There is a lot more to Phantasmagoria than initially meets the eye. Each story has a way of almost creeping up on your with its profundity. P.S. Lutz has the ability to make you laugh your head off and break your heart within a matter of seconds. A rare gift. The consistent thread to all the pieces is their invisible structure, a sure sign of a master storyteller.Ed Malone - Playwright/ActorIn Phantasmagoria, P.S. Lutz reveals the full range of his unique and extraordinary imagination. It is a book in which wonder, whimsy, and hilarity co-exist happily with horror, bizarrerie, and bedlam - sometimes in the same story. To whom would I recommend this book? To literary adventurers, to seekers after the strange and beautiful, to those whose vision of life has remained, despite everything, weird, romantic, and glorious.Chad Walsh - Editor

Phantasmagoria is a series of short stories. They aim to entertain; however, they are also meant to make one think about life's possibilities; its probabilities and everything in between.

This collection of short stories is meant to entertain. It is also meant to make one think about life's possibilities, its probabilities and everything in between.

And that is exactly what this book is: a varied collection of short stories from the acknowledged British master of Horror, Fantasy and Science Fiction, Brian Lumley, in a single volume of all three domains of the imagination – but more especially the haunts of the sinister and macabre! Inspired by the weird tales of the great Edgar Allan Poe, and as some readers might reasonably insist, the even greater H. P. Lovecraft – himself an admirer of Poe – here is a host of rather more modern witcheries from times since the sad demise of many such old masters, based on eras long forgotten before all such tale-tellers so much as existed; concepts spawned in an immemorial past that even now continues to provide the source and fundamentals of similar conceits, such as they were, in the shape of folk legends and the frequently monstrous cautions of so-called “fairy tales,” in modes made their own by the antique yarns of the Brother’s Grimm, now sadly long-demised – a fact which in itself says a lot for the longevity of these genres! Stories included in this collection: The Man in the Dream Late Shopping Spider in the Bath Memory? The Lecture Hell Is a Personal Place Problem Child The Sorceror's Dream Mother Love Not a Creature Was Stirring In the Glow Zone Little Man Lost Snarker's Son What Dark God? The Strange Years The Man Who Saw No Spiders Swamped A Really Game Boy A Dreamer's Tale In Dublin's Fair City As well as three short stories in just fifty words each and four favourite poems from "Ghoul Warning"

The first major collection of essays on the contemporary British short story cycle, this volume offers in-depth explorations of the genre by comparing its strategies for creating coherence with those of the novel and the short story collection, inquiring after the ties that bind individual short stories into a cycle. A section on theory approaches the form from the point of view of genre theory, cognitive literary studies, and book studies. It is followed by investigations of hitherto neglected aspects of the generic tradition of the British short story cycle and how they relate to the contemporary outlook of the form. Readings of individual contemporary cycles, illustrating the form’s multifaceted uses from the presentation of sexual identities to politics and trauma, make up the third and most substantial part of the volume, placing its focus squarely on the past decades. Unique in its combination of a focus on the literary traditions, politics and markets of the UK with a thorough examination of the genre’s manifold formal and thematic potentials, the volume explores what is at the heart of the short story cycle as a literary form: the constant negotiation between unity and separateness, collective and individual, of coherence and autonomy.

It is not without irony that in an age characterised by the dissolution of certainty – a consequence of digital dematerialisation and the catastrophic destabilisation of our social institutions and natural world – architecture, for so long the repository for our myths and the vessel for our intangible narratives and rituals, has been stripped bare. Increasingly preoccupied with the physical, material and measurable, architecture has forfeited its original purpose as a mediating link between the tacit and the tangible. Drawing on the current resurgence and our enduring cultural fascination with the ethereal and uncanny, this AD frames the spectral as a deconstructive gesture that undermines the fixedness and certainties of binary logics, a means to develop new practices and positions from which to address our contemporary uncertainties. Gathering a body of work that explores and speculates on architecture’s long romance with the incorporeal, the issue is intended as a catalyst through which latency, contingency and indeterminacy, inherent characteristics of the architectural condition, can once more be valued, cultivated and nurtured. Contributors: Kirsty Badenoch; Michael Chapman;Nat Chard;Oliver G Goche and Peter P Goché; Perry Kulper; Ifigeneia Liangi and Daniel Dream; Eva Menuhin; Mark Morris; Mike Phillips; Ian Ritchie; Chris Speed, and Cameron Stebbing Featured architects and designers: Captivate: Spatial Modelling Research Group, Daniel Libeskind, Night Kitchen Studio, Michael Sandle, and Ritchie Studio

Edward J.M.D. Plunkett, 18th Baron of Dunsany was instrumental in the development of the fantasy genre, influencing writers from J.R.R. Tolkien to H.P. Lovecraft. This volume contains all eight of his short story collections printed between 1905-1919, including: The Gods of Pegāna, Time and the Gods, The Sword of Welleran, A Dreamer's Tales, The Book of Wonder , Fifty-One Tales, The Last Book of Wonder, Tales of Three Hemispheres

It's 1909, and Teddy Roosevelt is not only hunting in Africa, he's being hunted. The safari is a time of discovery, both personal and political. In Africa, Roosevelt encounters Sudanese slave traders, Belgian colonial atrocities, and German preparations for war. He reconnects with a childhood sweetheart, Maggie, now a globe-trotting newspaper reporter sent by William Randolph Hearst to chronicle safari adventures and uncover the former president's future political plans. But James Pierpont Morgan, the most powerful private citizen of his era, wants Roosevelt out of politics permanently. Afraid that the trust-busting president's return to power will be disastrous for American business, he plants a killer on the safari staff to arrange a fatal accident. Roosevelt narrowly escapes the killer's traps while leading two hundred and sixty-four men on foot through the savannas, jungles, and semi-deserts of Kenya, Tanzania, Uganda, Congo, and Sudan.