The New York Times bestseller • One of Barack Obama's Favorite Books of 2023 • A New York Times Notable Book “A book of big and bold ideas, Humanly Possible is humane in approach and, more important, readable and worth reading. . . Bakewell is wide-ranging, witty and compassionate.” –Wall Street Journal “Sweeping… linking philosophical reflections with vibrant anecdotes.” — The New York Times The bestselling author of How to Live and At the Existentialist Café explores seven hundred years of writers, thinkers, scientists, and artists, all trying to understand what it means to be truly human Humanism is an expansive tradition of thought that places shared humanity, cultural vibrancy, and moral responsibility at the center of our lives. The humanistic worldview—as clear-eyed and enlightening as it is kaleidoscopic and richly ambiguous—has inspired people for centuries to make their choices by principles of freethinking, intellectual inquiry, fellow feeling, and optimism. In this sweeping new history, Sarah Bakewell, herself a lifelong humanist, illuminates the very personal, individual, and, well, human matter of humanism and takes readers on a grand intellectual adventure. Voyaging from the literary enthusiasts of the fourteenth century to the secular campaigners of our own time, from Erasmus to Esperanto, from anatomists to agnostics, from Christine de Pizan to Bertrand Russell, and from Voltaire to Zora Neale Hurston, Bakewell brings together extraordinary humanists across history. She explores their immense variety: some sought to promote scientific and rationalist ideas, others put more emphasis on moral living, and still others were concerned with the cultural and literary studies known as “the humanities.” Humanly Possible asks not only what brings all these aspects of humanism together but why it has such enduring power, despite opposition from fanatics, mystics, and tyrants. A singular examination of this vital tradition as well as a dazzling contribution to its literature, this is an intoxicating, joyful celebration of the human spirit from one of our most beloved writers. And at a moment when we are all too conscious of the world’s divisions, Humanly Possible—brimming with ideas, experiments in living, and respect for the deepest ethical values—serves as a recentering, a call to care for one another, and a reminder that we are all, together, only human.

Offering original analysis of the convergence between 'sacred' and 'secular' in medieval works of art and architecture, this collection explores both the usefulness and limitations of these terms for describing medieval attitudes. The modern concepts of 'sacred' and 'secular' are shown to be effective as scholarly tools, but also to risk imposing false dichotomies. The authors consider medieval material culture from a broad perspective, addressing works of art and architecture from England to Japan, and from the seventh to the fifteenth century. Although the essays take a variety of methodological approaches they are unified in their emphasis on the continuing and necessary dialectic between sacred and secular. The contributors consciously frame their interpretations in terms and perspectives derived from the Middle Ages, thereby demonstrating how the present art-historical terminology and conceptual frameworks can obscure the complexity of medieval life and material culture. The resonance among essays opens possibilities for productive cross-cultural study of an issue that is relevant to a diversity of cultures and sub-periods. Introducing an innovative approach to the literature of the field, this volume complicates and enriches our understanding of social realities across a broad spectrum of medieval worlds.

The powerful influence of Petrarch on the development of Renaissance vernacular poetry has long been recognized as one of the major factors in early modern cultural history; this work provides a far more comprehensive catalogue of the direct evidence for that influence in England than any yet available. Following the model of Boswell's Dante's Fame in England (1999), it offers an itemized presentation, year by year, of printed citations, translations, and allusions, with complete bibliographical information, quotations of the relevant passages, and brief commentary. The most fully studied aspect of Petrarch's influence, his love poetry as a model for imitation, remains paramount: a model by turns slavishly imitated, ruthlessly mocked, and searchingly reworked, sometimes all at the same time. But the significance of other aspects of his legacy are also documented, with new fullness: notably his Latin prose works-especially his encyclopedic moral treatise On the Remedies of Both Kinds of Fortune, popular throughout the period-and his polemics against the Avignon papacy, which earned him a strong reputation in England as an angry moral prophet and champion of what would become the Protestant cause. The picture here presented provides new texture and complexity for any further discussion of Petrarch in the English Renaissance.

In this book, a distinguished historian of medicine surveys the basic elements that have constituted psychological healing over the centuries. Dr. Stanley W. Jackson shows that healing practices, whether they come from the worlds of medicine, religion, or philosophy, share certain elements that transcend space and time.Drawing on medical writings from classical Greece and Rome to the present, as well as on philosophical and religious writings, Dr. Jackson shows that the basic ingredients of psychological healing-which have survived changes of name, the fall of their theoretical contexts, and the waning of social support in different historical eras-are essential factors in our modern psychotherapies and in healing contexts in general.

Examination of the chronology of the poems of Part 1 of Petrarch's Canzoniereconsidered with reference to the Catastrophe Theory.

The first English translation of Petrarch’s Psalms and Prayers provides an intimate look at the personal devotions of the “Father of Humanism.” Throughout Petrarch’s work, there is an undercurrent of tension between the secular and the sacred. In this captivating new translation of the Psalms and the Prayers, Demetrio Yocum turns to a previously overlooked area of Petrarchan studies to open a window on the scholar’s innermost religious thoughts. Petrarch's Psalms and Prayers are intricately crafted poetic and devotional works, presented in facing Latin/English format. In his extensive introduction and commentary, Yocum situates these bold, original compositions within their historical, literary, and religious contexts, deftly drawing connections to classical texts, the Bible and the writings of the church fathers, and Petrarch’s own life, work, and poetics. This remarkable first-ever English translation of the Psalms and Prayers helps to reconcile Petrarch’s classical humanism with his devout, deeply personal Christianity.

The volume explores how Greek and Latin authors perceive and present their own (real or metaphorical) exile and employ exile as a powerful trope to express estrangement, elicit readerly sympathy, and question political power structures.