The violent death of a famous actress rocks the rural Iowa town of Orney, where a Hollywood movie company is filming on location. Local newspaper reporter Tony Harrington is stunned by the murder, as he was one of the last people to see her alive. Tony finds himself further entwined in the case when it's learned the actress was seen riding in his car on the night she was killed, and when her former lover attacks him and his best friend. Soon Tony's world view is shattered when someone he loves is officially charged with the murder, and the evidence collected by the authorities is indisputable. As Tony desperately seeks an alternative solution to the case, he finds it may have ties to a family secret from thirty years in the past. As the investigation intensifies, so does the action, leaving a second person dead and a third lying on the ground with a bullet hole in his side. At the point where Tony is ready to give up and concede the unthinkable is true, a newfound love convinces him to dig deeper. Her strength, intelligence, and belief in Tony helps him cling to hope and begin to unravel the truth, right up until the murderer fights back, putting Tony in the greatest peril of his life. Join Tony as he races against time to save an innocent man, win a woman's heart, and stop a criminal genius from once again "performing murder."

The Gory Stories Behind The Murder Ballads Cheerfully vulgar, revelling in gore, and always with an eye on the main chance, murder ballads are tabloid newspapers set to music, carrying word of the latest ‘orrible murders to an insatiable public. Victims are bludgeoned, stabbed or shot in every verse and killers often hanged, but the songs themselves never die. Instead, they mutate – morphing to suit local place names as they criss cross the Atlantic and continue to fascinate each generation’s biggest musical stars. Paul Slade traces this fascinating genre’s history through eight of its greatest songs. Stagger Lee’s “biographers” alone include Duke Ellington, James Brown, Bob Dylan, Dr John, The Clash and Nick Cave. No two tell his story in quite the same way. Covering eight classic murder ballads, including “Knoxville Girl”, “Tom Dooley” and “Frankie & Johnny”, Slade investigates the real-life murder which inspired each song and traces its musical development down the decades. Billy Bragg, The Bad Seeds’ Mick Harvey, Laura Cantrell, Rennie Sparks of The Handsome Family and a host of other leading musicians add their own insights.

Why is it so much fun to read about death and dismemberment? In Murder Book, lifelong true-crime obsessive and New Yorker cartoonist Hilary Fitzgerald Campbell tries to puzzle out the answer. An unconventional graphic exploration of a lifetime of Ann Rule super-fandom, amateur armchair sleuthing, and a deep dive into the high-profile murders that have fascinated the author for decades, this is a funny, thoughtful, and highly personal blend of memoir, cultural criticism, and true crime with a focus on the often-overlooked victims of notorious killers.

Something bad is brewing among a friendly group of book lovers: “A deliciously Agatha Christie-style mystery that sucks you in from the first page.” —Sibel Hodge, bestselling author of Look Behind You Imagine nine women meeting. Tea and cake are on the coffee table. They’ve come together to share their love of books. They are friends. They trust each other. It’s a happy gathering. What could be more harmless? Then scratch the surface and look closer. One is lonely. One is desperate. And one of them is a killer. When the body of a woman is discovered on a Cambridge common, DCI Barrett and DI Palmer are called in to investigate. But the motive behind the crime isn’t clear—and it all leads back to a book club. As the lies, volatile friendships, and tension among the group rise to the surface, DCI Barrett and DI Palmer must work out the motive and track down a cold-blooded killer. But just when they think they’re on the right track, a twist in the plot throws them off course . . . “Will keep readers guessing till the very end!” —J.A. Baker, bestselling author of The Other Mother “A deliciously devilish whodunit!” —Robert Bryndza, bestselling author of the Detective Erika Foster series

T. S. Eliot's most famous drama, a retelling of the murder of the archbishop of Canterbury Murder in the Cathedral, written for the Canterbury Festival in 1935, was one of T. S. Eliot’s first dramatic achievements, and it remains one of the great plays of the century. It takes as its subject matter the martyrdom of Thomas Becket, Archbishop of Canterbury, depicting the events that led to his assassination, in his own cathedral church, by the knights of Henry II in 1170. Like Greek drama, the play’s theme and form are rooted in religion, ritual purgation and renewal, and it was this return to the earliest sources of drama that brought poetry triumphantly back to the English stage at the time. "The theatre is enriched by this poetic play of grave beauty and momentous decision." —The New York Times

The most frequently asked question about writing musicals is, "Which comes first, the music or the lyrics?" As anyone on Broadway will tell you, the answer is, "The book." Tony-winning book writer Robert L. Freedman takes you through the process of writing a new musical, including story structure, song placement, dialogue, character development, and more that led to the creation of A Gentleman's Guide to Love and Murder, the 2014 Best Musical Tony winner. With candor and insight, Freedman describes the challenging and rewarding growing pains of what the critics called "Hilarious!" and "Ingenious!" and said "Ranks among the most inspired and entertaining new musical comedies I've seen in years."

A thorough - and thoroughly enjoyable - look at the genre of the feminist crime novel in Britain and the United States. A pioneering work in the field and an indispensable guide for readers and scholars of the genre.

This “superbly written true-crime story” (Michael Lewis, The New York Times Book Review) masterfully brings together the tales of a serial killer in 1970s Alabama and of Harper Lee, the beloved author of To Kill a Mockingbird, who tried to write his story. Reverend Willie Maxwell was a rural preacher accused of murdering five of his family members, but with the help of a savvy lawyer, he escaped justice for years until a relative assassinated him at the funeral of his last victim. Despite hundreds of witnesses, Maxwell’s murderer was acquitted—thanks to the same attorney who had previously defended the reverend himself. Sitting in the audience during the vigilante’s trial was Harper Lee, who spent a year in town reporting on the Maxwell case and many more trying to finish the book she called The Reverend. Cep brings this remarkable story to life, from the horrifying murders to the courtroom drama to the racial politics of the Deep South, while offering a deeply moving portrait of one of our most revered writers.