In Survival of a Perverse Nation, Tamar R. Shirinian traces two widespread rhetorics of perversion—sexual and moral—in postsocialist Armenia, showing how they are tied to anxieties about the nation’s survival. In her fieldwork with Armenians, Shirinian found that right-wing nationalists’ focus on sexual perversion centers the figure of the homosexual, while questions of moral perversion surround oligarchs and other members of the political economic elite. While the homosexual is seen as non- or improperly reproductive, the oligarch’s moral deviations from the caring and paternalistic expectations associated with national leadership also endanger Armenia’s survival. Shirinian shows how both figures threaten the nation’s proper social reproduction, a source of great anxiety for a nation whose primary point of identity is surviving genocide. In the existential threat posed by these forms of perversion Shirinian finds paths where nonsurvival might mean the creation of futures that are queerer and more just. Detailing how the language of perversion offers trenchant critiques of capitalism as a perversion of life, Shirinian presents a new queer theory of political economy.

This book provides readers with a study of the characteristics that make life unique for sexual minorities in Brazil while also viewing Brazil in relation to global LGBT sociopolitical movements. It critically assesses the complex relationship(s) between the visual arts and political activism, carefully analyzing artistic, cinematic, and photographic representations of LGBTQ identities. Brazil provides a useful case to example, with the cultivation of ambiguity in contemporary (re)constructions of queer life. In this book, the author conducts the first comprehensive discourse analysis of the dynamics and features of the largest LGBT Pride Parade in the world. This problematizes and analyzes the relationship between burgeoning critical socio-political movements and institutions and the language and new media discourses used to configure and conceptualize them. The aim of this project is to create a theoretical scholarly framework promoting linkages between political activism and academic scholarship and by using discourse analysis, the intricacies of terminology Brazilian sexual minorities adopt and adapt, illustrating the development of LGBTQ identities through performative language use.

This book aims to explore which plays were deemed ‘suitable’ to be reworked for foreign or local stages; what transformations – linguistic, semiotic, theatrical – were undertaken so as to accommodate international audiences; how national literary traditions are forged, altered, and diluted by means of transnational adapting techniques; and, finally, to what extent the categorical boundaries between original plays and adaptations may be blurred on the account of such adjusting textual strategies. It brings together ten articles that scrutinise the linguistic, social, political and theatrical complexities inherent in the intercultural transference of plays. The approaches presented by the different contributors investigate modern British theatre as an instance of diachronic and synchronic transnational adaptations based upon a myriad of influences originating in, and projected upon, other national dramatic traditions. These traditions, rooted in relatively distant geographies and epochs, are traced so as to illustrate the split between the state-imposed identity and personal, subjective identity caused by cultural negotiations of the self in an age of globalism. International frontiers are thus pointed at in order to claim the need to be transcended in the process of cultural re-appropriation associated with theatre performance for international audiences.

In recent years, most political theorists have agreed that shame shouldn't play any role in democratic politics because it threatens the mutual respect necessary for participation and deliberation. But Christina Tarnopolsky argues that not every kind of shame hurts democracy. In fact, she makes a powerful case that there is a form of shame essential to any critical, moderate, and self-reflexive democratic practice. Through a careful study of Plato's Gorgias, Tarnopolsky shows that contemporary conceptions of shame are far too narrow. For Plato, three kinds of shame and shaming practices were possible in democracies, and only one of these is similar to the form condemned by contemporary thinkers. Following Plato, Tarnopolsky develops an account of a different kind of shame, which she calls "respectful shame." This practice involves the painful but beneficial shaming of one's fellow citizens as part of the ongoing process of collective deliberation. And, as Tarnopolsky argues, this type of shame is just as important to contemporary democracy as it was to its ancient form. Tarnopolsky also challenges the view that the Gorgias inaugurates the problematic oppositions between emotion and reason, and rhetoric and philosophy. Instead, she shows that, for Plato, rationality and emotion belong together, and she argues that political science and democratic theory are impoverished when they relegate the study of emotions such as shame to other disciplines.

Illuminating the relevance of literature as a catalyst for rethinking Brazil, this book offers a resistance to the official discourses that have worked to conceal social tensions, injustices, and secular inequities in Brazilian society.

One day, philosopher Peter Kreeft reads an open letter published by a friend, Nat Whilk. He's Catholic, but he sees the Church as unsteady, outdated, obsessive. As a challenge to the "True Believers", Nat pens a twenty-point manifesto for "cafeteria Catholics", who pass up certain Church teachings and scoop up others like a diner in a buffet line."I find in [Catholicism] both much to accept and even love and also much to refuse and even despise", he asserts. "If you insist on tying God to the Church, you will make me an atheist." Kreeft has an answer for Nat—one that spans over a hundred pages. The result is this book: a sharp, friendly, and funny debate between two honest thinkers trying to understand the Christian life. Nat "is the'cafeteria Catholic', "writes Kreeft,"and I am the 'eat all the food Mommy puts on your plate' Catholic." Taking on Nat's manifesto point by point, the Boston College philosopher builds his case for a full-package Catholicism, addressing the themes of authority, love, freedom, conscience, sex, abortion, social justice, science, and more. "Our hopes differ", he points out to his friend."Your hope is in man; mine is in God." If, like Nat Whilk, you find yourself wondering why the Church asks for so much commitment, Confessions of a Cafeteria Catholic could be the book for you. This debate serves as a fun and accessible introduction to some of the knottiest aspects of Catholic doctrine. Readers of Peter Kreeft's apologetic works and his Socrates Meets dialogues will enjoy the latest venture by one of the most celebrated contemporary Catholic writers.

"This is Perrone at his most brilliant. Erudite but accessible, thorough but playful: Brazil, Lyric, and the Americas is the latest contribution by the most knowledgeable U.S.-based scholar of the Brazilian lyric."--Severino Joao Albuquerque, University of Wisconsin "Perrone retraces the dialogue of the Brazilian lyric with the poetry of the Americas in the generous spirit that the poets' utopia of solidarity will serve as a counterpoint to the harsher side of globalization."--Luiza Moreira, Binghamton University In this highly original volume, Charles Perrone explores how recent Brazilian lyric engages with its counterparts throughout the Western Hemisphere in an increasingly globalized world. This pioneering, tour-de-force study focuses on the years from 1985 to the present and examines poetic output--from song and visual poetry to discursive verse--across a range of media. At the core of Perrone's work are in-depth examinations of five phenomena: the use of the English language and the reception of American poetry in Brazil; representations and engagements with U.S. culture, especially with respect to film and popular music; epic poems of hemispheric solidarity; contemporary dialogues between Brazilian and Spanish American poets; and the innovative musical, lyrical, and commercially successful work that evolved from the 1960s movement Tropicalia.

Despite all the hoopla about Pope John Paul II, some believe he has been an unparalleled disaster in the history of the papacy and of the Church. In Crossing the Threshold of Confusion, author Andrew J. McCauley examines the record of this pope and discusses the harm he has done or has allowed to have happened not only to the Church but to Western civilization. McCauley uncovers countless faults many Catholic leaders have overlooked, including: - Pope John Paul II's failure to enforce discipline in the Church, especially against widespread sexual abuse by priests; - his statements alleging and implying universal salvation; - the destabilization of marriage caused by his theology of the body; - the conflicting messages that confuse the Church's position on capital punishment; - his stance on the nature of the Church as a result of Vatican II. This exploration of recent Catholic history studies the ideas, writings, and policies of Pope John Paul II, from his life a young priest to his final days as pope, and examines their compatibility with traditional Catholic doctrine and practice. Crossing the Threshold of Confusion presents a case against the canonization of Pope John Paul II and demonstrates how his record warrants condemnation.