Who really killed Lincoln? The value of history is understood less and less in our world. ItÕs an easy subject to underestimate. But the reality is that knowing history is vital to a peopleÕs survival. Creating connections with the past orients and stabilizes us. It provides specific lessons that can inform our decision-making, both individually and nationally. It supplies our memory as a people, as well as our understanding of and appreciation for personal and national character. It fortifies us to face hardships with resolution. And it is extremely prophetic, as it tends to play out in repetitive cycles. The lessons are many, and they are invaluable. What sorts of lessons will this history teach? Will it fill our students with a sense of positive purpose? Will it inspire them to follow the best examples of their forebears and to build heroic character? Will it strengthen them for future challenges? The better you understand history, the better you can understand why our ignorance of it is so dangerous.

This book details the differences between a false Christianity led by an antichrist named Chri$ whose god is prosperity and success as seen in the dollar sign in his name. The book compares the false Christ identified as Chri$ with the true Christ of Christianity, their personalities, body, spirit, and soul, heart, and mind. It focuses on the centrality of Chri$, signified by the dollar sign, and compares him with the centrality of Christ which was his cross represented by the "t" in his name which is found missing in the name of Chri$. The book asks readers to self-examine themselves to determine who they are really following and what image and likeness they want their lives to become. Finally, the book also discusses the ultimate outcome upon ones' death in modelling ones' life after these two leaders.

Sterling A. Brown's achievement and influence in the field of American literature and culture are unquestionably significant. His poetry has been translated into Spanish, French, German, and Russian and has been read in literary circles throughout the world. He is also one of the principal architects of black criticism. His critical essays and books are seminal works that give an insider's perspective of literature by and about blacks. Leopold Sedar Senghor, who became familiar with Brown's poetry and criticism in the 1920s and 1930s, called him "an original militant of Negritude, a precursor of our movement." Yet Joanne V. Gabbin's book, originally published in 1985, remains the only study of Brown's work and influence. Gabbin sketches Brown's life, drawing on personal interviews and viewing his achievements as a poet, critic, and cultural griot. She analyzes in depth the formal and thematic qualities of his poetry, revealing his subtle adaptation of song forms, especially the blues. To articulate the aesthetic principles Brown recognized in the writings of black authors, Gabbin explores his identification of the various elements that have come together to create American culture.

(Peeters 1995)