This is a volume of poems by Sara Coleridge, daughter of Samuel Taylor Coleridge.

This book presents a fundamental reassessment of Sara Coleridge. It examines her achievements as an author in the public sphere, and celebrates her interventions in what was a masculine genre of religious polemics. Sara Coleridge the religious author was the peer of such major figures as John Henry Newman and F. D. Maurice, and recognized as such by contemporaries. Her strategic negotiations with conventions of gender and authorship were subtle and successful. In this rediscovery of Sara Coleridge the author revises perspectives upon her literary relationship with Samuel Taylor Coleridge. Far from sacrificing her opportunities in service of her father’s memory, her rationale is to exploit his metaphysics in original religious writings that engage with urgent controversies of her own times. Sara Coleridge critiques the Oxford theology of Newman and his colleagues for authoritarian and elitist tendencies, and for creating a negative culture in religious discourse. In response, she experiments with methodologies of collaborative, dialogic exchange, in which form as much as content will promote liberal, inclusive and productive encounters. She develops this agenda in her major religious work, the unpublished Dialogues on Regeneration (1850–51), which this book examines in its penultimate chapter.

"A delightful exercise in inverted perspective." — Fantasy Literature. Charming modern fantasy, recounted with whimsical humor, relates a stalwart knight's encounter with a benevolent dragon who transports lonely and unwanted individuals to a utopia of abundance and harmony.

" You are the best poetry he ever produced: a bright spark out of two flints.' Dora Wordsworth and Sara Coleridge, were life-long friends. They were also the daughters of best friends: William Wordsworth and Samuel Taylor Coleridge, the two poetic geniuses who shaped the Romantic Age. Living in the shadow of their fathers' extraordinary fame brought Sara and Dora great privilege, but at a terrible cost. In different ways, each father almost destroyed his daughter. Growing up in the shadow of genius, each girl made it her life's ambition to dedicate herself to her father's writing and reputation. Anorexia, drug addiction and depression were part of the legacy of fame, but so too were great friendship and love. Drawing on a host of new sources, Katie Waldegrave tells the never-before-told story of how two young women, born into greatness, shaped their own legacies."

Skull-Face by Robert E. Howard is an astounding and terrifying story of London’s Limehouse quarter and a dire threat against all humanity. Strange was the bondage into which he sold himself, a terror-stricken slave in an abyss of evil. And stranger still was the bargain he made with the Unseen World to escape the shadow of the Thing named . . . Skull-Face. Part 1 1. The Face in the Mist 2. The Hashish Slave 3. The Master Of Doom 4. The Spider and the Fly 5. The Man on the Couch 6. The Dream Girl 7. The Man of the Skull 8. Black Wisdom 9. Kathulos of Egypt 10. The Dark House 11. Four Thirty-four 12. The Stroke of Five Part 2 13. The Blind Beggar Who Rode 14. The Black Empire 15. The Mark of the Tulwar 16. The Mummy Who Laughed 17. The Dead Man from the Sea Part 3 18. The Grip of the Scorpion 19. Dark Fury 20. Ancient Horror 21. The Breaking of the Chain Robert E. Howard (1906-1936) published Skull-Face as a serial novel in Weird Tales. It was published in three parts in the October, November and December, 1929 issues. Skull-Face contains 3 illustrations.

The One Poem series introduces young children to the world of poetry in a delightful manner, and helps them in developing a lifelong interest in this genre of literature. A truly adorable collection of all-time favourite poets and poems.

Dennis Low's re-evaluation of the Lake Poets as mentors begins with the controversial premise that Robert Southey was one of the nineteenth-century's greatest champions of women's writing. Together with Wordsworth and Coleridge, Low argues, Southey tried to end what he perceived to be the cultural decline of literature by nurturing the creative talents of many exceptional women writers. Drawing on 3,000 unpublished manuscripts in England, Scotland and the United States, Low examines the lives and works of four of the Lake Poets' literary protégées: Caroline Bowles, Maria Gowen Brooks, Sara Coleridge and Maria Jane Jewsbury. Though diverse in terms of their literary production, these women were united in their defiant efforts to write against an increasingly stagnant cultural milieu and their negotiation, wholeheartedly encouraged by their mentors, of contemporary publishing mores. This scrupulously researched book is a valuable contribution to the study of little-known women writers and to our understanding of the literary and publishing environment of Britain in the 1820s and 1830s.