Five hundred years ago, the army of conquest led by Hernan Cortés marched hundreds of miles across a rugged swath of land from Veracruz on the Mexican Caribbean to the capital city of the Aztecs, now Mexico City. This journey was the catalyst for profound cultural and political change in Mesoamerica. Today, many Mexicans view the Ruta de Cortés as a symbol of an event that forever changed the course of their history. But few U.S. Americans understand how the conquest still affects Mexicans’ national identity and their relationship with the United States. Following the route of Hernán Cortés, In the Shadow of Cortés offers a visual and cultural history of the legacy of contact between Spaniards and indigenous civilizations. The book is a reflective journey that presents a diversity of voices, images, and ideas about history and conquest. Specialist in Mexican culture Kathleen Ann Myers teams up with prize-winning translators and photographers to offer a unique reading experience that combines accessible interpretative essays with beautifully translated interviews and dozens of historical and contemporary black-and-white and color images, including some by award-winner Steven Raymer. The result offers readers multiple perspectives on these pivotal events as imagined and re-envisioned today by Mexicans both in their homeland and in the United States. In the Shadow of Cortés offers an extensive visual narrative about conquest and, ultimately, about Mexican history. It traces the symbolic geography of the conquest and shows how the historical memory of colonialism continues to shape lives today.

The start of the epic new Chronicles of the Invaders series from bestselling author John Connolly, and Jennifer Ridyard. For fans of THE 5TH WAVE and I AM NUMBER FOUR. She is the first of her kind to be born on Earth. He is one of the Resistance, fighting to rid the world of an alien invasion. They were never meant to meet. And when they do, it will change everything . . .

Conquest and Community, by prize-winning historian Shahid Amin, is a kaleidoscopic look into one of the most divisive issues in South Asian history: the Turkic conquest of the subcontinent and the subsequent spread of Muslim rule. Covering more than eight hundred years of history, the book centers around the enduringly popular saint Ghazi Miyan, the youthful and lovable soldier of Islam to whom shrines have been erected all over the country. After detailing the warrior saint s supposed exploits, Amin charts the various ways he has been remembered throughout the last millennium. As he shows, the charming stories, ballads, and proverbs that grew up around him domesticated the bloody conquest and made it appear both virtuous and familial. Amin brings the story of Ghazi Miyan s long afterlife into the contemporary period through his ethnographic analysis of the still-active shrines as sites of interreligious public piety. What is at first glance a story of just one mythical figure becomes through Amin s thoughtful treatment an allegory for the history of Hindu-Muslim relations over an astonishingly long period of time. As the Muslim conquest of India is being mobilized for dangerously polarizing political ends in India today, this nonsectarian account of religious strife will be a timely and sane contribution to the vexed historical debate."

A historical account of the berdache--biological men who performed the offices and work of women, including sexual service--in Europe and America at the time of the Conquest. Trexler examines the sexual culture of both early modern Iberia and the native American world of that era. Annotation copyright by Book News, Inc., Portland, OR

“The theatre scholar’s daunting but irresistible quest to recover some echoes of performance of the past has never been more engagingly presented than in Pascoe’s account of tracing the long-silenced voice of Sarah Siddons. Her report is a warm, witty, and highly informative exploration of the methodology and the pleasures of historical research.” —Marvin Carlson, author of The Haunted Stage: The Theatre as Memory Machine During her lifetime (1755–1831), English actress Sarah Siddons was an international celebrity acclaimed for her performances of tragic heroines. We know what she looked like—an endless number of artists asked her to sit for portraits and sculptures—but what of her famous voice, reported to cause audiences to hyperventilate or faint? In The Sarah Siddons Audio Files, Judith Pascoe takes readers on a journey to discover how the actor’s voice actually sounded. In lively and engaging prose, Pascoe retraces her quixotic search, which leads her to enroll in a “Voice for Actors” class, to collect Lady Macbeth voice prints, and to listen more carefully to the soundscape of her life. Bringing together archival discoveries, sound recording history, and media theory, Pascoe shows how romantic poets’ preoccupation with voices is linked to a larger cultural anxiety about the voice’s ephemerality. The Sarah Siddons Audio Files contributes to a growing body of work on the fascinating history of sound and will engage a broad audience interested in how recording technology has altered human experience.

A monumental achievement of scholarship, this volume on the Nahua Indians of Central Mexico (often called Aztecs) constitutes our best understanding of any New World indigenous society in the period following European contact. Simply put, the purpose of this book is to throw light on the history of Nahua society and culture through the use of records in Nahuatl, concentrating on the time when the bulk of the extant documents were written, between about 1540-50 and the late eighteenth century. At the same time, the earliest records are full of implications for the very first years after contact, and ultimately for the preconquest epoch as well, both of which are touched on here in ways that are more than introductory or ancillary.

This stunning volume presents the cult artist’s visually arresting and detailed sculptures, which evoke fantastic realism and the macabre. Kris Kuksi’s ornate artworks transcend a fine-art gallery context, appealing to a goth, street-culture audience. Using a range of mixed media and unconventional materials, Kuksi builds intricate miniature worlds out of model train kits, army men, jewelry, rocks, tchotchkes, religious souvenirs, figurines, and ornamental fixtures sourced from all over the world. Each of the delicate and unique assemblages host endless intricate baroque and macabre narratives, reminiscent of lost civilizations, classical sculpture, and fantastic realism. This volume features more than 200 color reproductions and intricate details of his works. Much-anticipated, it is bound to be collected by both loyal fans and those only now discovering Kuksi’s masterful, impossible-to-forget compositions, which draw the viewer in and capture the imagination.

What can war tell us about empire? In Climate of Conquest, Pratyay Nath seeks to answer this question by focusing on the Mughals. He goes beyond the traditional way of studying war in terms of battles and technologies. Instead, he unravels the deep connections that the processes of war-making shared with the society, culture, environment, and politics of early modern South Asia. Climate of Conquest closely studies the dynamics of the military campaigns that helped the Mughals conquer North India and project their power beyond it. The author argues that the diverse natural environment of South Asia deeply shaped Mughal military techniques and the course of imperial expansion. He also sheds light on the world of military logistics, labour, animals, and the organization of war; the process of the formation of imperial frontiers; and the empire’s legitimization of war and conquest. What emerges is a fresh interpretation of Mughal empire-building as a highly adaptive, flexible, and accommodative process.

"The first English translation of Michael de Carvajal's Spanish play Complaint of the Indians in the Court of Death, originally published in 1557. Translated by Carlos Jâauregui and Mark Smith-Soto. An annotated bilingual edition, with an introduction that discusses the origins and ideological significance of the play"--Provided by publisher.

Oxford Textual Perspectives is a new series of informative and provocative studies focused upon literary texts (conceived of in the broadest sense of that term) and the technologies, cultures and communities that produce, inform, and receive them. It provides fresh interpretations of fundamental works and of the vital and challenging issues emerging in English literary studies. By engaging with the materiality of the literary text, its production, and reception history, and frequently testing and exploring the boundaries of the notion of text itself, the volumes in the series question familiar frameworks and provide innovative interpretations of both canonical and less well-known works. Living through Conquest is the first ever investigation of the political clout of English from the reign of Cnut to the earliest decades of the thirteenth century. It focuses on why and how the English language was used by kings and their courts and by leading churchmen and monastic institutions at key moments from 1020 to 1220. English became the language of choice of a usurper king; the language of collective endeavour for preachers and prelates; and the language of resistance and negotiation in the post-Conquest period. Analysing texts that are not widely known, such as Cnut's two Letters to the English of 1020 and 1027, Worcester's Confraternity Agreement, and the Eadwine Psalter, alongside canonical writers like Ælfric and Wulfstan, Elaine Treharne demonstrates the ideological significance of the native vernacular and its social and cultural relevance alongside Latin, and later, French. While many scholars to date have seen the period from 1060 to 1220 as a literary lacuna as far as English is concerned, this book demonstrates unequivocally that the hundreds of vernacular works surviving from this period attest to a lively and rich textual tradition. Living Through Conquest addresses the political concerns of English writers and their constructed audiences, and investigates the agenda of manuscript producers, from those whose books were very much in the vein of earlier English codices to those innovators who employed English precisely to demonstrate its contemporaneity in a multitude of contexts and for a variety of different audiences.