Adele's memoir, Peter and the Wolves, recounts her friendship with the late great Peter Laughner, Cleveland's answer to all things underground and punk in the 1970s. Adele and Peter's collaborations appear in Smog Veil's groundbreaking 2019 box set, also available from Amped. The book is Bertei's intimate recounting of the musical education she received from Laughner; of their complex artistic kinship, and the vivid trajectory of the 'live fast die young' ethos that extinguished the light of a radiant rock and roll heart.

Retells the orchestral fairy tale of the boy who, ignoring his grandfather's warnings, proceeds to capture a wolf.

As wolves return to their old territory in Yellowstone National Park, their presence is reawakening passions as ancient as their tangled relations with human beings. This authoritative and eloquent book coaxes the wolf out from its camouflage of myth and reveals the depth of its kinship with humanity, which shares this animal's complex complex social organization, intense family ties, and predatory streak.

A fresh, compelling, and eerie exploration of small-town living, stolen children, and wolves that watch in the woods. The night little Madison disappears from her crib, Luce sees a pair of eyes--two points of gold deep in the forest behind her house--and feels certain they belong to a wolf. Her town, Picnic, Illinois, is the kind of place where everyone knows one another and no one locks their doors. It’s not the kind of place where a toddler goes missing without a trace, where wolves lurk in the shadows. In town, people are quick to blame Madison’s mom. But when Luce’s English teacher shares an original script about the disappearance of another little girl in Picnic back in 1870, Luce begins to notice similarities that she can’t ignore. Certain that something deeper is going on, Luce tracks the wolf she saw into the woods and uncovers the truth about her town: magical animal-women, who have remained hidden in shadows for centuries, have taken her cousin for their own purposes--and they have no intention of bringing her back. A chilling mystery that weaves elements of magical realism, drama, and folklore into a story of one teen’s bravery as she confronts her town’s past and tries to save the future.

Over two hundred and thirty years ago the Fallocaust happened, killing almost everything that lived and creating what is now known as the greywastes. A dead wasteland where cannibalism is a necessity, death your reality, and life before the radiation nothing but pictures in dog-eared magazines. Reaver is a greywaster, living in a small block controlled by a distant ruler said to have started the Fallocaust. He is a product of the savage world he was raised in and prides himself on being cold and cruel. Then someone new to his town catches his eye, someone different than everyone else. Without knowing why he starts to silently stalk him, unaware of where it will lead him.

NEW YORK TIMES BESTSELLER • A heartfelt story of love, grief, and renewal about two unlikely friends who discover that sometimes you don’t know you’ve lost someone until you’ve found them “A dazzling debut novel.”—O: The Oprah Magazine “Tremendously moving.”—The Wall Street Journal “Touching and ultimately hopeful.”—People 1987. The only person who has ever truly understood fourteen-year-old June Elbus is her uncle, the renowned painter Finn Weiss. Shy at school and distant from her older sister, June can be herself only in Finn’s company; he is her godfather, confidant, and best friend. So when he dies, far too young, of a mysterious illness her mother can barely speak about, June’s world is turned upside down. But Finn’s death brings a surprise acquaintance into June’s life. At the funeral, June notices a strange man lingering just beyond the crowd. A few days later, she receives a package in the mail containing a beautiful teapot she recognizes from Finn’s apartment, and a note from Toby, the stranger, asking for an opportunity to meet. As the two begin to spend time together, June realizes she’s not the only one who misses Finn, and that this unexpected friend just might be the one she needs the most. WINNER OF THE ALEX AWARD • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Wall Street Journal • O: The Oprah Magazine • BookPage • Kirkus Reviews • Booklist • School Library Journal

Virginia Hall left her Baltimore home in 1931 to enter the Foreign Service and went to work for the British Special Operations Executive (SOE) when Hitler was building toward the peak of his power in Europe. She was assigned to France, where she helped the Resistance movement, escaped prisoners of war, and American Allied paratroopers. By 1942 she was considered so dangerous to the Gestapo that she had to escape over the Pyrenees mountains—on an artificial leg, no less. When she got to England, she was reassigned to France by the OSS, disguised as an old peasant woman. She helped capture 500 German soldiers and kill more than 150, while she sabotaged Nazi communications and transportation. Hitler's forces were hot on her trail, however, and her daring intelligence activities and indomitable spirit defied the expectations of even the Allies until the very end of the war. Her story was ignored for more than fifty years, and this book now brings Virginia Hall's story to patriots young and old.

1508. When Francesco Angeli, houseboy to Michelangelo, sees the body of a golden-haired woman being pulled from the Tiber on a rainy morning, he is shocked to realize that he knows her. As Francesco follows a deepening mystery from Rome’s back streets to the pope’s inner sanctum, he begins to realize that danger and corruption may lurk behind the most beautiful of facades.

A storm is brewing in Toussaint between the ranchers and environmentalists, and it-s up to Du Pré to stop the bloodshedTwo men have been cutting fences at the ranches of Toussaint, Montana, loosing thousands of dollars of cattle to use as target practice for their .22 rifles. Are they thieves' Pranksters' Local cattle inspector Gabriel Du Pré guesses they're environmentalists agitating for the reintroduction of native wolves to Montana's high plains. Du Pré knows that the environmentalists are trying to send a message to the ranchers of eastern Montana. He also has a hunch that they are already dead. When the activists are found shot to death, Du Pré attempts to contain the chaos. The FBI descends, but their agents are as clueless in this territory as the hapless environmentalists. One of Toussaint's citizens committed this crime, killing to protect the traditional way of ranching life, a loyalty that Du Pré shares. If anyone is going to arrest his people, it will be the cattle inspector himself.

In view of the current rhetoric surrounding the global migrant crisis – with politicians comparing refugees with animals and media reports warning of migrants swarming like insects or trespassing like wolves – this timely study explores the cultural origins of the language and imagery of dehumanization. Situated at the junction of literature, politics, and ecocriticism, Wolves at the Door traces the history of the wolf metaphor in discussions of race, gender, colonialism, fascism, and ecology. How have 'Gypsies', Jews, Native Americans but also 'wayward' women been 'wolfed' in literature and politics? How has the wolf myth been exploited by Hitler, Mussolini and Turkish ultra-nationalism? How do right-wing politicians today exploit the reappearance of wolves in Central Europe in the context of the migration discourse? And while their reintroduction in places like Yellowstone has fuelled heated debates, what is the wolf's role in ecological rewilding and for the restoration of biodiversity? In today's fraught political climate, Wolves at the Door alerts readers to the links between stereotypical images, their cultural history, and their political consequences. It raises awareness about xenophobia and the dangers of nationalist idolatry, but also highlights how literature and the visual arts employ the wolf myth for alternative messages of tolerance and cultural diversity.