Peter Blue, One-Gun Man first appeared in the classic pulp magazine Street & Smith’s Far West Illustrated (June 1927). It centers on Peter Blue, an infamous gunman, and his struggle for redemption.

In the title story of this collection of three, Peter Blue must prove his worth as a fast gunman or his days may be numbered.

This is an encyclopedic work, arranged by broad categories and then by original authors, of literary pastiches in which fictional characters have reappeared in new works after the deaths of the authors that created them. It includes book series that have continued under a deceased writer's real or pen name, undisguised offshoots issued under the new writer's name, posthumous collaborations in which a deceased author's unfinished manuscript is completed by another writer, unauthorized pastiches, and "biographies" of literary characters. The authors and works are entered under the following categories: Action and Adventure, Classics (18th Century and Earlier), Classics (19th Century), Classics (20th Century), Crime and Mystery, Espionage, Fantasy and Horror, Humor, Juveniles (19th Century), Juveniles (20th Century), Poets, Pulps, Romances, Science Fiction and Westerns. Each original author entry includes a short biography, a list of original works, and information on the pastiches based on the author's characters.

Called the King of the Pulps, Frederick Schiller Faust, aka Max Brand, wrote nearly 400 Westerns from The Untamed to Destry Rides Again--a total of more than 220 books in this genre. Yet Max Brand also created Dr. Kildare (of books, films, and television) and wrote under twenty-one pseudonyms, in another dozen genres. This book removes the mask, with deeply personal memoirs from family, friends and fellow writers, taking us through his orphaned boyhood on the brutal ranches of California, his frustrating decades in Italy, as both a classical poet and a fast-action pulpist, to his heroic death as a war correspondent on the World War II battlefields. Faust's life story is augmented by a complete bibliography of his work--over a thousand books, stories, and films--plus the first listing of works about Faust.

Or that Faust thought of himself as a poet, writing prose, as he put it, to "pay the bills?" Or that, to pay the bills, he constantly strove to surpass his record of some 20,000 publishable words a day - and that he sold 99 percent of the fiction he wrote? The Max Brand Companion serves to tell the reader about the man as well as the author, charts the history of Faust's work and its derivations, and presents works by Faust himself indicative of the scope and range of his imagination.

Lists writers of western fiction, with a biography, a bibliography of the writer's works, and a critical essay on each writer. Sometimes comments by the author himself are included.

All his life Reggie had wanted people to look up to him. At last they had a legitimate reason. Now when he walks down the street, past the supermarket he robbed more than once and the ice cream stand where he worked until he was caught stealing, people stop to shake his hand and slap him on the back and wish him well. Those passing in cars recognize him and honk their horns or wave to him out their windows. He is a symbol even amidst all that squalor. He made it, he's a success.