Now that Peter has dealt with escaping death he now has to deal with a classmate that has a crush on him that dies but doesn't stay dead.

Hugo and Shirley Jackson award-winning Peter Watts stands on the cutting edge of hard SF with his acclaimed novel, Blindsight Two months since the stars fell... Two months of silence, while a world held its breath. Now some half-derelict space probe, sparking fitfully past Neptune's orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever's out there isn't talking to us. It's talking to some distant star, perhaps. Or perhaps to something closer, something en route. So who do you send to force introductions with unknown and unknowable alien intellect that doesn't wish to be met? You send a linguist with multiple personalities, her brain surgically partitioned into separate, sentient processing cores. You send a biologist so radically interfaced with machinery that he sees x-rays and tastes ultrasound. You send a pacifist warrior in the faint hope she won't be needed. You send a monster to command them all, an extinct hominid predator once called vampire, recalled from the grave with the voodoo of recombinant genetics and the blood of sociopaths. And you send a synthesist—an informational topologist with half his mind gone—as an interface between here and there. Pray they can be trusted with the fate of a world. They may be more alien than the thing they've been sent to find. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Everyone says Peter is the baddest boy in school. He likes strange food, wears strange clothes and does strange things. In fact, Peter is a vampire. So when the class gerbil goes missing, Lucy lets Peter take the blame, even though she knows Peter had nothing to do with it. That's what happens when you're the only vampire in the school.

In the modern world vampires come in all forms: they can be perpetrators or victims, metaphors or monsters, scapegoats for sinfulness or mirrors of our own evil. What becomes obvious from the scope of the fifteen essays in this collection is that vampires have infiltrated just about every area of popular culture and consciousness. In fact, the way that vampires are depicted in all types of media is often a telling signifier of the fears and expectations of a culture or community and the way that it perceives itself; and others. The volume’s essays offer a fascinating insight into both vampires themselves and the cultures that envisage them.

The Vampire’s Bedside Companion is a riveting compendium of new facts and fiction on the ‘undying’ theme of vampirism. Here is a new theory on the genesis of Dracula (surely literature’s most compelling and macabre figure?); thoughts on allusions to vampirism in Wuthering Heights; first-hand experience of Vampires in Hampstead, London; publication for the first time of the story of a fifteenth-century Vampire Protection medallion that Montague Summers presented to the author; an account by a professor of English at Dalhousie University of a visit to ‘Castle Dracula’ in Transylvania - The Vampire’s Bedside Companion contains these and a wealth of other hitherto unpublished material on a subject that is of enduring interest: The Vampire Legend. To many people, vampires are creatures only of legend and fantasy with no reality outside the pages of books. Others, who have studied the folklore of many countries and the continuing reports of vampirism, maintain that there is extensive evidence not only that vampires once existed but that, in fact, they still do exist. In this fascinating book the author, himself an acknowledged expert on the Occult, presents true accounts of vampire infestation in England, America, Ireland, Hungary, China and France. Records of vampires and vampirism are, he claims, as old as the world and as recent as yesterday. Four new, existing and authentic vampire fictional stories by Peter Allan, Crispin Derby, Richard Howard and James Turner complete this compelling companion for dark nights, solitude and howling winds! Illustrated with my striking photographs, The Vampire’s Bedside Companion also contains original and evocative drawings by Geoffrey Bourne-Taylor. It is a must for all students of the occult and every reader of the macabre.

The Nevermoor series meets Hotel Transylvania in this “delightful and spooky” (Booklist) debut middle grade adventure set in a world of talking spiders, living forests, and haunted castles about a vampire girl who wants to fit in but first must defeat an evil ghost. After one hundred years of being a vampire, it’s time for Eleonora to have her Birthnight. Since Leo’s last rite of passage, her Grimwalk, ended with her losing her right leg and a good deal of her confidence, she’s hoping to redeem herself in the eyes of her mother, the fearsome Lady Sieglinde. All Leo has to do is hunt down and kill her first prey, and she already has the perfect plan. After all, who will miss an orphan from the bleak St. Frieda’s Home for Unfortunate Children? But an accidental fire causes more death and destruction than Leo bargained for. Instead of killing one carefully selected victim, she’s created several ghosts from the orphanage residents. And one sinister specter, the Orphanmaster, is poised to terrorize the living residents in a nearby town. To stop him and try to undo some of the mess she’s made, Leo must team up with the orphan ghost Minna. Will Leo have the chance to prove herself as a vampire before her Birthnight is over, or will she discover that there are no winners in the battle of undead versus undead?

The situation is grave. Vampires are vamping. Werewolves are shape shifting. And zombies are lurching into the garden. Is this modern-day ferment of paranormal activity, ah, normal? Learn all about it in this nifty new guide to man's best fiends: VAMPIRES, WEREWOLVES, ZOMBIES: Compendium Monstrum. Fascinating facts revealed in the book include documented ''sparkling vampires'' in 19th-century folklore, why wolfsbane is sometimes known as ''Dumbledore's Delight'', and much more. Illustrated by Bruce Waldman, cartography by David Lindroth, additional historical images throughout.

Lee Price lives with his mum and dad in an ordinary house on an ordinary street. Like most nine-year-olds, Lee goes to school every day. Or rather, every night. Because St. Orlok’s Elementary School is no ordinary school, and Lee is no ordinary boy. St. Orlok’s is a school for young vampires. Lee and his best friends Billy and Bella are preparing for a big casketball match against the Chaney Street werewolves. But when the other team arrives, it seems that some of them aren’t planning on playing a fair game. Lee must come up with a plan – fast! Will he manage to foil the cheats before the final whistle blows?

Soon to be a major film—starring Kelly Macdonald and Damien Lewis! From the bestselling author of The Midnight Library—an “irresistible...full of clever turns, darkly hilarious spins...Even if you're suffering from vampire fatigue...The Radleys is a fun, fresh contribution to the genre” (Associated Press). Just about everyone knows a family like the Radleys. Many of us grew up next door to one. They are a modern family, averagely content, averagely dysfunctional, living in a staid and quiet suburban English town. Peter is an overworked doctor whose wife, Helen, has become increasingly remote and uncommunicative. Rowan, their teenage son, is being bullied at school, and their anemic daughter, Clara, has recently become a vegan. They are typical, that is, save for one devastating exception: Peter and Helen are vampires and have—for seventeen years—been abstaining by choice from a life of chasing blood in the hope that their children could live normal lives. One night, Clara finds herself driven to commit a shocking—and disturbingly satisfying—act of violence, and her parents are forced to explain their history of shadows and lies. A police investigation is launched that uncovers a richness of vampire history heretofore unknown to the general public. And when the malevolent and alluring Uncle Will, a practicing vampire, arrives to throw the police off Clara’s trail, he winds up throwing the whole house into temptation and turmoil and unleashing a host of dark secrets that threaten the Radleys’ marriage. The Radleys is a moving, thrilling, and radiant domestic novel that explores with daring the lengths a parent will go to protect a child, what it costs you to deny your identity, the undeniable appeal of sin, and the everlasting, iridescent bonds of family love. Read it and ask what we grow into when we grow up, and what we gain—and lose—when we deny our appetites.

Prepare for a different kind of singularity in Peter Watts' Echopraxia, the follow-up to the Hugo-nominated novel Blindsight It's the eve of the twenty-second century: a world where the dearly departed send postcards back from Heaven and evangelicals make scientific breakthroughs by speaking in tongues; where genetically engineered vampires solve problems intractable to baseline humans and soldiers come with zombie switches that shut off self-awareness during combat. And it's all under surveillance by an alien presence that refuses to show itself. Daniel Bruks is a living fossil: a field biologist in a world where biology has turned computational, a cat's-paw used by terrorists to kill thousands. Taking refuge in the Oregon desert, he's turned his back on a humanity that shatters into strange new subspecies with every heartbeat. But he awakens one night to find himself at the center of a storm that will turn all of history inside-out. Now he's trapped on a ship bound for the center of the solar system. To his left is a grief-stricken soldier, obsessed by whispered messages from a dead son. To his right is a pilot who hasn't yet found the man she's sworn to kill on sight. A vampire and its entourage of zombie bodyguards lurk in the shadows behind. And dead ahead, a handful of rapture-stricken monks takes them all to a meeting with something they will only call "The Angels of the Asteroids." Their pilgrimage brings Dan Bruks, the fossil man, face-to-face with the biggest evolutionary breakpoint since the origin of thought itself. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.