This book offers a resourceful collection of essays examining recent efforts to respond to the challenges of planning, management and conserving landscapes in contemporary Iran, the home of Persian gardens. Drawing on selected recent studies, the chapters discuss the following topics: The sphere of knowledge and theoretical bases, including a survey of recent and ongoing research; Persian gardens remaining from the 6th century BC to the 19th century AD, which have influenced garden design in a vast geographic domain extending from India to Spain; Management and conservation of cultural landscapes, historic urban landscapes (HUL), road landscapes, and natural landscapes in the face of changes in climatic conditions and livelihood practices affecting their delicate dynamic balance and functions essential to their distinctive character; and Historic Territorial Landscapes (HTL) formed and evolved along the Silk and Spice Roads as compositions of tangible and intangible elements resulting from movement, exchanges and dialogue in space and over time. The book is a useful resource for a range of academics and professionals, such as landscape architects and managers, landscape historians and conservationists, and urban planners and managers.

Gardens were both a setting and showcase for nearly every aspect of social and daily life at the royal court during the early Islamic period in Western Asia. Safa Mahmoudian uses a wide range of primary source materials including contemporary Arabic manuscripts, together with archaeological reports, aerial photographs, and archaeologists’ letters and diaries. Through close readings of this evidence, Mahmoudian creates a picture of these gardens in their historical, architectural and environmental contexts and examines various factors that influenced their design and placement. In doing so, Mahmoudian adds to our understanding of these gardens and palaces and, ultimately, early Islamic-period court culture as a whole.

Imagine … a brutal rape. A vicious murder. Now, what would you seek if it involved your daughter? If the monster is her stepfather? Justice or revenge? In PERIL IN PARADISE, Clara Garza is faced with this dilemma while trying to stay one step ahead of her deranged ex-husband, Damian Garza. As she embarks on her voyage for justice, Clara meets Jackson Brady, a man seeking his own revenge – a man trying to capture her heart. The two find themselves resolving one issue only to face another sinister challenge. Readers will want to join Clara and Jackson as they navigate a journey of justice, revenge … and survival.

This study on the representations of Paradise in the Hebrew Bible (Genesis 2-3 and Ezekiel 28) also deals with the reception of the biblical accounts in early Jewish writings (Enochic texts, the Book of Jubilees, Qumran texts) in Rabbinics and Kabbalah, early mainstream Christianity and in early Christian apocryphal and Gnostic literature. Two further chapters are devoted to views of Paradise in the Christian Middle Ages. The volume concludes with the interpretation of Paradise in John Milton's epic poem Paradise Lost.

This invaluable guide enables students to get the most from their art history course. Written in an accessible style, the book introduces two basic art historical methods - formal analysis and contextual analysis. In this new edition revising author Michael Cothren has extended the discussion on iconography and iconology, as well as adding discussions on the effects of the market and museums on art. Greater emphasis is placed on the global and multicultural aspects of art creation and analysis with new images and more case studies. There is more step-by-step guidance on how to use these methods to prepare for exams and write papers.

In a novel approach that the author terms "symbolic paradigm analysis," Paradise and Paradigm offers a "theoretically modular" systematic comparison of two "Persian" religions: early Syriac Christianity as the foundation of the East Syrian "Church of the East" (the Nestorian Church of Persia) and the Baha'i Faith, a new world religion. The author compares the hymns of the greatest poet of early Christianity, Saint Ephrem the Syrian, and the richly imagistic writings of the founder of the Baha'i religion, Baha'u'llah. The book employs an original analytic technique in the creation of "symbolic profiles" constructed on Ninian Smart's dimensional model of religion. As Buck skillfully demonstrates, formal similarities between any two religions are best comprehended in terms of paradigmatic differences, which nuance all parallels through a process of symbolic transformation. Buck also shows the communal reflexivity of paradise imagery in representing the ideal faith-community in both traditions.