Maddie has more problems than the average seventeen-year-old:A psychotic killer with superpowers wants her dead.A serious medical issue makes a normal life impossible.And she's about to be introduced to Trevor's family.Guess which one freaks her out the most?

The matriarch of one of the most important families in Texas history, Petra Vela Kenedy has remained a shadowy presence in the annals of South Texas. In this biography of Petra Vela Kenedy, the authors not only tell her story but also relate the history of South Texas through a woman’s perspective. Utilizing previously unpublished letters, journals, photographs, and other primary materials, the authors reveal the intimate stories of the families who for years dominated governments, land acquisition, commerce, and border politics along the Rio Grande and across the Wild Horse Desert. From Petra’s early life in the landed ranchero society of northern Mexico, through her alliance with Luis Vidal—an officer in the Mexican army to whom she bore eight children—until her move to Brownsville after Vidal’s death, Petra lived in Mexico. When she moved to Texas, having taken Vidal’s name, she represented a link to the landed families of the region. Mifflin Kenedy, a steamboat captain who had first come to Texas during the Mexican War, married into her world, acquiring local respectability and stature when he took Petra as his wife. The story of their life together encompasses war, the taming of a frontier, the blending of cultures, the origin of a ranching empire, and the establishment of a foundation and trust that still endure today, giving millions to Texas through charitable gifts. An attractive woman of business acumen, strong religious convictions, and intense family loyalty, Petra Vela Kenedy’s influence through her husband and her children left a legacy whose exploration is long overdue.

Based on the fantasies created in the mind of an apathetic church attendee who reimagines the possibility that Jesus in the New Testament was actually the creation of a famous Judean street performer, Yeshua is the story of how the character of Jesus in theater emerges as an iconic celebrity whose dramatic reenactments of well-known stories in the New Testament challenge and threaten the current social and political order of the first half of the century. The growing popularity of the Jesus character in Yeshua’s performances occurs alongside his romantic relationship with Alexia, the daughter of a Roman aristocrat. As the crowds attending Yeshua’s performances increase exponentially, they eventually capture the attention of the Roman emperor. After a series of dangerous encounters, death, and sacrifice, Yeshua’s character will be revered in history for all of eternity as the one who inspired people beyond their imagination.

The 27 papers in this volume harken to the themes that Jeffrey Soles has influenced during his illustrious career in Aegean Bronze Age archaeology: ancestry, burial customs, religion, trade, jewelry, the development of the Minoan settlement of Mochlos in eastern Crete, and the rise and fall of the Minoan civilization.

This book of essays, written in honour of James Petras, address some of the most critical issues of our time: those of imperialism, crisis and class struggle. These issues allow the authors to identify both the the enduring verities and contemporary face of capitalism and Petras contributions.

Once upon a time, Dani O'Grady let the artist Petra use her body as a canvas and became an anonymous Internet legend. She was also banned from Provincetown-it's a long story. As a powerful CEO who prides herself on control, she keeps professional deals and personal pleasures strictly separate. The luscious, aggressive Cat, a guest at her son's wedding, seems like a harmless dalliance. Once Dani untangles exactly who Cat is, she knows she's got trouble. Adding to her problems is the beautiful, mysterious Rafi, who sells very grown-up sweets in the one place Dani is not supposed to go... From the skyscrapers of New York to the top of Pilgrim Monument, Dani has Drama with a capital D in this erotic, giddy romance from Ann Roberts.

In this biography of Petra Vela Kenedy, the authors not only tell her story but also relate the history of South Texas through a woman's perspective. Utilizing previously unpublished letters, journals, photographs, and other primary materials, the authors reveal the intimate stories of the families who for years dominated governments, land acquisition, commerce, and border politics along the Rio Grande and across the Wild Horse Desert.

This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Postmodern, postcolonial and post-truth are broadly used terms. But where do they come from? When and why did the habit of interpreting the world in post-terms emerge? And who exactly were the ‘post boys’ responsible for this? Post-everything examines why post-Christian, post-industrial and post-bourgeois were terms that resonated, not only among academics, but also in the popular press. It delves into the historical roots of postmodern and poststructuralist, while also subjecting more recent post-constructions (posthumanist, postfeminist) to critical scrutiny. This study is the first to offer a comprehensive history of post-concepts. In tracing how these concepts found their way into a broad range of genres and disciplines, Post-everything contributes to a rapprochement between the history of the humanities and the history of the social sciences.

Archaeological excavations at the Eleuthernian burial ground of Orthi Petra yielded a remarkable collection of jar burials in complex internal tomb stratification, containing cremated human bones accompanied by a most noteworthy assembly of burial artifacts of exquisite wealth.

This collection of papers explores whether the Lévi-Straussian notion of the House is a valid concept in aiding the comprehension of the social structure of Bronze Age Aegean societies. The volume succeeds in stressing the advances made in the study of social structure of the Aegean on the basis of material remains.