In this short book, Bartsch explores an understudied poet and satirist who lived in Rome during the time of Nero, a man named Persius who was friends with Lucan and a member of Seneca the Younger s entourage. Most of the satirists who lived in Rome then tended to poke fun at the great gravitas of the Stoics, but not Persius. Unique among his literary peers, he, too, wrote satires that lampooned the State and social conventions of the day, yet he wrote from a Stoic point of view, translating, as Bartsch argues, philosophy into poetry and humor."

Recognizing Persius is a passionate and in-depth exploration of the libellus--or little book--of six Latin satires left by the Roman satirical writer Persius when he died in AD 62 at the age of twenty-seven. In this comprehensive and reflectively personal book, Kenneth Reckford fleshes out the primary importance of this mysterious and idiosyncratic writer. Reckford emphasizes the dramatic power and excitement of Persius's satires--works that normally would have been recited before a reclining, feasting audience. In highlighting the satires' remarkable honesty, Reckford shows how Persius converted Roman satire into a vehicle of self-exploration and self-challenge that remains relevant to readers today. The book explores the foundations of Roman satire as a performance genre: from the dinner-party recitals of Lucilius, the founder of the genre, through Horace, to Persius's more intense and inward dramatic monologues. Reckford argues that despite satire's significant public function, Persius wrote his pieces first and mainly for himself. Reckford also provides the context for Persius's life and work: his social responsibilities as a landowner; the interplay between his life, his Stoic philosophy, and his art; and finally, his incomplete struggle to become an honest and decent human being. Bringing the modern reader to a closer and more nuanced acquaintance with Persius's work, Recognizing Persius reinstates him to the ranks of the first-rate satirists, alongside Horace and Juvenal.

A critical study of Persius' poetic aims, aversions and techniques, based mainly on an extended analysis of Satires I. John Bramble shows how Persius' discontent with conventional literary language led him to compress the existing satiric idiom and create a powerful individual style. The author situates Persius' work in the tradition of Roman satire, and shows how he takes the concepts and metaphors of literary criticism back to their physical origins, to indict moral and literary decadence through a series of images connected with, for example, gluttony and sexual excess. This is a model study of a classical text, which makes consistent sense of a difficult and subtle manner, and answers questions posed by the potentially constricting nature of Roman poetic form. It also reconstructs the referential framework of ideas and associations upon which a sophisticated writer addressing a discriminating audience could draw.

The last decades have seen a lively interest in Roman verse satire, and this collection of essays introduces the reader to the best of modern critical writing on Persius and Juvenal. The eight articles on Persius range from detailed analyses of his fine technique to readings inspired by theoretical approaches such as New Historicism, Reader-Response Criticism, and Dialogics. The nine selections on Juvenal focus upon the pivotal question in modern Juvenalian criticism: how serious is the poet when he voices his appallingly misogynist, homophobic, and xenophobic moralism? The contributors challenge the straightforward equivalence of author and speaker in a variety of ways, and they also point up the technical aspects of Juvenal's art. Three papers have been newly translated for this volume, and all Latin quotations are also given in English. A specially written Introduction provides a useful conspectus of recent scholarship.

This book demonstrates that the carefully chosen Greek words in Persius’ programmatic passages play a significant role in the context of his literary criticism: they allow him to express his objection to the Graecizing poetic compositions of his day more convincingly, while facilitating intertextual dialogues with many writers. Greek words that occur in programmatic passages throw into relief various pathologies of poetry which Persius disapproves of and which contribute effectively to a justification of his rejection. However, this practice, which does not continue into the rest of his work, where Greek words are incorporated into the satirist’s thought more harmoniously, appears to serve specific expediencies and should not be considered characteristic of Persius’ attitude towards Greek culture in general. Besides, the satiric persona adopts a positive stance regarding Greek philosophy or comedy and criticizes the ignorant critics of Greek culture, while many aspects of Greek thought enrich his own poetry in several passages. Thus, despite the intensity with which he turns against the Graecizing compositions of his day, generalizations regarding an anti-Hellenic stance on Persius’ part should be deemed unfounded.

A Companion to Persius and Juvenal breaks new ground in its in-depth focus on both authors as "satiric successors"; detailed individual contributions suggest original perspectives on their work, and provide an in-depth exploration of Persius' and Juvenal's afterlives. Provides detailed and up-to-date guidance on the texts and contexts of Persius and Juvenal Offers substantial discussion of the reception of both authors, reflecting some of the most innovative work being done in contemporary Classics Contains a thorough exploration of Persius' and Juvenal's afterlives

A first century Roman poet of Etruscan origin, Persius wrote polished satires that reveal his interest in Stoicism and a strong criticism for what he considered to be the stylistic abuses of his poetic contemporaries. Like Juvenal who would write half a century later, Persius was the heir to the style of Latin verse satire developed by Lucilius and Horace, which were clearly aimed at a sophisticated and urban audience. He adopts the mask of an angry man, while his sharp criticism of the society in which he lives is combined with flashes of sardonic humor. Delphi’s Ancient Classics series provides eReaders with the wisdom of the Classical world, with both English translations and the original Latin texts. This comprehensive eBook presents Persius’ complete extant works, with illustrations, an informative introduction and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Persius’ life and works * Features the complete extant works of Persius, in both English translation and the original Latin * Concise introduction to the poetry * Provides both verse and prose translations * Also includes the 1918 translation previously appearing in the Loeb Classical Library edition * Features the translators’ original footnotes, giving important contextual information * Excellent formatting of the texts * Easily locate the poems you want to read with individual contents tables * Provides a special dual English and Latin text, allowing readers to compare the sections paragraph by paragraph — ideal for Latin students * Features three biographies — discover Persius’ ancient world * Ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to explore our range of Ancient Classics titles or buy the entire series as a Super Set CONTENTS: The Translations Brief Introduction to Persius Lewis Evans’ Prose Translation, 1881 William Gifford’s Verse Translation, 1881 George Gilbert Ramsay’s Prose Translation, 1918 The Latin Text Contents of the Latin Text The Dual Text Dual Latin and English Text The Biographies The Life of Aulus Persius Flaccus (c. 121) by Suetonius An Essay on the Roman Satirists (1881) by William Gifford Life of Persius (1918) by George Gilbert Ramsay Please visit www.delphiclassics.com to browse through our range of exciting titles