This is the first modernized and edited version of the 1622 text of Othello. It consists of a detailed introduction, quarto text, select collation and textual notes and is an important book for scholars in Shakespeare and Elizabethan-Jacobean drama, with wide ramifications for other Shakespeare textual studies and for students of early theatre history.

A popular and influential play from its first performance in 1611 until the early eighteenth century, 'A King and No King' helped establish tragicomedy as the seventeenth century's favoured dramatic genre, and Beaumont and Fletcher as leading playwrights of the day.Accompanying this newly edited text, an introduction explores the play's sources, both literary and dramatic, and offers a thorough reconsideration of its relation to its social and political context, and contemporary issues of royal absolutism, good governance, and the political role of the aristocracy. In addition, the introduction provides the fullest available account of 'A King and No King''s stage history, tracing the shifts in cultural mores that eroded its popularity and ultimately consigned it to the study rather than the stage. This fully annotated edition encourages an appreciation of the play's very real virtues and will appeal to theatre professionals as well as to students of Renaissance drama.

Highlighting aspects of his scholarship seldom given sufficient emphasis, this new volume of the Collected Works of Northrop Frye documents Frye's writings on the literature of the eighteenth and nineteenth centuries (apart from those on William Blake, which are featured in other volumes). The volume includes Frye's seminal 1956 essay "Towards Defining an Age of Sensibility" and the highly influential 1968 book A Study of English Romanticism. With these pieces and the other published and unpublished works contained in the volume, Frye changed the way the transition from the major Augustan figures to the Romantics was viewed. These works are a central part of Frye's long and radical rethinking of the relation of romance and Romanticism and, through them, he emerges as a meticulous textual critic, teasing out the fine brushstroke effects in writers as varied as Boswell and Beddoes, Dickens and Dickinson. Imre Salusinszky's introduction and annotation illuminates Frye's writing and guides the reader along the path of Frye's five-decade development of thought on Romanticism. This volume is an invaluable contribution to studies on Frye, as well as to Romantic and Victorian literature.