"High in the hills of Valencia, a forgotten house guards its secrets. Untouched since Franco's forces tore through Spain in 1936, the whitewashed walls have crumbled, and the garden, laden with orange blossom, grows wild. Emma Temple is the first to unlock its doors in seventy years. Emma is London's leading perfumier, but her blessed life has taken a difficult turn. Emma's free-spirited mother, Liberty, who taught her the art of fragrance making, has just passed away. At the same time, Emma has separated from her long-time lover and business partner, Joe, whose baby she happens to be carrying. While Joe is in New York trying to sell his majority share in their company, Emma, guided by a series of letters and a key bequeathed to her in Liberty's will, decides to leave her job and travel to Valencia, to the house her mother mysteriously purchased just before her death. Emma makes it her mission to restore the place to its former glory. But for her aging grandmother, Freya, a British nurse who stayed in Valencia during Spain's devastating civil war, Emma's new home evokes memories of a terrible secret, a part of her family's past that until now has managed to stay hidden. With two beautifully interwoven narratives and a lush, atmospheric setting, The Perfume Garden is a dramatic, emotional debut that readers won't soon forget"--

About Two Hearts Love is about two hearts We shall see what happens When love takes over These days my heart Is neither awake nor asleep I do not know what condition my heart is in There are dreams in my vision about you Imprinted in my heart is the image of you There is no one quite like you Do not tease me like this Just keep coming my way

Create Custom Perfumes the Natural Way This unprecedented, comprehensive guide from renowned perfumer Anya McCoy is an inspiring resource for anyone interested in creating artisanal perfume at home. Discover simple step-by-step methods for making perfume without harsh chemicals. Jump right in, using local plants and common household ingredients. Soon you’ll be building your own scent collection and creating unforgettable gifts for friends and family. This book covers a variety of techniques for capturing fragrances from natural materials, making it easy to choose the project that works for your schedule and experience level. Source your own organically grown botanicals, and enjoy the earth-friendly benefits of creating your own essential oils and extractions sustainably. Make your own all-natural perfumes, room and linen sprays, body butters, massage oils, and more. Explore the nuances of scent blending to create delightful fragrances that are unique to you. Packed with easy methods and expert guidance, this book will become an indispensable reference as you grow into a confident scent designer.

Since antiquity, musk has been a valued perfume and medicine. Because the musk deer only lives in Central Eurasia, people in other locations had to trade for its musk. For medieval Islamic civilization, musk became the most important of all aromatics. The musk trade thus illuminates the nature of medieval Asian trade and musk's cultural effects on the Islamic world. Scent from the Garden of Paradise: Musk and the Medieval Islamic World examines the history of musk from its origins in Asia to its uses in the medieval Middle East, surveys the Islamic literature on musk, and discusses the roles of musk in perfumery and medicine, as well as the symbolic importance of musk in Islam.

“Captivating [...] Herrick weaves a rich tapestry of family lore, dark secrets, and love.” —Brunonia Barry, New York Times bestselling author of The Lace Reader and The Fifth Petal Perfect for fans of Kate Morton and Sarah Jio, comes a lush imaginative novel that takes readers into the heart of a mysterious English country garden, waiting to spring to life. Every garden is a story, waiting to be told… At the nursery she runs with her sisters on the New England coast, Sorrel Sparrow has honed her rare gift for nurturing plants and flowers. Now that reputation, and a stroke of good timing, lands Sorrel an unexpected opportunity: reviving a long-dormant Shakespearean garden on an English country estate. Arriving at Kirkwood Hall, ancestral home of Sir Graham Kirkwood and his wife Stella, Sorrel is shocked by the desolate state of the walled garden. Generations have tried—and failed—to bring it back to glory. Sorrel senses heartbreak and betrayal here, perhaps even enchantment. Intrigued by the house’s history—especially the haunting tapestries that grace its walls—and increasingly drawn to Stella’s enigmatic brother, Sorrel sets to work. And though she knows her true home is across the sea with her sisters, instinct tells her that the English garden’s destiny is entwined with her own, if she can only unravel its secrets…

'An authoritative guide from two experts who really know their way around scent' – FUNMI FETTO The Perfume Companion is a beautifully illustrated compendium of almost 500 recommended scents, designed to help you pick out your next favourite fragrance. Perfumes have the power to evoke treasured memories, make us feel fabulous and help us express our best self. But with so many out there, how do you choose something new? When the scents in the perfume shop are merging into one aromatic haze, how do you remain focused? And if your favourite scent goes out of stock, how do you replace it? The Perfume Companion is here to help. Sarah McCartney and Samantha Scriven deliver a host of scents for you to try – including bargain finds and luxury treasures, iconic stalwarts and indie newcomers, the lightest florals and the deepest leathers. With insider information about how perfumes are really made, discover hundreds of new fragrances and find the scents to share your own memories with. This is the perfect companion for your scented adventures.

Guide to creating gardens that are highly scented as well as showing scent can complement colour and beauty in every type of garden. Illus.

One evening some friends were gathered at the home of one of our most celebrated writers. Having dined sumptuously, they were discussing murder—apropos of what, I no longer remember probably apropos of nothing. Only men were present: moralists, poets, philosophers and doctors—thus everyone could speak freely, according to his whim, his hobby or his idiosyncrasies, without fear of suddenly seeing that expression of horror and fear which the least startling idea traces upon the horrified face of a notary. I—say notary, much as I might have said lawyer or porter, not disdainfully, of course, but in order to define the average French mind. With a calmness of spirit as perfect as though he were expressing an opinion upon the merits of the cigar he was smoking, a member of the Academy of Moral and Political Sciences said: “Really—I honestly believe that murder is the greatest human preoccupation, and that all our acts stem from it... “ We awaited the pronouncement of an involved theory, but he remained silent. “Absolutely!” said a Darwinian scientist, “and, my friend, you are voicing one of those eternal truths such as the legendary Monsieur de La Palisse discovered every day: since murder is the very bedrock of our social institutions, and consequently the most imperious necessity of civilized life. If it no longer existed, there would be no governments of any kind, by virtue of the admirable fact that crime in general and murder in particular are not only their excuse, but their only reason for being. We should then live in complete anarchy, which is inconceivable. So, instead of seeking to eliminate murder, it is imperative that it be cultivated with intelligence and perseverance. I know no better culture medium than law.” Someone protested. “Here, here!” asked the savant, “aren't we alone, and speaking frankly?” “Please!” said the host, “let us profit thoroughly by the only occasion when we are free to express our personal ideas, for both I, in my books, and you in your turn, may present only lies to the public.” The scientist settled himself once more among the cushions of his armchair, stretched his legs, which were numb from being crossed too long and, his head thrown back, his arms hanging and his stomach soothed by good digestion, puffed smoke−rings at the ceiling: “Besides,” he continued, “murder is largely self−propagating. Actually, it is not the result of this or that passion, nor is it a pathological form of degeneracy. It is a vital instinct which is in us all—which is in all organized beings and dominates them, just as the genetic instinct. And most of the time it is especially true that these two instincts fuse so well, and are so totally interchangeable, that in some way or other they form a single and identical instinct, so that we no longer may tell which of the two urges us to give life, and which to take it—which is murder, and which love. I have been the confidant of an honorable assassin who killed women, not to rob them, but to ravish them. His trick was to manage things so that his sexual climax coincided exactly with the death−spasm of the woman: 'At those moments,' he told me, 'I imagined I was a God, creating a world!”