Reprint of the original, first published in 1873.

Excerpt from Personal Recollections of the Drama: Or Theatrical Prominent; Embracing Sketches of Prominent Actors and Actresses, Their Chief Characteristics, Original Anecdotes of Them, and Incidents Connected Therewith Live o'er each scene, and be what they behold For this the tragic muse first trod the stage, Commanding tears to stream through every age. Tyrants no more their savage nature kept, And fees to virtue wondered how they wept. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

An account of the author's acting career, and information regarding the early American stage.

Experience the architecture and colorful history of the Historic Theaters of New York's Capital District as author John A. Miller charts the entertaining history. For generations, residents of New York's Capital District have flocked to the region's numerous theaters. The history behind the venues is often more compelling than the shows presented in them. John Wilkes Booth brushed with death on stage while he and Abraham Lincoln were visiting Albany. The first exhibition of broadcast television was shown at Proctor's Theater in Schenectady, although the invention ironically contributed to the downfall of theaters across the nation. A fired manager of the Green Street Theatre seized control of the theater with a group of armed men, but Albany police stormed the building and the former manager regained control.

The first unabridged publication of the memoirs of Cornelia Jones Pond, a privileged child of a slaveholding family in Georgia, follws her life from her birth into the antebellum world of 1834, through the apocalyptic Civil War, and beyond. UP.

Alexis de Tocqueville’s Souvenirs was his extraordinarily lucid and trenchant analysis of the 1848 revolution in France. Despite its bravura passages and stylistic flourishes, however, it was not intended for publication. Written just before Louis-Napoléon Bonaparte’s 1851 coup prompted the great theorist of democracy to retire from political life, it was initially conceived simply as an exercise in candid personal reflection. In Recollections: The French Revolution of 1848 and Its Aftermath, renowned historian Olivier Zunz and award-winning translator Arthur Goldhammer offer an entirely new translation of Tocqueville’s compelling book. The book has an interesting publishing history. Yielding to pressure from friends, Tocqueville finally approved its publication, although only after those portrayed in the work—most, unflatteringly—had died. After Tocqueville’s death, his grandnephew published a redacted version, but it was not until 1942 that French editors restored the potentially offensive passages. Goldhammer’s is the first English translation to do justice to Tocqueville’s original uncensored masterpiece of analytical description, stylistic subtlety, vivid social panorama, and incisive critique of political blundering and cowardice. Zunz’s introduction—and his addition of several of Tocqueville’s ancillary speeches, occasional texts, and letters—round out a unique volume that significantly enhances our understanding of the revolutionary period and Tocqueville’s role in it. In this new edition, Zunz highlights the persistent influence of the United States on the life and work of a man who tirelessly, albeit futilely, promoted the American model of government for the New French Republic.