodian corpus dated to the fourth century BCE.

FOREWORD BY GUY KAWASAKI Presentation designer and internationally acclaimed communications expert Garr Reynolds, creator of the most popular Web site on presentation design and delivery on the Net — presentationzen.com — shares his experience in a provocative mix of illumination, inspiration, education, and guidance that will change the way you think about making presentations with PowerPoint or Keynote. Presentation Zen challenges the conventional wisdom of making "slide presentations" in today’s world and encourages you to think differently and more creatively about the preparation, design, and delivery of your presentations. Garr shares lessons and perspectives that draw upon practical advice from the fields of communication and business. Combining solid principles of design with the tenets of Zen simplicity, this book will help you along the path to simpler, more effective presentations.

The methodologies of aesthetic thought have always had a deep, historic foundation and serve as a staple of philosophy. Researchers have begun re-examining the structure and levels of aesthetics by tracing the history of this practice and studying European and Asian traditions. This systematic perspective is an emerging topic of exploration yet requires an appropriate level of research that further investigates the recent discoveries of systemic aesthetics in today’s modern world. New Aesthetic Thought, Methodology, and Structure of Systemic Philosophy is an essential reference source that discusses the organic connection between philosophy, mathematics, and aesthetics, as well as its application to other fields of human sciences. This book analyzes the history of aesthetics and studies the contemporary laws and function of beauty and nature. Featuring research on topics such as fundamental principles, mathematical methods, and humanistic logic, this book is ideally designed for philosophers, physicians, scientific researchers, mathematicians, systems engineers, complexity professionals, anthropologists, art designers, academicians, and students seeking coverage on the structure of artistic beauty through a systematic approach.

Aphorisms-- or philosophical short sayings--appear everywhere, from Confucius to Twitter, the Buddha to the Bible, Heraclitus to Nietzsche. Yet despite this ubiquity, the aphorism is the least studied literary form. What are its origins? How did it develop? How do religious or philosophical movements arise from the enigmatic sayings of charismatic leaders? And why do some of our most celebrated modern philosophers use aphoristic fragments to convey their deepest ideas? In A Theory of the Aphorism, Andrew Hui crisscrosses histories and cultures to answer these questions and more. With clarity and precision, Hui demonstrates how aphorisms-- ranging from China, Greece, and biblical antiquity to the European Renaissance and nineteenth century--encompass sweeping and urgent programs of thought. Constructed as literary fragments, aphorisms open new lines of inquiry and horizons of interpretation. In this way, aphorisms have functioned as ancestors, allies, or antagonists to grand systems of philosophy. Encompassing literature, philology, and philosophy, the history of the book and the history of reading, A Theory of the Aphorism invites us to reflect anew on what it means to think deeply about this pithiest of literary forms.

Following in the tradition of generations of expatriate Chinese merchants, they began establishing small family businesses. Today, the authors show, these have expanded into conglomerate business empires. Entrusting corporate divisions almost exclusively to relatives, and dealing extensively with fellow expatriates, these entrepreneurs have formed close-knit and formidable business spheres throughout Southeast Asia - a "bamboo network."