One Of The Earliest Persian Poets In India, Masud Sad Remains An Important And Influential Poet Across India, Pakistan And Iran. In This First Substantial Critical Study Of The Poets Life And Works, The Author Weaves A Rich Tapestry That Includes Literary Anecdotes, History And Poetry.

For a period of nearly eight hundred years, Perso-Islamic kingship was the source for the dominant social and cultural paradigms organising Indian political life. In the medieval world of South Asia, Persian kingship took the form of a hybridized and adaptive political expression. The Persian king embodied the values of justice, military heroics, and honor, ideals valorized historically and transculturally, yet the influence of the pre-Islamic Persian past and Persian forms of kingship has not yet been fully recognised. In this book, Blain Auer demonstrates how Persian kingship was a transcultural phenomenon. Describing the contributions made by kings, poets, historians, political and moral philosophers, he reveals how and why the image of the Persian king played such a prominent role in the political history of Islamicate societies, in general, and in India, in particular. By tracing the historical thread of this influence from Samanid, Ghaznavid, and Ghurid empires, Auer demonstrates how that legacy had an impact on the establishment of Delhi as a capital of Muslim rulers who made claims to a broad symbolic and ideological inheritance from the Persian kings of legend.

A wealth of scholarship has highlighted how commercial, political and religious networks expanded across the Arabian Sea during the seventeenth century, as merchants from South Asia traded goods in the ports of Yemen, noblemen from Safavid Iran established themselves in the courts of the Mughal Empire, and scholars from across the region came together to debate the Islamic sciences in the Arabian Peninsula's holy cities of Mecca and Medina. This book demonstrates that the globalising tendency of migration created worldly literary systems which linked Iran, India and the Arabian Peninsula through the production and circulation of classicizing Arabic and Persian poetry. By close reading over seventy unstudied manuscripts of seventeenth-century Arabic and Persian poetry that have remained hidden on the shelves of libraries in India, Iran, Turkey and Europe, the book examines how migrant poets adapted shared poetic forms, imagery and rhetoric to engage with their interlocutors and create communities in the cities where they settled. The book begins by reconstructing overarching patterns in the movement of over a thousand authors, and the economic basis for their migration, before focusing on six case studies of literary communities, which each represent a different location in the circulatory system of the Arabian Sea. In so doing, the book demonstrates the plurality of seventeenth-century aesthetic movements, a diversity which later nationalisms purposefully simplified and misread.

The second volume in this series presents the reader with an extensive study of some major genres of Persian poetry from the first centuries after the rise of Islam to the end of the Timurid era and the inauguration of Safavid rule in the beginning of the sixteenth century. The authors explore the development of poetic genres, from the panegyric (qaside), to short lyrical poems (ghazal), and the quatrains (roba'i), tracing the stylistic evolution of Persian poetry up to 1500 and examine the vital role of these poetic forms within the rich landscape of Persian literature.

This book addresses some of the fiercely contested issues about religion and politics in medieval India, especially with regard to the crucial presence of Sufis who styled themselves as friends and lovers of God. Enjoying widespread veneration even in situations of hostility with regard to Islam and Muslims in general, Sufis are central to an understanding of religious interactions and community relations historically. The chapters included in the book can be read as stand-alone pieces focussing on some of the most fascinating as well as contentious themes in medieval Indian history – subjects and issues which are otherwise either left untouched by historians because of their sensitive nature from the point of view of modern day secularism or abused by interested parties in their communal propaganda. When read as a monograph, the volume as a whole attempts to combat all kinds of intellectual absurdities, which mar our understating of the place of Islam in medieval Indian history, especially the significant presence of Sufis who were devoted to the love of God and service to humanity. Historiographically important issues which are also topical in these times of interdependence of religion and politics – the latter exploiting religion for legitimacy and justification of violence, and religion needing political support for expansion and imposition on the gullible – have been dealt in detail, neither bounded by a particular ideology nor by identity politics with its separate blinkers. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.

For centuries, Persian was the language of power and learning across Central, South, and West Asia, and Persians received a particular basic education through which they understood and engaged with the world. Not everyone who lived in the land of Iran was Persian, and Persians lived in many other lands as well. Thus to be Persian was to be embedded in a set of connections with people we today consider members of different groups. Persianate selfhood encompassed a broader range of possibilities than contemporary nationalist claims to place and origin allow. We cannot grasp these older connections without historicizing our conceptions of difference and affiliation. Mana Kia sketches the contours of a larger Persianate world, historicizing place, origin, and selfhood through its tradition of proper form: adab. In this shared culture, proximities and similarities constituted a logic that distinguished between people while simultaneously accommodating plurality. Adab was the basis of cohesion for self and community over the turbulent eighteenth century, as populations dispersed and centers of power shifted, disrupting the circulations that linked Persianate regions. Challenging the bases of protonationalist community, Persianate Selves seeks to make sense of an earlier transregional Persianate culture outside the anachronistic shadow of nationalisms.

The qaṣīdah and the qiṭʿah are well known to scholars of classical Arabic literature, but the maqṭūʿ, a form of poetry that emerged in the thirteenth century and soon became ubiquitous, is as obscure today as it was once popular. These poems circulated across the Arabo-Islamic world for some six centuries in speech, letters, inscriptions, and, above all, anthologies. Drawing on more than a hundred unpublished and published works, How Do You Say “Epigram” in Arabic? is the first study of this highly popular and adaptable genre of Arabic poetry. By addressing this lacuna, the book models an alternative comparative literature, one in which the history of Arabic poetry has as much to tell us about epigrams as does Greek.

“Alice Albinia is the most extraordinary traveler of her generation. . . . A journey of astonishing confidence and courage.”—Rory Stewart One of the largest rivers in the world, the Indus rises in the Tibetan mountains and flows west across northern India and south through Pakistan. It has been worshipped as a god, used as a tool of imperial expansion, and today is the cement of Pakistan’s fractious union. Alice Albinia follows the river upstream, through two thousand miles of geography and back to a time five thousand years ago when a string of sophisticated cities grew on its banks. “This turbulent history, entwined with a superlative travel narrative” (The Guardian) leads us from the ruins of elaborate metropolises, to the bitter divisions of today. Like Rory Stewart’s The Places In Between, Empires of the Indus is an engrossing personal journey and a deeply moving portrait of a river and its people.

This book is a concise biography of Babur, who founded the Timurid-Mughal Empire of South Asia. Based primarily on his autobiography and existential verse, it chronicles the life and career of a Central Asian, Turco-Mongol Muslim who, driven from his homeland by Uzbeks in 1504, ruled Kabul for two decades before invading 'Hindustan' in 1526. It offers a revealing portrait of Babur's Perso-Islamic culture, Timurid imperial ambition and turbulent emotional life. It is, above all, a humanistic portrait of an individual, who even as he triumphed in South Asia, suffered the regretful anguish of an exile who felt himself to be a stranger in a strange land.

A critical biography of Zah?r al-Din Muhammad B?bur, the founder, in 1526, of the Timurid-Mughal Empire of India, offering