The "Philosophical Dialogues with my Friend Pi" are an intellectual experiment, with which the author wanted to carry out an incursion into the field of artificial intelligence, to try to elucidate what the current limits of this technology are, and find out to what extent point a machine can emulate one of the most outstanding characteristics of the human condition: the ability to reason from a philosophical point of view. Throughout these pages, therefore, the reader will find a great diversity of topics and questions that have been part of philosophical work for more than 2,500 years, many of which remain without a convincing answer. It can be said, without a doubt, that the performance of artificial intelligence for this task has been surprisingly good, which leads the author to think that artificial intelligence is being improved day by day, so that, in the very near future, there will be very few areas of human reality that will not be improved by this technology. We can only hope that this improvement will contribute to filling the gaps and difficulties that human beings have faced since they appeared on this planet.

Herbert Hochberg is one of the most influential analytical philosophers and one of the most influential critics of analytical philosophy. He disputed with almost all leading analytical philosophers, from Quine, Goodman and Wilfrid Sellars to David Lewis and David Armstrong. His point of view is ontological and he harks back to the origins of analytical philosophy where he finds unknown precursors of current views. And he finds parallels to contemporary non-analytic philosophies. In his own ontology he tries to dispense with simple particulars.

In the fourth century C.E. some Christians paraphrased the stories about Jesus' life in the style of classical epics. Imitating the genre of centos, they stitched together lines taken either from Homer (Greek) or Virgil (Latin). They thus created new texts out of the classical epics, while they still remained fully within the confines of their style and vocabulary. It is the aim of this study to put these attempts into a historical and rhetorical context. Why did some Christians rewrite the Gospel stories in this way, and what came out of this? On the basis of these Christian centos, it is natural to address the view held by some scholars, namely that New Testaments narratives are imitations of the epics.

Ludwig Wittgenstein was the most influential, and arguably the greatest, philosopher of the twentieth century. This fact about his influence is not only a matter of how much he influenced people but also of how many people he influenced. His early work was taken up by some of the pioneers of analytical philosophy. His later work helped spawn another movement within analytic philosophy, that of ordinary language philosophy (sometimes called Oxford philosophy). He is also considered by some to be a key postmodern thinker, and an interest in his work is a distinguishing feature of many post-analytical philosophers who seek to bridge the gap between analytical and so-called continental philosophy. This second edition of Historical Dictionary of Wittgenstein's Philosophy covers the history of this philosophy through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on every aspect of his work. This book is an excellent access point for students, researchers, and anyone wanting to know more about Wittgenstein’s philosophy.

Shattered Pictures of Places and Cities se adentra por las páginas autobiográficas, filosóficas y narrativas más relevantes de George Santayana discurriendo por sus viajes y geografías físicas en paralelo a sus viajes y geografías morales. Es un intento de ir más allá de la reflexión entorno a los orígenes biográficos del filósofo; de ahí que se recupere una indagación sobre su habitar el lenguaje y el arte. Santayana reconsidera los fundamentos del arte de la memoria clásica en su autobiografía, para formular una nueva propuesta estética donde el arte y la vida se funden y se confunden, estimulándose recíprocamente. Hila una filosofía del viaje y del lugar, donde se privilegia una noción del habitar que ilumina nuestra condición de nómadas –en la vida y en el pensamiento–, y nuestra trágica estable inestabilidad en este mundo.