"In Personhood in Science Fiction, Juli L. Gittinger does more than merely survey or even analyse the treatment of persons human, alien, and android across some of the most popular sci-fi franchises of recent years. She engages with one of the most puzzling and ethically challenging questions there is, in conversation with everyone from philosophers to neuroscientists to theologians-and yes, of course, our most beloved science fiction authors. Although engaging with highly technical matters, Gittinger does so in a way that is impressively accessible. The result is a book that is of great significance for all the aforementioned fields and many others, and deserves to be read and discussed widely. Juli L. Gittinger skilfully leads readers on a quest for the souls of androids and aliens, and in the process helps us discover and explore our own."--James F. McGrath, Professor of Religion, Butler University, USA This book addresses the topic of personhood-who is a "person" or "human," and what rights or dignities does that include-as it has been addressed through the lens of science fiction. Chapters include discussions of consciousness and the soul, artificial intelligence, dehumanization and othering, and free will. Classic and modern sci-fi texts are engaged, as well as film and television. This book argues that science fiction allows us to examine the profound question of personhood through its speculative and imaginative nature, highlighting issues that are already visible in our present world.

"In Personhood in Science Fiction, Juli L. Gittinger does more than merely survey or even analyse the treatment of persons human, alien, and android across some of the most popular sci-fi franchises of recent years. She engages with one of the most puzzling and ethically challenging questions there is, in conversation with everyone from philosophers to neuroscientists to theologians-and yes, of course, our most beloved science fiction authors. Although engaging with highly technical matters, Gittinger does so in a way that is impressively accessible. The result is a book that is of great significance for all the aforementioned fields and many others, and deserves to be read and discussed widely. Juli L. Gittinger skilfully leads readers on a quest for the souls of androids and aliens, and in the process helps us discover and explore our own."--James F. McGrath, Professor of Religion, Butler University, USA This book addresses the topic of personhood-who is a "person" or "human," and what rights or dignities does that include-as it has been addressed through the lens of science fiction. Chapters include discussions of consciousness and the soul, artificial intelligence, dehumanization and othering, and free will. Classic and modern sci-fi texts are engaged, as well as film and television. This book argues that science fiction allows us to examine the profound question of personhood through its speculative and imaginative nature, highlighting issues that are already visible in our present world.

This book addresses the topic of personhood—who is a “person” or “human,” and what rights or dignities does that include—as it has been addressed through the lens of science fiction. Chapters include discussions of consciousness and the soul, artificial intelligence, dehumanization and othering, and free will. Classic and modern sci-fi texts are engaged, as well as film and television. This book argues that science fiction allows us to examine the profound question of personhood through its speculative and imaginative nature, highlighting issues that are already visible in our present world.

A remarkable and moving cross-genre work about animal rights by one of America’s foremost experimental writers Whether investigating refugee parrots, indentured elephants, the pathetic fallacy, or the revolving absurdity of the human role in the "invasive species crisis," Personhood reveals how the unmistakable problem between humans and our nonhuman relatives is too often the derangement of our narratives and the resulting lack of situational awareness. Building on her previous collection, Bird Lovers, Backyard, Thalia Field's essayistic investigations invite us on a humorous, heartbroken journey into how people attempt to control the fragile complexities of a shared planet. The lived experiences of animals, and other historical actors, provide unique literary-ecological responses to the exigencies of injustice and to our delusions of special status.

A timely volume that uses science fiction as a springboard to meaningful philosophical discussions, especially at points of contact between science fiction and new scientific developments. Raises questions and examines timely themes concerning the nature of the mind, time travel, artificial intelligence, neural enhancement, free will, the nature of persons, transhumanism, virtual reality, and neuroethics Draws on a broad range of books, films and television series, including The Matrix, Star Trek, Blade Runner, Frankenstein, Brave New World, The Time Machine, and Back to the Future Considers the classic philosophical puzzles that appeal to the general reader, while also exploring new topics of interest to the more seasoned academic

Prophets of the Posthuman provides a fresh and original reading of fictional narratives that raise the question of what it means to be human in the face of rapidly developing bioenhancement technologies. Christina Bieber Lake argues that works by Nathaniel Hawthorne, Walker Percy, Flannery O'Connor, Toni Morrison, George Saunders, Marilynne Robinson, Raymond Carver, James Tiptree, Jr., and Margaret Atwood must be reevaluated in light of their contributions to larger ethical questions. Drawing on a wide range of sources in philosophical and theological ethics, Lake claims that these writers share a commitment to maintaining a category of personhood more meaningful than that allowed by utilitarian ethics. Prophets of the Posthuman insists that because technology can never ask whether we should do something that we have the power to do, literature must step into that role. Each of the chapters of this interdisciplinary study sets up a typical ethical scenario regarding human enhancement technology and then illustrates how a work of fiction uniquely speaks to that scenario, exposing a realm of human motivations that might otherwise be overlooked or simplified. Through the vision of the writers she discusses, Lake uncovers a deep critique of the ascendancy of personal autonomy as America’s most cherished value. This ascendancy, coupled with technology’s glamorous promises of happiness, helps to shape a utilitarian view of persons that makes responsible ethical behavior toward one another almost impossible. Prophets of the Posthuman charts the essential role that literature must play in the continuing conversation of what it means to be human in a posthuman world.

Personal genome testing, gene editing for life-threatening diseases, synthetic life: once the stuff of science fiction, twentieth- and twenty-first-century advancements blur the lines between scientific narrative and scientific fact. This examination of bioengineering in popular and literary culture shows that the influence of science on science fiction is more reciprocal than we might expect. Looking closely at the work of Margaret Atwood, Richard Powers, and other authors, as well as at film, comics, and serial television such as Orphan Black, Everett Hamner shows how the genome age is transforming both the most commercial and the most sophisticated stories we tell about the core of human personhood. As sublime technologies garner public awareness beyond the genre fiction shelves, they inspire new literary categories like “slipstream” and shape new definitions of the human, the animal, the natural, and the artificial. In turn, what we learn of bioengineering via popular and literary culture prepares the way for its official adoption or restriction—and for additional representations. By imagining the connections between emergent gene testing and editing capacities and long-standing conversations about freedom and determinism, these stories help build a cultural zeitgeist with a sharper, more balanced vision of predisposed agency. A compelling exploration of the interrelationships among science, popular culture, and self, Editing the Soul sheds vital light on what the genome age means to us, and what’s to come.

This book examines how science fiction informs the legal imagination of technological futures. Science fiction, the contributors to this book argue, is a storehouse of images, tropes, concepts and memes that inform the legal imagination of the future, and in doing so generate impetus for change. Specifically, the contributors examine how science fictions imagine human life in space, in the digital and as formed and negotiated by corporations. They then connect this imaginary to how law should be understood in the present and changed for the future. Across the chapters, there is an urgent sense of the need for law – as it is has been, and as it might become – to order and safeguard the future for a multiplicity of vulnerable entities. This book will appeal to scholars and students with interests in law and technology, legal theory, cultural legal studies and law and the humanities.

In this groundbreaking collection, twelve international scholars – with backgrounds in disability studies, English and world literature, classics, and history – discuss the representation of dis/ability, medical "cures," technology, and the body in science fiction.

One man struggles to survive on a hostile alien world in this thrilling adventure from the #1 New York Times–bestselling author of Madrenga. Some people are convinced they can do anything; Evan Orgell is one of them. So when his company president sends him off-world to investigate a breakdown in communications from a small research station on a newly discovered planet, he’s all in. The planet’s resources could mean massive profits for the company—and a successful mission could mean massive advancement for Evan. Nothing ventured, nothing gained. Clad in a Mobile Hostile World suit, Evan has no doubts about his safety—until he lands on the world of Prism. Though he’s already dealt with thousands of theoretical extraterrestrial problems, nothing prepares him for what he finds there. Hungry, invading lifeforms are everywhere. Over two dozen highly trained people have been overwhelmed and killed, some with their bones eaten from the inside out. It’s utter devastation. Then, while Evan searches for survivors, his indestructible suit meets its match—and he must face the bloodthirsty predators of Prism alone, unprotected, with only his wits to rely on . . . Praise for Alan Dean Foster “One of the most consistently inventive and fertile writers of science-fiction and fantasy.” —The Times (London) “Alan Dean Foster is a master of creating alien worlds.” —SFRevu.com “Foster knows how to spin a yarn.” —Starlog “Alan Dean Foster is the modern day Renaissance writer, as his abilities seem to have no genre boundaries.” —Bookbrowser