This is the first in-depth study of the Whitworth Art Gallery's acclaimed collection of clothing from post-Pharaonic Egypt, most of which was excavated between 1888 and 1923. The evolution of the shaping and cut of garments, especially tunics, cloaks and headwear, is traced from the late 3rd century, when Egypt was under Roman rule, to the 10th century, by which time it was an Arab state. The weaving and sewing skills of the era are brought into sharp focus, as well as the distinctive styles, decoration and colors of the clothes. Egypt in the first millennium AD was a rich cultural melting pot and this diversity was reflected in the dress of the people. The book is lavishly illustrated with specially-commissioned color photographs and line drawings. Frances Pritchard is Curator (Textiles) at the Whitworth Art Gallery, The University of Manchester, UK.

Outlines the clothing styles worn by the people of ancient Egypt.

Over 250 illustrations, drawn in the artistic style of the period, depict apparel worn by Egyptian royalty, manual workers, and military, as well as by ancient Sumerians, Babylonians, and Assyrians. Flat patterns show cut of the garments.

16 dazzling costumes for 2 figures, among them colorful sheath dresses, and sarilike cloaks for the lady; kilts, royal robes, and soldier's uniform for the man.

If this work is to be kept within its limitations, it is naturally impossible to give a complete survey of all the varieties of the various styles. To get this knowledge it will be necessary to consult the works of reference, of which lists are given in each section. On the other hand, the special aspect of the work is more fully treated than in any other accessible book upon the subject. Every illustration of costume given has been actually cut out and made up before being sketched, except in a few cases which are of the nature of duplicates, so that by following the directions given it will be easy for anyone to reproduce them in material. Where decoration is required, the exact drawing and colouring of the various styles of Historic Ornament, which are the work of F. S. Hornblower (who has also coloured the costumes where necessary), will enable such details to be appropriately applied. Throughout the book, the illustrations are given by means of facsimiles of drawings by artists of the various centuries, so that a historic survey of the History of Figure Drawing will be included. Where the drawings of primitive artists do not clearly express the ideas intended to be conveyed, a modern drawing{vi} of the garment on a dress-stand will be used for explanation of the measured drawings of the cut-out garments. The growing appreciation of the beauty and value of the earlier and more primitive systems of cutting shown in modern dress designing for the last decade, when the so-called Magyar blouse (really the simple tunic common to all primitive folk) began to be popular, will make the present volume a convenient form of inspiration for designers; also, where more exact reproduction is needed, as in theatrical work, pageantry, and so forth, the careful working out of the details of cut and decoration will expedite production and save hours of fruitless searching in reference libraries.

An interesting guide to clothing worn on a day-to-day basis in Pharaonic Egypt. It provides information about the basic garment types from loincloths to headgear using actual examples and numerous illustrations based on ancient Egyptian representations.

Over 400 images of papyrus, sun god Re, lotus, scarabs, plant scrolls, many other authentic motifs. Notes. Captions.

Following the Napoleonic military campaign in Egypt (1798-1801), Europe rediscovered the ancient Egyptian civilization, and later expeditions deepened and amplified knowledge of the country's archaeological monuments, giving birth to a new science, Egyptology, which is still very active. In 1828, Charles X of France and Grand Duke Leopold II of Tuscany financed the first international scientific expedition to Egypt, the aim of which was to explore the historic monuments of the country. Unlike the Napoleonic Commission, the Franco-Tuscan expedition was able to take advantage of the understanding of hieroglyphic script and therefore examine the antiquities more systematically. The leaders of the expedition were Jean-François Champollion, the man who deciphered the hieroglyphs using the Rosetta Stone, and Ippolito Rosellini. Born in Pisa in 1800, Rosellini was noted for his study of the monuments, deciphering of the hieroglyphs and, above all, for his contribution to science in the form of his illustrated work, The Monuments of Egypt and Nubia. This volume recounts the era of early Egyptology at the start of the nineteenth century, and presents the most beautiful plates from Rosellini's original work made following the long expedition.

According to Egyptian mythology, when the ancient Egyptian sun god Re cried, his tears turned into honey bees upon touching the ground. For this reason, the honey bee was sacrosanct in ancient Egyptian culture. From the art depicting bees on temple walls to the usage of beeswax as a healing ointment, the honey bee was a pervasive cultural motif in ancient Egypt because of its connection to the sun god Re. Gene Kritsky delivers a concise introduction of the relationship between the honey bee and ancient Egyptian culture, through the lenses of linguistics, archeology, religion, health, and economics. Kritsky delves into ancient Egypt's multifaceted society, and traces the importance of the honey bee in everything from death rituals to trade. In doing so, Kritsky brings new evidence to light of how advanced and fascinating the ancient Egyptians were. This richly illustrated work appeals to a broad range of interests. For archeology lovers, Kritsky delves into the archeological evidence of Egyptian beekeeping and discusses newly discovered tombs, as well as evidence of manmade hives. Linguists will be fascinated by Kritsky's discussion of the first documented written evidence of the honeybee hieroglyph. And anyone interested in ancient Egypt or ancient cultures in general will be intrigued by Kritsky's treatment of the first documented beekeepers. This book provides a unique social commentary of a community so far removed from modern humans chronologically speaking, and yet so fascinating because of the stunning advances their society made. Beekeeping is the latest evidence of how ahead of their times the Egyptians were, and the ensuing narrative is as captivating as every other aspect of ancient Egyptian culture.