Today, Peters Cartridge and King Powder draw considerable interest from serious collectors - boxes, calendars, powder kegs, and other items left behind by the two companies regularly fetch hundreds and even thousands of dollars at auction. Few people know the fascinating story behind these now-departed industrial powerhouses and why their products are so valuable today. This new volume will be a priceless addition for collectors and historians alike, tracing the evolution of Peters and King from frontier powder mills to sophisticated munitions makers and providing current values for collectible advertising and packaging items. A color section displays and prices the most popular collectibles such as powder kegs, tins, cartridge boxes, and calendars. Discover how they helped shape the current arms industry and shooting sports, and successfully created a loyal following that continues today.

Major routes that linked the country to the Far West are explored by Peters, including the trail blazed by Lewis and Clark, the Santa Fe Trail, and others. Illustrations.

In this major biography, Catherine Peters explores the complicated life of Wilkie Collins, the greatest of the Victorian "Sensation" novelists and author of the famous Woman in White and The Moonstone. An intimate of Dickens and of the Pre-Raphaelites Holman Hunt and Millais, Collins was called the "king of inventors" by his publisher. On the surface, he was charming, unpretentious, and extremely good company, beloved by men and women. Beneath this façade, however, he was a complex and haunted man, addicted to laudanum, and his powerful, often violent novels revealed a dark side of Victorian life. He supported two common-law wives and their children, and as Peters shows, he provoked scandal by refusing to cloak his complicated love affairs in the customary hypocritical pretense of the period. Having discovered a hitherto unknown autobiography by Wilkie Collins's mother, Peters draws on this document and on thousands of Collins's unpublished letters to create this provocative picture of his life and times. She describes in detail the saga of his exhausting struggle for better copyright protection for authors, especially for English authors in the United States. She has also studied the manuscripts of his novels, plays, and stories, including those which he did not complete, finding that some of his neglected novels turn out to be much more interesting than most readers realize today. This edition of the book has been supplemented to include an appendix describing Collins's "Tahitian" novel. Written when he was twenty, the manuscript of this work, Ioláni, was thought to have disappeared, but it has recently been rediscovered and sold to a private collector. For any Collins enthusiast, or for anyone interested in the literary history of the Victorian period, The King of Inventors provides a vivid account of Collins's unusual personal life in the context of his literary and artistic friendships and of newly revealed facts about the two women with whom he shared his "double life." Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The heist of the century has taken place in Egypt's Valley of the Kings, and Vicki's on/off boyfriend, Sir John Smythe, is a prime suspect. Despite his insistence that he is no longer in the business of stealing antiquities and art objects, even Vicky isn't one hundred percent certain he has not fallen back into his old habits. Pursued by Interpol, the Egyptian police, rival gangs of illicit antiquities thieves, and (worse of all) Vicky's inquisitive boss, Anton Z. Schmidt, she and John set out on a wild chase across Europe and Egypt in an attempt to clear him by finding the real culprits and retrieving the stolen object.

King Arthur's Night and Peter Panties are two plays with music by co-writers Niall McNeil and Marcus Youssef, with songs by Veda Hille. McNeil is a professional actor whose life includes Down syndrome. Youssef is one of Canada's leading contemporary playwrights. In these plays, based on the iconic King Arthur and Peter Pan stories, entirely new worlds and languages are invented. McNeil's singular voice and imaginative landscape are at the centre of these works. Niall's genius as a writer is his ability to associate, and to create through dialogue and play, with a seemingly preternatural ability to riff and shift perspective, subverting expectations. The results of this are counterintuitive, absurd, disarming, confusing, hilarious, frightening and occasionally heart-stopping. In the worlds of King Arthur's Night and Peter Panties there is a permeable boundary, between the source material, pop culture and McNeil's own world. McNeil has a gift for imagining links between characters and situations that defy traditional categorizations like fictional and real. In this work, McNeil and Youssef challenge the classifications "neurotypicals" assume must be the only legitimate means available to perceive and name the world. They're not. There are worlds none of us can name or even imagine, within every one of us. That's why we have art: to offer ourselves a glimpse. Art-making, and theatre in particular, is a natural place for people to come together to define new, radically inclusive ways of working together across historical presumtpions about diifference that have shunned and isolated many of of our fellow human beings for millenia. An assumption at the heart of this collaboration: every single one of us is very good at some things and very bad at others. No exceptions. All of us. Every single one. King Arthur's Night and Peter Panties were commissioned and presented by Canada's most prestigious theatre festivals (Luminato, the National Arts Centre and PuSh). They are among the first plays by a writer with Down syndrome published in this country.

From the acclaimed author of Brunelleschi's Dome and Leonardo and the Last Supper, the riveting story of how Michelangelo, against all odds, created the masterpiece that has ever since adorned the ceiling of the Sistine Chapel. In 1508, despite strong advice to the contrary, the powerful Pope Julius II commissioned Michelangelo Buonarroti to paint the ceiling of the newly restored Sistine Chapel in Rome. Despite having completed his masterful statue David four years earlier, he had little experience as a painter, even less working in the delicate medium of fresco, and none with challenging curved surfaces such as the Sistine ceiling's vaults. The temperamental Michelangelo was himself reluctant: He stormed away from Rome, incurring Julius's wrath, before he was eventually persuaded to begin. Michelangelo and the Pope's Ceiling recounts the fascinating story of the four extraordinary years he spent laboring over the twelve thousand square feet of the vast ceiling, while war and the power politics and personal rivalries that abounded in Rome swirled around him. A panorama of illustrious figures intersected during this time-the brilliant young painter Raphael, with whom Michelangelo formed a rivalry; the fiery preacher Girolamo Savonarola and the great Dutch scholar Desiderius Erasmus; a youthful Martin Luther, who made his only trip to Rome at this time and was disgusted by the corruption all around him. Ross King blends these figures into a magnificent tapestry of day-to-day life on the ingenious Sistine scaffolding and outside in the upheaval of early-sixteenth-century Italy, while also offering uncommon insight into the connection between art and history.

NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • How did the party of Lincoln become the party of Trump? From an acclaimed political reporter for The New York Times comes the definitive story of the mutiny that shattered American politics. “A bracing account of how the party of Lincoln and Reagan was hijacked by gadflies and grifters who reshaped their movement into becoming an anti-democratic cancer that attacked the U.S. Capitol.”—Joe Scarborough An epic narrative chronicling the fracturing of the Republican Party, Jeremy Peters’s Insurgency is the story of a party establishment that believed it could control the dark energy it helped foment—right up until it suddenly couldn’t. How, Peters asks, did conservative values that Republicans claimed to cherish, like small government, fiscal responsibility, and morality in public service, get completely eroded as an unshakable faith in Donald Trump grew to define the party? The answer is a tale traced across three decades—with new reporting and firsthand accounts from the people who were there—of populist uprisings that destabilized the party. The signs of conflict were plainly evident for anyone who cared to look. After Barack Obama’s election convinced many Republicans that they faced an existential demographics crossroads, many believed the only way to save the party was to create a more inclusive and diverse coalition. But party leaders underestimated the energy and popular appeal of those who would pull the party in the opposite direction. They failed to see how the right-wing media they hailed as truth-telling was warping the reality in which their voters lived. And they did not understand the complicated moral framework by which many conservatives would view Trump, leading evangelicals and one-issue voters to shed Republican orthodoxy if it delivered a Supreme Court that would undo Roe v. Wade. In this sweeping history, Peters details key junctures and episodes to unfurl the story of a revolution from within. Its architects had little interest in the America of the new century but a deep understanding of the iron will of a shrinking minority. With Trump as their polestar, their gamble paid greater dividends than they’d ever imagined, extending the life of far-right conservatism in United States domestic policy into the next half century.

In a remote English manor house, modern admirersof the much-maligned King Richard III—one of Shakespeare's most extraordinary villains—are gathered for a grand weekend of dress-up and make-believe murder. But the fun ends when the masquerade turns more sinister . . . and deadly. Jacqueline Kirby, an American librarian on hand for the festivities, suddenly finds herself in the center of strange, dark doings . . . and racing to untangle a murderous puzzle before history repeats itself in exceptionally macabre ways.

An introductory book that engages the arguments and apologetics of King James Onlyists. The author was a King James Onlyists for ten years and his book is written from out of his experience. He presents 6 KJV only arguments, and then explains the problems with them.