Harry Clarke was Ireland's greatest stained-glass artist and an illustrator of genius, whose works have been collector's items for decades. Over his short lifetime he produced a plethora of elaborate designs that have been a source of endless fascination and inspiration. In this collection, 30 of his most famous designs have been redrawn in black and white to create intricate pictures, ideal for testing the bounds of your imagination. Suitable for children.

A comprehensive survey and analysis of the Presbyterian community in its important formative period. The Presbyterian community in Ulster was created by waves of immigration, massively reinforced in the 1690s as Scots fled successive poor harvests and famine, and by 1700 Presbyterians formed the largest Protestant community in the north of Ireland. This book is a comprehensive survey and analysis of the Presbyterian community in this important formative period. It shows how the Presbyterians formed a highly organised, self-confident community which exercised a rigorous discipline over its members and had a well-developed intellectual life. It considers the various social groups within the community, demonstrating how the always small aristocratic and gentry component dwindled andwas virtually extinct by the 1730s, the Presbyterians deriving their strength from the middling sorts - clergy, doctors, lawyers, merchants, traders and, in particular, successful farmers and those active in the rapidly growing linen trades - and among the laborious poor. It discusses how Presbyterians were part of the economically dynamic element of Irish society; how they took the lead in the emigration movement to the American colonies; and how they maintained links with Scotland and related to other communities, in Ireland and elsewhere. Later in the eighteenth century, the Presbyterian community went on to form the backbone of the Republican, separatist movement. ROBERT WHAN obtained his Ph.D. in History from Queen's University, Belfast.

Strangest genius

Mythical Ireland embodies the search for a soul among Ireland's ancient ruins, and is an attempt to retrieve something of deeper import from 5,000-year-old megalithic monuments and their associated myths. The book represents a fascinating and engaging journey through time, landscape and the human spirit. Dealing with archaeology, interpretive mythography, cosmology and cosmogony, the book attempts to grapple with a core meaning, something beyond the functional interpretations of academia. In this revised and expanded edition, Anthony Murphy delves further into the many enthralling aspects of this journey. Just how much knowledge did locals have of the secrets of Newgrange before it was excavated? Who is the Cailleach, the ancient hag goddess whose image is ubiquitous in the ancient landscape? What happened to make Ireland's Stonehenge disappear from the landscape? Who were the first kings of Tara? What were the indigenous Irish myths about the Milky Way? Did someone try to steal the Tara Brooch? Why are there myths in Ireland about flooded towns and cities? Lavishly illustrated with exquisite photographs of the Irish landscape and ancient monuments, Mythical Ireland represents a personal and yet universal journey, a quest to reimagine the shrines as empowering and transformative sacred places. Murphy invokes the druids and poets of the Boyne and thus the sídhe of the ancient texts are reawakened for a modern and turbulent world.

A brilliant testament to the ethnographer's art, the deeply rooted wisdom of an "ordinary" person, and the complex ways in which folklore figures in everyday life along the Irish border.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.