Phaethon offers a comparative study of the Phaethon myth.

Hackers, fae, and a new breed of corporate greed battle over the future of the human race.... Hacker couple Jack and Rosie crack technology, but the newest device, the Phaethon, isn't like other phones. The parts are junk, yet it can do the impossible. Through gentle prodding and data theft, they learn it's powered remotely...by a living creature. Cracking the Phaethon enters them into a war. Some, like Calthine, the bitter Bogle, are on their side. Others are controlled by a new type of fae; the bosses of the Phaethon corporation, who have steel for eyes and iron for souls. Now, the hackers have to fight creatures they've never heard of to save the friends they've just made.

Examines the manuscript evidence of the surviving text of the Phaethon of Euripides and offers many decipherments.

In classical mythology, Phaethon is the child of the sun god Helios, who tries to drive his father's chariot and is killed in the attempt. Euripides explains how this happened: Helios had seduced Phaeton's mother - already betrothed to another - and as the price of her seduction had promised to grant her a favour. As an adult Phaethon claims the promise and asks to drive his father's chariot, with disastrous consequences... Only a quarter of Euripides' original version of Phaethon has survived. Alistair Elliot has translated these surviving 327 lines and reconstructed the rest, staying as faithful as possible to Euripides' time and way of thinking. The result is something very like finding a lost Euripides play, unperformed since the fifth century BC and amounting to a new masterpiece.

Surveys important Greek and Roman authors, plays, characters, genres, historical figures and more.

Gregory Nagy here provides a far-reaching assessment of the relationship between myth and ritual in ancient Greek society. Nagy illuminates in particular the forces of interaction and change that transformed the Indo-European linguistic and cultural heritage into distinctly Greek social institutions between the eighth and the fifth centuries B.C. Included in the volume are thirteen of Nagy's major essays—all extensively revised for book publication—on various aspects of the Hellenization of Indo-European poetics, myth and ritual, and social ideology. The primary aim of this book is to examine the Greek language as a reflection of society, with special attention to its function as a vehicle for transmitting mythology and poetics. Nagy's emphasis on the language of the Greeks, and on its comparison with the testimony of related Indo-European languages such as Latin, Indic, and Hittite, reflects his long-standing interest in Indo-European linguistics. The individual chapters examine the development of Hellenic poetics in the traditions of Homer and Hesiod; the Hellenization of Indo-European myths and rituals, including myths of the afterlife, rituals of fire, and symbols in the Greek lyric; and the Hellenization of Indo-European social ideology, with reference to such cultural institutions as the concept of the city-state. A path-breaking application of the principles of social anthropology, comparative mythology, historical linguistics, and oral poetry theory to the study of classics, Greek Mythology and Poetics will be an invaluable resource for classicists and other scholars of linguistics and literary theory.

The description for this book, The Old Enemy: Satan and the Combat Myth, will be forthcoming.

From the terror of Medusa and the Minotaur to the Labors of Heracles and journeys of Theseus, the stories in this collection have thrilled and enthralled people for centuries with their high drama, hazardous quests, and unforgettable characters (both mortal and immortal). Under Olivia Coolidge"s skillful pen, the landscape of early Greece and its famous legends bloom with vigor and are perfectly suited to the adventure-seeking reader.