What is strange? Or better, who is strange? When do we encounter the strange? This volume takes the question of hosting the Stranger to the deeper level of embodied imagination and the senses.It asks: How does the embodied imagination relate to the Stranger in terms of hospitality or hostility (given the common root of hostis as both host and enemy)? How do humans sensethe dimension of the strange and alien in different religions, arts, and cultures? How do the five physical senses relate to the spiritual senses, especially the famous sixthsense, as portals to an encounter with the Other? Is there a carnal perception of alterity, which would operate at an affective, prereflective, preconscious level? What exactly do embodied imaginariesof hospitality and hostility entail? And what, finally, are the topical implications of these questions for an ethics and practice of tolerance and peace?

Hosting the Stranger features ten powerful meditations on the theme of interreligious hospitality by eminent scholars and practitioners from the five different wisdom traditions: Jewish, Christian, Hindu, Buddhist and Islamic. By gathering thinkers from different religious traditions around the same timely topic of what it means to 'host the stranger,' this text enacts the hospitality it investigates, facilitating a hopeful and constructive dialogue between the world's major religions.

Brexit and the Migrant Voice provides a platform for the perspectives of European citizens and migrants living and working in the UK by assessing their representation in British and European cultural productions (literature, drama, the media) and by foregrounding their attitudes, their fears, and their concerns about Brexit. The book looks at Brexit through the eyes of Britain’s European citizens (‘Europe in Britain’), while also looking at European perceptions of Britain as a nation (‘Britain in Europe’), via a geographical journey – from West to East –across Europe. The book assesses how these countries, their citizens, and their cultural productions engage with the questions and challenges posed by Brexit. It brings together an exciting line-up of European academics and scholars, both early-career and well-established, from a variety of subject disciplines. Some live and work within UK Higher Education Institutions and thus look at Britain from within, while others reside within their countries of origin and look at Britain from the outside. Their chapters assess Brexit via a plethora of cultural outputs – Brexit fiction from their individual countries, opinion pieces, press discussions, but also narratives of compatriots affected by the UK’s decision to leave the European Union. The authors’ individual focal points on fiction, journalism, blog posts, theatre performances, and other cultural productions offer an innovative and comprehensive picture about thoughts on Brexit from around Europe that will fill an important gap in the market. This book will appeal to the academic market at undergraduate, postgraduate, and academic researcher level in a wide variety of disciplines including Literature, Politics and International Relations, European Studies, History, Cultural Studies, Sociology, and Media Studies.

Phenomenology is one of the leading movements in twentieth-century philosophy and continues to exert a strong influence on many contemporary philosophical traditions and investigations. In recent years, phenomenological insights have been increasingly developed in relation to philosophy of illness, disability, race, gender, sexuality, and politics, leading to the emergence of critical phenomenology as a new, prominent field for interdisciplinary research. Magrì and McQueen's Critical Phenomenology: An Introduction is the first book of its kind, addressing the critical questions at the core of both classical and contemporary phenomenology. This book provides a concise, accessible introduction to key areas of phenomenological research, such as intersubjectivity, bodily experience, race, gender, social experience, and political action. In doing so, it demonstrates both the rich history of phenomenology and its continuing philosophical and ethical importance. This textbook will be essential reading for undergraduate philosophy students and academics interested in critical phenomenology.

Twenty-first-century media and political discourse sometimes makes "strangers" - refugees, immigrants, minorities - the scapegoats for social and economic disorder. In this heated climate, theatre has the potential to promote greater compassion and empathy for outsiders. A study of cultural difference in contemporary Canadian theatre, Staging Strangers considers how theatre facilitates an understanding of distant places and issues. Theatre in Canada, and especially in Toronto, has long been a place for communities to celebrate their traditions, but it is now emerging as a forum for staging stories that stretch beyond the local and the national. Combining archival research and performance analysis, Barry Freeman analyzes the possibilities and hazards of representing strangers, and the many ways the stranger on stage may be fetishized or domesticated, marked for assimilation, or turned into an object of fear. A fresh look at ways to cultivate ethical responsibility for global issues, Staging Strangers imagines a role for theatre in creating a more tolerant, caring, and cooperative world.

Exploring the relationship between hermeneutics and the arts, including painting, music, and literature, this book builds on hermeneutics from a practical perspective, connecting this area of critical research with others to reveal how it is viewed from different perspectives. International and interdisciplinary in scope, this edited volume draws on the work of scholars and practitioners working across a variety of subject areas, themes and topics, including philosophy, literature, religious paintings, musical oeuvres, Chinese urbanscapes, Moroccan proverbs, and Ukrainian internet blogs. Focusing on the idea of hermeneutics as a discipline that can connect different areas of interest, the book offers an inside view into how the contributors 'interpret' it within their own academic remits, demonstrating its presence in qualitative academic interpretations and canonical contemporary research in humanities.

From Husserl's account of protention to the recent turn to eschatology in "theological" phenomenology, the future has always been a key aspect of phenomenological theories of time. This book offers the first sustained reflection on the significance of futurity for the phenomenological method itself. In tracing the development of this theme, the author shows that only a proper understanding of the two-fold nature of the future (as constitution and as openness) can clarify the way in which phenomenology brings the subject and the world together. Futurity therefore points us to the centrality of the promise for phenomenology, recasting phenomenology as a promissory discipline.Clearly written and carefully argued, this book provides fresh insight into the phenomenological provenance of the "theological" turn and the phenomenological conclusions of Husserl, Levinas, and Derrida. Closely examining the themes of protention, eschatology, and the messianic, it will be essential reading for anyone interested in phenomenology, philosophy of religion, deconstruction, or philosophical theology.

Hospitality in a Time of Terror: Strangers at the Gate offers a reading of hospitality that suggests the encounter with strangers is at the core of cultural production and culture itself in the aftermath of the terrorist attacks of September 11, 2001. It documents the significance of hospitality after the terrorist attacks, particularly as such an ethics is so provocatively raised or disavowed by a predominantly visual and cultural archive that has been and continues to be consumed by millions of people around the world. This book utilizes works of cultural memory, film, art and literature that show the breadth of hospitality’s influence but that offer a depth of insight, historical specificity, and theoretical intensity that only a product created in the aftermath of 9/11 allows. The September 11 Memorial and Museum in New York City, for example, is best understood as an institution defined by the question of hospitality, particularly as hospitality is engaged or disavowed through an experience with loss. This bookalso considers how hospitality might function in consideration of the violence perpetuated against bodies marked by discourses of race, gender, and sexuality, as is the case in the 2011 film, Zero Dark Thirty, and separately explores how alternative modes of hospitality are enabled by the fluid and dynamic space of the street and the urban art found there. The final chapter examines Don DeLillo's 2007 novel Falling Man, and argues that the novel demonstrates a sustained engagement with hospitality through the figure of organic shrapnel, a metaphor that suggests the possibility of being literally and figuratively embedded by another. The purpose of this book is to point out the diverse and even devastating ways that hospitality appears in ways that remind us that, if hospitality as we understand it is failing, it matters more than ever how we deploy it.

In view of the double vocative that characterizes the relation of Creator to creature, this book offers critiques of modern and postmodern philosophy for the ways in which they have separated philosophy, theology, and spirituality. This collection examines the complicated relationship of God to Being and the meaning of Revelation, as well as highlighting the context and the role of the Spiritual Exercises of Ignatius Loyola. Discussions include the Catholic Principle and its relevance in contemporary times, and Christian epic visionaries such as Dante, Milton, Blake, and Joyce, providing scholars a forum to debate their theological identity and its meaning for future studies. This volume contributes a unique engagement from many perspectives with the Catholic intellectual tradition in its philosophical, theological, spiritual, literary, and artistic dimensions.

Geographies of Embodiment provides a critical discussion of the literatures on the body and embodiment, and humanism and post-humanism, and develops arguments about "otherness" and "encounter" which have become key ideas in urban studies, and studies of the city. It situates these arguments in a wider political context, looking at power-relations through case studies at urban, national and transnational scales. These arguments are situated across disciplinary boundaries, at the borderline between between philosophy and social science that is associated to critical phenomenology, and reaches across Human Geography, Sociology, Philosophy, Anthropology, Cultural Studies and Urban Studies.