We press on with the second volume of Phenomenal Stories Quarterly, a collection of the first three issues of Phenomenal Stories for 2019. As a special bonus, there's a new piece titled 'From the Desk of... GEOD' not found in any issue of Phenomenal Stories. Phenomenal Stories Quarterly is a companion magazine to Phenomenal Stories in the tradition of the science fiction/fantasy/horror pulps of the 1920s, 1930s and 1940s. It's also a somewhat cheaper means to get all the issues together. This issue contains stories by Richard H. Nilsen, Haldor R. Hallum, J.D. Hayes-Canell, Bridget Flynn-O'Leary, Henry Martin and a classic reprint by Frank Belknap Long Jr. Phenomenal Stories Quarterly is a modern-day tribute to the science fiction/horror/fantasy/speculative pulp magazines of the 1920s, 1930s and 1940s.

We press on with the third volume of Phenomenal Stories Quarterly, a collection of the April, May and June issues of Phenomenal Stories for 2019. Joining the Phenomenal Stories fray are new and veteran writers working in new - for us - areas such as nostalgia and murder mysteries. Phenomenal Stories Quarterly is a companion magazine to Phenomenal Stories in the tradition of the science fiction/fantasy/horror pulps of the 1920s, 1930s and 1940s. It's also a somewhat cheaper means to get all the issues together. This issue contains stories by Martin G. Collins, Richard H. Nilsen, Mary Brookman, Haldor R. Hallum, J.D. Hayes-Canell, Bridget Flynn-O'Leary, Delia McTavish and classic reprints by Henry Kuttner, H.P. Lovecraft and Clark Ashton Smith. Phenomenal Stories Quarterly is a modern-day tribute to the science fiction/horror/fantasy/speculative pulp magazines of the 1920s, 1930s and 1940s.

Phenomenal Stories #09 features the classic story, ?The Dark Eidolon? by one of the Weird Tales ?Big Three, ? Clark Ashton Smith, as well as the final installment of Richard H. Nilsen's fantasy serial, ?The Book of Power.? Dunces & Dragons continues its exhausted and exhaustive adventures of put-upon reporter/columnist J.D. Hayes-Canell, known endearingly as Intrepid, as he navigates Isengard and gets his own intern! Richard H. Nilsen's column, The Write Stuff, is designed to help novice writers out there to get writing. This installment focuses upon classic side characters as a means of story telling for writers. Future parts will go into other specifics to help the budding writer write. The editor takes a look back at a still relevant novel from legendary science fiction writer, Arthur C. Clarke. Phenomenal Stories is a modern-day tribute to the science fiction/horror/fantasy/speculative pulp magazines of the 1920s, 1930s and 1940s.

Finalist for the 2022 Mythopoeic Scholarship Award for Myth and Fantasy Studies From the time of Charles Dickens, the imaginative power of the city of London has frequently inspired writers to their most creative flights of fantasy. Charting a new history of London fantasy writing from the Victorian era to the 21st century, Fairy Tales of London explores a powerful tradition of urban fantasy distinct from the rural tales of writers such as J.R.R. Tolkien. Hadas Elber-Aviram traces this urban tradition from Dickens, through the scientific romances of H.G. Wells, the anti-fantasies of George Orwell and Mervyn Peake to contemporary science fiction and fantasy writers such as Michael Moorcock, Neil Gaiman and China Miéville.

Charles Fort was an American researcher from the early twentieth century who cataloged reports of unexplained phenomena he found in newspapers and science journals. A minor bestseller with a cult appeal, Fort's work was posthumously republished in the pulp science fiction magazine Astounding Stories in 1934. His idiosyncratic books fascinated, scared, and entertained readers, many of them authors and editors of science fiction. Fort's work prophesied the paranormal mainstays of SF literature to come: UFOs, poltergeists, strange disappearances, cryptids, ancient mysteries, unexplained natural phenomena, and everything in between. Science fiction authors latched on to Fort's topics and hypotheses as perfect fodder for SF stories. Writers like Arthur C. Clarke, Philip K. Dick, Robert Heinlein, H.P. Lovecraft, and others are examined in this exploration of Fortean science fiction--a genre that borrows from the reports and ideas of Fort and others who saw the possible science-fictional nature of our reality.

Survival, the IISS’s bimonthly journal, challenges conventional wisdom and brings fresh, often controversial, perspectives on strategic issues of the moment. In this issue: Barry Posen argues that Europe is better placed to defend itself militarily than many, including the IISS, have portrayed it to be Kori Schake examines the prospects of Republican politics in a post-Trump America Daniel Byman and Aditi Joshi call for protocols to curb the abuse of social media by malign agents and states Nigel Gould-Davies explains Russia’s stance on Belarus with reference to Moscow’s long history of involving itself in its neighbours’ affairs And nine more thought-provoking pieces, as well as our regular book reviews and Noteworthy column. Editor: Dr Dana Allin Managing Editor: Jonathan Stevenson Associate Editor: Carolyn West Assistant Editor: Jessica Watson

Socio-Historical Examination of Religion and Ministry (SHERM journal) is a biannual, not-for-profit, free peer-reviewed academic journal that publishes the latest social-scientific, historiographic, and ecclesiastic research on religious institutions and their ministerial practices. SHERM is dedicated to the critical and scholarly inquiry of historical and contemporary religious phenomena, both from within particular religious traditions and across cultural boundaries, so as to inform the broader socio-historical analysis of religion and its related fields of study. The purpose of SHERM is to provide a scholarly medium for the social-scientific study of religion where specialists can publish advanced studies on religious trends, theologies, rituals, philosophies, socio-political influences, or experimental and applied ministry research in the hopes of generating enthusiasm for the vocational and academic study of religion while fostering collegiality among religious specialists. Its mission is to provide academics, professionals, and nonspecialists with critical reflections and evidence-based insights into the socio-historical study of religion and, where appropriate, its implications for ministry and expressions of religiosity.

This book explores the role of private mining rights in the utopian imaginary of space colonisation. It presents a transdisciplinary account of the new and evolving legislative frameworks that have been established in anticipation of commercial exploitation of the mineral resources of the off-world frontier. Written in an engaging style, the book investigates a novel case study in the history of capitalism and 'the commons': the emergence of a nascent space mining industry, undergirded by a contentious legislative framework. In 2015, the US passed laws that would recognise the claims of US corporations to own and sell space resources. This unilateral act of pre-emptive law-making would appear to contravene the terms of the UN Outer Space Treaty (1967), which declared that the exploration and use of outer space should be ‘for the benefit of all mankind’ and ‘not subject to national appropriation’. Using this central dynamic between privately held mining rights and outer space as a 'global commons', Matthew Johnson constructs an historical sociology of space mining – from the deep historical roots of common and private property to the contemporary networks of neoliberalism that have engaged with the commercialisation of space activity. The anticipatory expansion of private property claims beyond the Earth both resonates with and problematises the ‘terrain’ of political history, such as the tensions between states and markets, public law and private power, ‘the commons’ and exclusive property. The emerging cosmopolitics of off-world private property mirrors (and is often explicitly embedded within) neoliberal geopolitics, prompting urgent questions about how we can reaffirm principles of democracy and ‘common heritage’ in the international laws of Earth and space. This book is compelling reading for anyone interested in the social study of space, law, economics, technology, politics and property rights.

In the mid-nineteenth century, the study of English literature began to be divided into courses that surveyed discrete "periods." Since that time, scholars' definitions of literature and their rationales for teaching it have changed radically. But the periodized structure of the curriculum has remained oddly unshaken, as if the exercise of contrasting one literary period with another has an importance that transcends the content of any individual course. Why Literary Periods Mattered explains how historical contrast became central to literary study, and why it remained institutionally central in spite of critical controversy about literature itself. Organizing literary history around contrast rather than causal continuity helped literature departments separate themselves from departments of history. But critics' long reliance on a rhetoric of contrasted movements and fateful turns has produced important blind spots in the discipline. In the twenty-first century, Underwood argues, literary study may need digital technology in particular to develop new methods of reasoning about gradual, continuous change.

Shortlisted for the EuroSEAS Humanities Book Prize 2022 Quyền Văn Minh (b. 1954) is not only a jazz saxophonist and lecturer at the prestigious Vietnam National Academy of Music, but he is also one of the most preeminent jazz musicians in Vietnam. Considered a pioneer in the country, Minh is often publicly recognized as the “godfather of Vietnamese jazz.” Playing Jazz in Socialist Vietnam tells the story of the music as it intertwined with Minh’s own narrative. Stan BH Tan-Tangbau details Minh’s life story, telling how Minh pioneered jazz as an original genre even while navigating the trials and tribulations of a fervent socialist revolution, of the ideological battle that was the Cold War, of Vietnam’s war against the United States, and of the political changes during the Đổi Mới period between the mid-1980s and the 1990s. Minh worked tirelessly and delivered two breakthrough solo recitals in 1988 and 1989, marking the first time jazz was performed in the public sphere in the socialist state. To gain jazz acceptance as a mainstream musical art form, Minh founded Minh Jazz Club. With the release of his debut album of original compositions in 2000, Minh shaped the nascent genre of Vietnamese jazz. Minh’s endeavors kickstarted the momentum, from his performing jazz in public, teaching jazz both formally and informally, and contributing to the shaping of an original Vietnamese voice to stand out among the many styles in the jazz world. Most importantly, Minh generated a public space for musicians to play and for the Vietnamese to listen. His work eventually helped to gain jazz the credibility necessary at the national conservatoire to offer instruction in a professional music education program.