Philadelphia Mummers is the story of America's oldest annual folk parade and its legacy to Philadelphia's working-class spirit. The Philadelphia Mummers are costumed individuals and families who celebrate by "strutting" and performing on New Year's Day. For many, mummery is also a way of life. The first official parade occurred in 1901, but it is an evolving tradition, reflecting both the challenges and opportunities of changing times. Philadelphia Mummers tells the story of modern-day mummery and the expressions of art, freedom, and celebration of thousands of people who come together in the working-class spirit of America's oldest annual folk parade.

From mayors and mummers to tap dancers and gamblers, South Philly has it all. This quintessential Philadelphia neighborhood boasts a complicated history of ethnic strife alongside community solidarity and, for good measure, some of the best bakeries in town. Among its many famous people South Philadelphia claims Marian Anderson, Frankie Avalon, Mayor Frank Rizzo, Temple Owl's coach John Chaney, Larry Fine of the Three Stooges, and "Loving" soap opera actress Lisa Peluso. For South Philadelphians, whether they stay or leave, the neighborhood is always happy to give you their opinions, and in this book they talk about their favorite subject to Murray Dubin, award winning journalist at the Philadelphia Inquirer, who also called South Philly home. Music and the arts are part of everyday life. Baritone Elliott Tessler says, "I'm not a celebrity, I'm a minor curiosity. If Pavarotti lived here, he would just be a minor curiosity, and probably because he was fat more than because he sang." Jean DiElsi remembers finding work in 1943 as a cashier at a diner that would become a South Philly landmark. "It was the only diner around and it was open 24 hours. If you went to dances, everybody would go to the Melrose Diner afterwards...No, there was no Mel or Rose. it was named after a can of tomatoes. In addition to being Philadelphia's first neighborhood, South Philly is the oldest ethnically and racially mixed big-city neighborhood in the nation. Catherine Williams remembers growing up black on Hoffman Street, "We had everything. We had the Jews, we had Italians, we had the blacks, we even had a Portuguese family. You never knew there was a color thing back then. I was the only black in my class at Southwark, but you never knew. In the third, fourth grade, some of those Italian boys was big, but you would have thought they were brothers to me." These are some of the people and the opinions that make up South Philadelphia and Murray Dubin will take you on a resident's tour of the ultimate city neighborhood. But for every interview, there's also a lot of history. And Dubin provides an historical examination that spans 300 years, from Thomas Jefferson living in South Philadelphia in 1793 to the burning of Palumbo's in 1994. Whether you're a South Philadelphian yourself, or just want to understand the South Philly phenomenon this book is a must. Author note: Murray Dubinwas born in South Philadelphia and is a reporter for the Philadelphia Inquirer.

A vivid history of the nation's oldest folk parade.

Haunted City explores the history of racial impersonation in Philadelphia from the late eighteenth century through the present day. The book focuses on select historical moments, such as the advent of the minstrel show and the ban on blackface makeup in the Philadelphia Mummers Parade, when local performances of racial impersonation inflected regional, national, transnational, and global formations of race. Mummers have long worn blackface makeup during winter holiday celebrations in Europe and North America; in Philadelphia, mummers’ blackface persisted from the colonial period well into the twentieth century. The first annual Mummers Parade, a publicly sanctioned procession from the working-class neighborhoods of South Philadelphia to the city center, occurred in 1901. Despite a ban on blackface in the Mummers Parade after civil rights protests in 1963–64, other forms of racial and ethnic impersonation in the parade have continued to flourish unchecked. Haunted City combines detailed historical research with the author’s own experiences performing in the Mummers Parade to create a lively and richly illustrated narrative. Through its interdisciplinary approach, Haunted City addresses not only theater history and performance studies but also folklore, American studies, critical race theory, and art history. It also offers a fresh take on the historiography of the antebellum minstrel show.

Philadelphia Mummers is the story of America's oldest annual folk parade and its legacy to Philadelphia's working-class spirit. The Philadelphia Mummers are costumed individuals and families who celebrate by strutting and performing on New Year's Day. For many, mummery is also a way of life. The first official parade occurred in 1901, but it is an evolving tradition, reflecting both the challenges and opportunities of changing times. Philadelphia Mummers tells the story of modern-day mummery and the expressions of art, freedom, and celebration of thousands of people who come together in the working-class spirit of America's oldest annual folk parade.

"A tough, keen-edged blade of a story … powerful and moving!" ― Roger Zelazny "This episodic tale of life, war, and survival in post-meltdown Pennsylvania builds a potent new myth from the grim reality of radioactive waste. Swanwick's clean, strong prose makes the story compulsively readable." ― George R. R. Martin "A vivid, fast-paced and evocative story by one of science fiction's best new writers. A generation-spanning saga of the fight for power and survival in a chillingly possible alternate future America … one which could still yet come to pass, tomorrow or today." ― Gardner Dozois In this dystopic world, radiation from the 1979 Three Mile Island accident has contaminated all of central Pennsylvania. A century after the disaster, the fallout zone ― known as the Drift ― harbors two-headed monsters, mutated vampires, and other outcasts. In the Drift chronicles the struggles of those on both sides of the divide as they fight to survive and transcend their shattered world.

Here, in pictures and words, is the life of the Mummers: the bands, the costumes, and the people who dance, perform, and live their lives through their brigades every day of the year. Acclaimed photographer E. A. Kennedy has captured the way Mummery continues its hold on the imagination of Philadelphia, how this tradition has its roots in the city's unique development first as a Swedish, then British city, and the traits Mummery shares with other parade tradtions in the US. Most importantly, Kennedy captures the joy of brigades preparing for the big parade down Broad Street: the practices under the I-95 overpass; the rehearsals and fittings of costumes. Throughout, Kennedy reveals the essence of Mummery and this rich album will make for an indispensable gift for all fans of the Mummers in the city and around the country.

The life and times of the extraordinary Octavius Catto, and the first civil rights movement in America.

Throughout the Americas, performances deriving from medieval European rituals, ceremonies, and festivities made up a crucial part of the cultural cargo shipped from Europe to the overseas settlements. In 1583, Sir Humphrey Gilbert sailed from Plymouth, England, to Newfoundland, bringing with him "morris dancers, hobby horses, and Maylike Conceits" for the "allurement of the savages" and the "solace of our people." His voyage closely resembled that of twelve Franciscan friars who in 1524 had arrived in what is now Mexico armed with a repertoire of miracle plays, religious processions, and other performances. These two events, although far from unique, helped shape initial encounters between Europeans and indigenous peoples; they also marked the first stages of the process that would lead—by no means smoothly—to a distinctively American culture. Ritual Imports is a groundbreaking cultural history of European performance traditions in the New World, from the sixteenth century to the present. Claire Sponsler examines the role of survivals and adaptations of medieval drama in shaping American culture from colonization through nation building and on to today's multicultural society. The book's subjects include New Mexican matachines dances and Spanish conquest drama, Albany's Pinkster festival and Afro-Dutch religious celebrations, Philadelphia's mummers and the Anglo-Saxon revival, a Brooklyn Italian American saint's play, American and German passion plays, and academic reconstructions of medieval drama. Drawing on theories of cultural appropriation, Ritual Imports makes an important contribution to medieval and American studies as well as to cultural studies and the history of theater.