Cup and ring petroglyphs are found widely in Northumberland, Scotland, Ireland, Brittany, Spain, Portugal and further afield across the globe. They are mysterious and beautiful objects of art in the landscape, but, as this book explains, they are much more than that. Nine petroglyph sites in Northumberland are examined here, and are shown to have depicted the night sky above them in the Neolithic era to a high degree of accuracy. This opens up a whole new field of study because, together, the Northumberland petroglyphs make up a star atlas. Decoding them is likely to yield valuable astronomical information about the sky 4,500 years ago. This book provides the relevant astronomical background and explains carefully how these petroglyph motifs can be deciphered. It will be of interest to astronomers, archaeologists, conservationists of ancient monuments, and particularly to amateurs who would like a field guide on how to interpret the messages on these rocks for themselves.

Stan Beckensall is renowned for his work, done on an entirely amateur basis, discovering, recording and interpreting Atlantic rock art in his home county of Northumberland and beyond. Presented on his 90th birthday, this diverse and stimulating collection of papers celebrates his crucial contribution to rock art studies, and looks to the future.

The Till-Tweed river catchment areas in Northumberland contain outstanding archaeological and palaeoenvironmental remains which have been in general only poorly understood. This study has assembled detailed data that will provide a platform for future landscape-based research and site-based investigation. Written from a landscape, or geoarchaeological perspective, this study develops a methodology and management tool that will allow planners, curators and developers working in the region to to easily access information across sectors, and provide a transparent and easily comprehended record of sensitive archaeological and palaeoenvironmental sites.

Enigmatic, esoteric and fascinating, the rock-art of the British Isles has for a long time been a well-kept secret. This volume brings together a carefully selected collection of papers reporting on recent discoveries and regional surveys covering British prehistoric rock-art from over 10,000 years ago.

Northumberland is the most prolific, varied and important area of rock-art in Britain. This book, which includes every known site, relates the art to its landscape and monumental setting. This work follows naturally from the author's general work on rock art, British Prehistoric Rock Art and his recent widely acclaimed book Northumberland: Power of Place.

Thoroughly updated, this new edition offers first-rate coverage of accommodations, from camping and hostels to five-star hotels, as well as 97 detailed maps. Also included are language guides for Canadian, English, and Canadian French, background on history, culture, and politics, and sidebars on Canadian lifestyles. Outdoor activities and national parks are covered in detail. color.

Based on the author’s decipherment of prehistoric carvings and the application of mathematical measurements, The Gods’ Machines shows how “unknown” phenomena from Angkor Wat to Stonehenge to crop circles are actually powerhouses built by an advanced extraterrestrial civilization for tapping electromagnetic energy. The book traces the development of that civilization on Earth over 5,000 years, revealing how all these structures are aligned according to a universal formula: an angle of 135 degrees at which Earth’s energy has been tapped by the alien creators of these monuments. These fascinating theories not only explain our distant past, but also open the door to a future of power technology and space travel. Megalithic sites such as Newgrange and Stonehenge are constructed with quartz- and iron-rich stones with electrical conduction properties — minerals also found atop Aztec temple and inside crop circles. These stones, according to the author, served as dry cell batteries when heated and stressed, and supplied energy to the builders’ traveling vehicles. Most interestingly, the author has tested his theory on today’s crop circles. The Gods’ Machines is certain to stimulate debate among readers interested in alternative history, ancient civilization, and extraterrestrial intelligence.

Professor Bradley discusses the numerous rock carvings made four to five thousand years ago, along the Atlantic seaboard, from Scotland to Spain.

This landscape study of the rock-art of Rombalds Moor, West Yorkshire, considers views of and from the sites. In an attempt to understand the rock-art landscapes of prehistory the study considered the environment of the moor and its archaeology along with the ethnography from the whole circumpolar region.