PEOPLE OF THE SWORD combines myth, history, and conquest with music, sorcery and a touch of romance to impart the struggles of two vastly different cultures suddenly dependent on one another for survival. Confronted by a common enemy, the wizard Crarnock, the druids and knights of Tropal realize that only through cooperation can they defeat Crarnock's goblin army. The journey will test the resolve of both peoples as they realize that their collective bias and misunderstandings are as much a threat as Crarnock himself.For readers interested in history, mythology, culture change, and classic struggles between Good and Evil, PEOPLE OF THE SWORD is for you.

This novel, banned shortly before publication in Sept '08 by Random House, attracting British and world-wide media attention, tells for the first time the moving but little known love story between Mohammed and his favoured wife Ai'sha. A wonderful fast-paced novel and an uplifting subject that readers from all religions will enjoy.

The acclaimed author of Rubicon and other superb works of popular history now produces a thrillingly panoramic (and incredibly timely) account of the rise of Islam. No less significant than the collapse of the Roman Republic or the Persian invasion of Greece, the evolution of the Arab empire is one of the supreme narratives of ancient history, a story dazzlingly rich in drama, character, and achievement. Just like the Romans, the Arabs came from nowhere to carve out a stupefyingly vast dominion—except that they achieved their conquests not over the course of centuries as the Romans did but in a matter of decades. Just like the Greeks during the Persian wars, they overcame seemingly insuperable odds to emerge triumphant against the greatest empire of the day—not by standing on the defensive, however, but by hurling themselves against all who lay in their path.

A multidisciplinary overview of current research into the enduringly fascinating martial artefact which is the sword.

The newly crowned King Arthur has yet to win the support of the people. Merlin must do something before the king is betrayed, or murdered, or--worst of all--gets married. So Merlin creates a trick: a sword magically placed into a slab of rock that only Arthur can withdraw. Then he lets it be known that whosoever removes the blade will rule all of England, and invites any man who would dare, to try to pull out the sword. But then someone else pulls the sword out first. . . .

The Armenian genocide of 1915 has been well documented. Much less known is the Turkish genocide of the Assyrian, Chaldean and Syriac peoples, which occurred simultaneously in their ancient homelands in and around ancient Mesopotamia - now Turkey, Iran and Iraq. The advent of the First World War gave the Young Turks and the Ottoman government the opportunity to exterminate the Assyrians in a series of massacres and atrocities inflicted on a people whose culture dates back millennia and whose language, Aramaic, was spoken by Jesus. Systematic killings, looting, rape, kidnapping and deportations destroyed countless communities and created a vast refugee diaspora. As many as 300,000 Assyro-Chaldean- Syriac people were murdered and a larger number forced into exile. The "Year of the Sword" (Seyfo) in 1915 was preceded over millennia by other attacks on the Assyrians and has been mirrored by recent events, not least the abuses committed by Islamic State. Joseph Yacoub, whose family was murdered and dispersed, has gathered together a compelling range of eye-witness accounts and reports which cast light on this 'hidden genocide.' Passionate and yet authoritative in its research, his book reveals a little-known human and cultural tragedy. A century after the Assyrian genocide, the fate of this Christian minority hangs in the balance.

A dramatic tension confronts every Christian believer and interpreter of Scripture: on the one hand, we encounter images of God commanding and engaging in horrendous violence: one the other hand, we encounter the non-violent teachings and example of Jesus, whose loving, self-sacrificial death and resurrection is held up as the supreme revelation of God’s character in the New Testament. How do we reconcile the tension between these seemingly disparate depictions? Are they even capable of reconciliation? Throughout Christian history, many different answers have been proposed, ranging from the long-rejected explanation that these contrasting depictions are of two entirely different ‘gods’ to recent social and cultural theories of metaphor and narrative representation. The Crucifixion of the Warrior God takes up this dramatic tension and the range of proposed answers in an epic constructive investigation. Over two volumes, renowned theologian and biblical scholar Gregory A. Boyd argues that we must take seriously the full range of Scripture as inspired, including its violent depictions of God. At the same time, we must take just as seriously the absolute centrality of the crucified and risen Christ as the supreme revelation of God. Developing a theological interpretation of Scripture that he labels a “cruciform hermeneutic,” Boyd demonstrates how Scripture’s violent images of God are completely reframed and their violence subverted when they are interpreted through the lens of the cross and resurrection. Indeed, when read through this lens, Boyd argues that these violent depictions can be shown to bear witness to the same self-sacrificial character of God that was supremely revealed on the cross.

An unearthly adversary descends on an idyllic fantasy world, corrupting magic against good and slaughtering innocents, and only a single man can stop him.