Inspector Leroux had witnessed the execution of the Phantom of the Opera. Justice had been served. So he thinks, until letters in a feminine hand arrive, hinting at the curious coincidence of a masked composer, Erik Costanzi, thriving in an Italian opera house and married to the former Parisian Diva, Meg Giry. Driven by outrage and a desire for revenge, the inspector tracks the Phantom to his new home. But there is another ghost from Erik's past, one who dogs the Phantom's steps, who sabotages the production of his newest opera, and who threatens the peace he has found with Meg and his family. Book IV, Phantom Death, is the last in the Phoenix of the Opera series. It continues and closes the story begun in The Phoenix of the Opera, and continued in Out of the Darkness: The Phantom's Journey and The Phantom's Opera.

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"The Phantom Death, Etc" by William Clark Russell is a collection of stories that all center around life on the sea. Indeed, Russell is best known for his nautical writing, and this book is no different. Remarkably fresh in tone, these stories are full of adventure that engage readers from the moment they begin the first page and won't let them go until they're finished with the very last word.

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Drawing from a rich corpus of art works, including sarcophagi, tomb paintings, and floor mosaics, Patrick R. Crowley investigates how something as insubstantial as a ghost could be made visible through the material grit of stone and paint. In this fresh and wide-ranging study, he uses the figure of the ghost to offer a new understanding of the status of the image in Roman art and visual culture. Tracing the shifting practices and debates in antiquity about the nature of vision and representation, Crowley shows how images of ghosts make visible structures of beholding and strategies of depiction. Yet the figure of the ghost simultaneously contributes to a broader conceptual history that accounts for how modalities of belief emerged and developed in antiquity. Neither illustrations of ancient beliefs in ghosts nor depictions of afterlife, these images show us something about the visual event of seeing itself. The Phantom Image offers essential insight into ancient art, visual culture, and the history of the image.

"When the lead in a local production of 'Phantom of the opera' is found bludgeoned to death beside a huge saguaro in a remote, undeveloped area of Scottsdale, it's a shock to ranch owner Maggie Browne, who knew the actor as a boy. She's further drawn into the mystery when the victim's mother asks for her help in solving her only son's tragic ending. Enlisting the aid of her friends, the women of St. Rose Quilting Bee, Maggie begins to sort through the pieces of the dead man's life, wondering if one can ever truly 'know' an actor. What was he doing in the desert late at night? While police suspect a carjacking turned deadly, Maggie explores some strange doings in the life of Jonathan Hunter's nearest and dearest, exposing dangerous secrets meant to stay buried in the desert ... and in the past"--Book description.

In 1989, while attempting a new route on a difficult overhanging rock face, climber Dan Osman fell. Again and again, protected by the rope, he fell. He decided then that it would not be in climbing but in falling that he would embrace his fear--bathe in it, as he says, and move beyond it. A captivating exploration of the daredevil world of rock climbing, as well as a thoughtful meditation on the role of risk and fear in the author's own life. In the tradition of the wildly popular man-versus-nature genre that has launched several bestsellers, Andrew Todhunter follows the lives of world-class climber Dan Osman and his coterie of friends as he explores the extremes of risk on the unyielding surface of the rock. Climbing sheer rock faces of hundreds or thousands of feet is more a religion than a sport, demanding dedication, patience, mental and physical strength, grace, and a kind of obsession with detail that is crucial just to survive. Its artists are modern-day ascetics who often sacrifice nine-to-five jobs, material goods, and the safety of everyday life to pit themselves and their moral resoluteness against an utterly unforgiving opponent. In the course of the two years chronicled in Fall of the Phantom Lord, the author also undertakes a journey of his own as he begins to weigh the relative value of extreme sports and the risk of sudden death. By the end of the book, as he ponders joining Osman on a dangerous fall from a high bridge to feel what Osman experiences, Todhunter comes to a new understanding of risk taking and the role it has in his life, and in the lives of these climbers. Beautifully written, Fall of the Phantom Lord offers a fascinating look at a world few people know. It will surely take its place alongside Into Thin Air and The Perfect Storm as a classic of adventure literature.

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